Consumed By War

Europe endured such incessant political discord throughout the twentieth century that some historians refer to the period's conflicts as the Long War. During the Balkan wars of 1912–1913, regional fighting in southeastern Europe ignited conflict across the continent that continued through both world wars and the Cold War. In Consumed by War: European Conflict in the 20th Century, Richard C. Hall illuminates the complex diplomatic and military struggles of a region whose instability, rooted in a nineteenth-century nationalistic fervor, provided a catalyst for the political events that ensued. From the assassination of Archduke Franz Ferdinand in 1914 to the incarceration of Radovan Karadzic in 2008, this narrative history appeals to general readers and scholars interested in a fresh interpretation of a complicated and brutal era.

A Township at War takes the reader from rural Canadian field and farm to the slopes of Vimy Ridge and the mud of Passchendaele, and shows how a tightly knit Ontario community was consumed and transformed by the trauma of war. In 1914, the southern Ontario township of East Flamborough was like a thousand other rural townships in Canada, broadly representative in its wartime experience. Author Jonathan Vance draws from rich narrative sources to reveal what rural people were like a century ago—how they saw the world, what they valued, and how they lived their lives. We see them coming to terms with global events that took their loved ones to distant battlefields, and dealing with the prosaic challenges of everyday life. Fall fairs, recruiting meetings, church services, school concerts—all are reimagined to understand how rural Canadians coped with war, modernism, and a world that was changing more quickly than they were. This is a story of resilience and idealism, of violence and small-mindedness, of a world that has long disappeared and one that remains with us to this day.

A new and revised edition of Dyer's classic book, widely regarded as one of the most compelling analyses of the history of armed conflict. ""War is part of our history, but it is not in at all the same sense part of our prehistory. It is one of the innovations that occurred between nine and eleven thousand years ago when the first civilized societies were coming into being. What has been invented can be changed; war is not in our genes." With this provocative statement, Gwynne Dyer launches his brilliant discussion of the history and nature of war. He traces the growth of organized warfare through history, showing conclusively that the basic tenet has remained unchanged -- war is an act of mass violence applied against an enemy so that he will do what you want him to do. The only real change has been technological, permitting us to make war on a mass scale. At the height of the Cold War, just such a global conflagration seemed almost inevitable. But the collapse of the Iron Curtain and the ensuing political changes have forced a re-examination of the accepted fundamentals of history. Will open access to the channels of mass communication create enough shared values that we can move beyond mass warfare? Is the threat of terrorism a red herring designed to preserve the military status quo? Are our traditional military and administrative hierarchical structures still relevant? Now, more than ever in our post-September 11 world, we need Gwynne Dyer's expertise to understand the greatest and most human drama -- the act of war. Excerpt from "War "The Siamese twins, army and state, have never been separated since they were born some eight or nine thousand years ago --and most of the time the state is the stronger of the twins. Armies exist to serve the interests of the state that owns them and their legitimacy comes solely from the fact that they belong to states; similar groups of armed men, if self-employed, are generally known as rebels or bandits. This is the context in which warfare, as opposed to casual and illegitimate violence, must be seen: it is something states do, and have always done, because they believe it serves their interest. "From the Hardcover edition.

This instant #1 New York Times bestseller and “modern techno-thriller” (New York Journal of Books) follows Mitch Rapp in a race to prevent Russia’s gravely ill leader from starting a full-scale war with NATO. When Russian president Maxim Krupin discovers that he has inoperable brain cancer, he’s determined to cling to power. His first task is to kill or imprison any of his countrymen who can threaten him. Soon, though, his illness becomes serious enough to require a more dramatic diversion—war with the West. Upon learning of Krupin’s condition, CIA director Irene Kennedy understands that the US is facing an opponent who has nothing to lose. The only way to avoid a confrontation that could leave millions dead is to send Mitch Rapp to Russia under impossibly dangerous orders. With the Kremlin’s entire security apparatus hunting him, he must find and kill a man many have deemed the most powerful in the world. Success means averting a war that could consume all of Europe. But if his mission is discovered, Rapp will plunge Russia and America into a conflict that neither will survive in “a timely, explosive novel that shows yet again why Mitch Rapp is the best hero the thriller genre has to offer” (The Real Book Spy).

In this new original novel by bestselling author Barry Lyga, learn the origins of the most feared force in the universe, and see how Thanos became the Titan consumed by his quest for power. Time Reality. Space. Mind. Soul. Power. Born on a doomed world and made an outcast for his physical deviancy and intimidating intellect, Thanos believes he sees something everyone else chooses to ignore: a way to save his home and the people of Titan for generations to come. But what he perceives as genius, they see as madness. Now exiled from his home world, Thanos is determined to find the means to return to Titan and implement his plan. His journey through the galaxy is a desperate race to save everything. Thanos will be successful-no matter how many billions have to die to bring balance to the universe. Learn the origins of the most formidable foe the Avengers, Doctor Strange, the Guardians of the Galaxy, and Black Panther have ever faced-a foe whom even a group of remarkable people, pulled together to fight the battles nobody else could, failed to stop.

Essays.

In this provocative study, Hazel Hutchison takes a fresh look at the roles of American writers in helping to shape national opinion and policy during the First World War. From the war’s opening salvos in Europe, American writers recognized the impact the war would have on their society and sought out new strategies to express their horror, support, or resignation. By focusing on the writings of Henry James, Edith Wharton, Grace Fallow Norton, Mary Borden, Ellen La Motte, E. E. Cummings, and John Dos Passos, Hutchison examines what it means to be a writer in wartime, particularly in the midst of a conflict characterized by censorship and propaganda. Drawing on original letters and manuscripts, some never before seen by researchers, this book explores how the essays, poetry, and novels of these seven literary figures influenced America’s public view of events, from August 1914 through the Paris Peace Conference of 1919, and ultimately set the literary agenda for later, more celebrated texts about the war.

Discusses Bulgarian foreign policy and how it was transformed from Russia's most loyal Balkan friend in 1911 to its most hated enemy in 1913.