Contemporary Acoustic Guitar Design And Build 2nd Edition

Contemporary Acoustic Guitar Design and Build is for everyone who wants to understand more about designing and building acoustic guitars using methods based on the acoustical and engineering sciences and contemporary small workshop practices. For the first time, the sound output of a guitar is comprehensively related both theoretically and practically to the instrument's woodwork, providing a logical and scientific method for designing guitars and real answers to questions that have challenged luthiers for centuries. Instruments built using these techniques are measurably more powerful, in-tune, responsive and playable than just about anything for sale in a music store. The differences are immediately audible.First time builders and experts alike will find these volumes invaluable. Building instructions and full sized plans are provided for four different types of guitar. But the real purpose of these volumes is to provide a design and build methodology that will allow the reader to construct just about any type of flat top guitar; the "perfect guitar" for yourself or your customer, using the same techniques that provide the quality and consistency required by pragmatic luthiers who make guitars for a living.

"Volume 1 "Design", is dedicated to the science of acoustics including sound and hearing, vibration and resonance, and acoustic radiation, and its application to guitar design. Volume 2 "Build", details the practical realisation of Volume 1 showing the process of building a guitar from rough sawn wood up to finishing and set-up and includes plans for four types of guitar (fan braced classical, lattice braced classical, X-braced steel string and falcate braced steel string)."--Authors website.

Contemporary Acoustic Guitar Design and Build is for everyone who wants to understand more about designing and building acoustic guitars using methods based on the acoustical and engineering sciences and contemporary small workshop practices. For the first time, the sound output of a guitar is comprehensively related both theoretically and practically to the instrument's woodwork, providing a logical and scientific method for designing guitars and real answers to questions that have challenged luthiers for centuries. Instruments built using these techniques are measurably more powerful, in-tune, responsive and playable than just about anything for sale in a music store. The differences are immediately audible.First time builders and experts alike will find these volumes invaluable. Building instructions and full sized plans are provided for four different types of guitar. But the real purpose of these volumes is to provide a design and build methodology that will allow the reader to construct just about any type of flat top guitar; the "perfect guitar" for yourself or your customer, using the same techniques that provide the quality and consistency required by pragmatic luthiers who make guitars for a living.

"Volume 1 "Design", is dedicated to the science of acoustics including sound and hearing, vibration and resonance, and acoustic radiation, and its application to guitar design. Volume 2 "Build", details the practical realisation of Volume 1 showing the process of building a guitar from rough sawn wood up to finishing and set-up and includes plans for four types of guitar (fan braced classical, lattice braced classical, X-braced steel string and falcate braced steel string)."--Authors website.

This book is for experienced luthiers and guitar designers in the industry, novice builders wishing to improve their designs, and guitar owners interested in knowing more about their instruments. It includes the most important technical information gathered from many sources, including the academic literature and the author’s own work, presented here in a clear, actionable form with a minimum of mathematics. The book begins with a historical survey on how important features of the acoustic guitar evolved over centuries. The review leads up to a chapter focusing on three iconic instruments that represent the most important types of acoustic guitars: classical, steel string flat top and archtop. As the guitar market is so strongly conditioned by familiar, traditional instruments, a successful builder must have a thorough working understanding of the most important designs to underpin their own work. Through this volume, Professor French lays out the entire design process and collects detailed information in one convenient source. Luthiers quite often compile notebooks of measurements, part numbers, specific design features and other details they routinely need. This book organizes much of that information, with tables of dimensions, material properties, and other details in one essential final chapter. The book also features concise side bar contributions by top guitar designers and builders including Tim Shaw, Chief Engineer at Fender Music; Bob Taylor, Co-Founder of Taylor Guitars; and Andy Powers, Master Guitar Designer and Partner.

(Book). Every guitarist dreams of owning a handmade instrument, but for most, the cost is likely to be prohibitive. The alternative building your own fine guitar is not as difficult as you might imagine, given some skill, patience, and the expert guidance of a master luthier. Every step of construction is fully covered, from choice, selection, and preparation of woods, to consideration of size, bracing, and tonal qualities. Each step of the building sequence is clearly photographed in color, with variations to the standard design shown to enable you to personalize your instrument as you make it. Briston, England-based Jonathan Kinkead has been building guitars for nearly 30 years. His craft is born out of experience and intuition rather than a strict following of technical detail. The resulting beauty of form and distinctive tone have earned him his reputation as one of the world's most respected independent luthiers.

While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.