Contemporary American Theatre

This collection of modern American plays, edited and introduced by Brooks McNamara, includes "Streamers" by David Rabe, "Crimes of the Heart" by Beth Henley, and "Ma Rainey's Black Bottom" by August Wilson, with five others by John Guare, Arthur Kopit, Christopher Durang, A. R. Gurney, and Tina Howe. Reprint.

This book examines plays by contemporary playwrights and compares them alongside the works of Eugene O'Neill, Arthur Miller, and Tennessee Williams. Andreach argues that tragedy is not only present in contemporary American theatre, but issues from an expectation fundamental to...

This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality.

In this follow-up to his 2012 The Contemporary American Dramatic Trilogy, Robert J. Andreach continues his unique study of dramatic structure as evidenced through the overarching themes of contemporary American trilogies. The themes of the first play in a trilogy, he shows, can be far different from those developed as the sequence continues, citing examples from playwrights as varied as David Rabe and the Pulitzer Prize-winning Quiara Alegráa Hudes. Looking at the ways structure in a tragedy can be substituted for the Aristotelian plot, Andreach makes clear that because creating or reinventing oneself can be such a primary motivating force in American culture, a character's failed attempt to change the structure or plot of his or her life may indeed be tragic. The dramatic trilogy has been flourishing for some time now in new works and revivals of older ones by American, British, and European playwrights, with examples such as the Hunger Games trilogy and the Fifty Shades trilogy moving more recently even into the popular sphere. Combining his skills as both a professional reviewer of theater and a literary critic, Robert Andreach is in a unique position to provide coherence to what most observers perceive as an unrelated welter of contemporary theatrical experiences.

"Exploring the theatre from the 1960s to the present, Robert J. Andreach shows the various ways in which the contemporary American theatre creates a personal, theatrical, and national self." "Andreach argues that the contemporary American theatre creates multiple selves that reflect and give voice to the many communities within our multicultural society. These selves are fragmented and enclaved, however, which makes necessary a counter movement that seeks, through interaction among the various parts, to heal the divisions within, between, and among them." --Book Jacket.

Based at Shepherd University, in West Virginia, the Contemporary American Theater Festival is nationally and internationally recognized as a home for playwrights and the development and production of new plays. The Festival makes it a priority to celebrate and produce playwrights with strong, distinct voices, with a core value to tell diverse stories. This anthology of work provides plays that speak to one of the most compelling virtues of artists everywhere – freedom of speech. A necessary volume of women playwrights' work, ranging from a two-time Obie Award-winning author to emerging writers just beginning their careers, it represents a group of women who vary in age, race and sexual orientation and offers an invitation to artistic leaders, scholars and students to embrace gritty, thought-provoking new dramatic work. Edited by The Festival's Producing Directors Peggy McKowen and Ed Herendeen, this anthology features an introduction by Pulitzer Prize-winner Lynn Nottage. Each of the five powerful plays is followed by an informative and discursive playwright interview conducted by Sharon J. Anderson that contextualizes and develops the works within the wider context of the annual festival. The plays include: Gidion's Knot by Johnna Adams The Niceties by Eleanor Burgess Memoirs of a Forgotten Man by D.W Gregory Dead and Breathing by Chisa Hutchinson 20th Century Blues by Susan Miller