Contemporary Ukrainian And Baltic Art

This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyzes the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevičius, Lina Michelkevičė, Margaret Tali, and Jessica Zychowicz.

Master's Thesis from the year 2003 in the subject Art - Miscellaneous, grade: 87, erg International School - Hebrew University of Jerusalem, Israel (Helmut Kohl Institute for European Studies), language: English, abstract: The independence of the countries that have succeeded the Soviet Union in 1990s has created basic conditions for the institutionalization of the civil society in these states. Ukraine has joined these newly independent states with little reliance on the institutions of the civil society. The developments within the Ukrainian art reflect the implications that the failure of the civil society institutionalization has for this particular domain of Ukrainian society. Ukrainian contemporary art that is presented at the major international art museums and art festivals of the contemporary art is a post-Soviet phenomenon that occupies the junction between Ukrainian art, international institutions and civil society. As a field of artistic activity Ukrainian contemporary art strives to differentiate itself from Ukrainian art that originated in the environment largely formed in the pre-independence, Soviet period. The struggles for authority within the field of Ukrainian contemporary art have involved Ukrainian institutions that are outside of it. Both institutional and personal agency within the field of Ukrainian contemporary art is affected by the lack of institutionalized civil society in Ukraine. In the theoretical terms of Pierre Bourdieu it is the case of the lack of autonomy that the field of Ukrainian contemporary art has. The sought-for autonomy would allow the field of Ukrainian contemporary art to exercise control over the resources of artistic authority. How this finds its articulation in the personal narratives of the major Ukrainian contemporary art figures and in the conflicts that happen in the field of Ukrainian contemporary art is the topic of this research. The methodology of multi-sited anthropology adopted in this research makes it pos

Freedom as a concept shifts with different forms of expression. As the authors of this volume convey in their focus on 'freedom of expression', the idea of 'freedom' in the twenty-first century does not stand apart as a purely physical location marked by national borders. In the Internet Age information is increasingly co-determinate of physical freedom. The information-dense space of the protests of 2021, and beyond, provide soil for the intellectuals writing in this volume to reflect on women’s agency in struggles for human rights. Where historical discourse on “The Woman Question” once conflicted with “feminism” as a perceived importation from the West, this conflict also produced productive tensions that have provided ongoing sites for research. When closely studied, these contexts can deepen global concepts of democracy and justice, providing not only pathways for acts of solidarity and mutual assistance, but intellectual depth and breadth for the future 'ways of knowing', and thus ways of creating, more equitable post-conflict power systems and citizenship amid times of revolution and war. Coming from multiple generations, gender identities, nationalities, and language; the authors in this volume represent the most forward-thinking voices and figures working on gender in the region today.

This volume explores how different post-Soviet countries have reinterpreted and diverged from the Soviet gender roles and values. It synthesizes results from multiple empirical studies that attend to increasingly conservative features of political governance in the region, particularly the authoritarian regime in Russia. The authors consider diverse enactments of ideologies, policies and practices of gender equality and women’s rights in crucial areas, such as legislative institutions, media, and social activism. The volume contributes to understanding post-Soviet societal dynamics relevant to United Nations Sustainable Development Goal 5, which emphasizes gender equality as part of fundamental human rights.

Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture. With a foreword by Olesya Khromeychuk.

This book is the story of one death among many in the war in eastern Ukraine. Its author is a historian of war whose brother was killed at the frontline in 2017 while serving in the Ukrainian Armed Forces. Olesya Khromeychuk takes the point of view of a civilian and a woman, perspectives that tend to be neglected in war narratives, and focuses on the stories that play out far away from the warzone. Through a combination of personal memoir and essay, Khromeychuk attempts to help her readers understand the private experience of this still ongoing but almost forgotten war in the heart of Europe and the private experience of war as such. This book will resonate with anyone battling with grief and the shock of the sudden loss of a loved one.