Cook S Excursionist And Home And Foreign Tourist Advertiser

Cook's Excursionist and Home and Foreign Tourist Advertiser is a comprehensive guide to travel in the late 19th century. Packed with information on destinations around the world, as well as advice on everything from transportation to lodging to sightseeing, this book is an essential resource for anyone planning a trip. A fascinating glimpse into the early days of modern tourism! This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Cook's Excursionist and Home and Foreign Tourist Advertiser is a comprehensive guide to travel in the late 19th century. Packed with information on destinations around the world, as well as advice on everything from transportation to lodging to sightseeing, this book is an essential resource for anyone planning a trip. A fascinating glimpse into the early days of modern tourism! This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the nineteenth century, the ancient ‘filial tie’ between Britain and Norway was rediscovered by a booming tourist industry which took thousands across the North Sea to see the wonders of the fjords, the fjelds, and the beauties of the North Cape. This illustrated volume, for the first time, collects together vivid – and predominantly first-hand – impressions of the country recorded by nearly two hundred British travellers and other commentators, including Thomas Malthus, Charlotte Brontë, Lord Tennyson, and William Gladstone. In a rich selection of travel writing, fiction, poetry, journalism, political speeches, and art, Norway emerges as a refreshingly natural utopia, happily free from her imperial neighbour’s increasing problems with the side-effects of industrialisation. This is a fascinating examination of the people, institutions, customs, language and environment of Norway seen through the eyes of the British. Using the tools of literary and historical scholarship, Fjågesund and Symes set these perceptions in their nineteenth-century context, throwing light on such issues as progress, art and aesthetics, democracy, religion, nationhood, race, class, and gender, all of which occupied Europe at the time. The Northern Utopia will be of particular interest to students of British and Scandinavian cultural history, literature and travel writing. It will also enthral all those who love Norway.

Every ten years since 1634, the Bavarian village of Oberammergau has performed the world's most famous Passion Play, recounting the last days of Jesus Christ. In 2010, presenting the play for the 41st time, the village broke with tradition to offer a new interpretation for a post-millennial, international audience. Drawing on interviews with villagers and international responses, this collection of new essays provides an analysis of the play by scholars who attended. Topics include changes in response to charges of anti-Semitism, how the play defines the village, how the performance changes the audience, and a comparison of Oberammergau 2010 with American Passion Plays, Indian pilgrimage drama and other German Passion Plays.

Holidays in the Danger Zone exposes the mundane and everyday interactions between two seemingly opposed worlds: warfare and tourism. Debbie Lisle shows how a tourist sensibility shapes the behavior of soldiers in war—especially the experiences of Western military forces in “exotic” settings. This includes not only R&R but also how battlefields become landscapes of leisure and tourism. She further explores how a military sensibility shapes the development of tourism in the postwar context, from “Dark Tourism” (engaging with displays of conflict and atrocity) to exhibitions of conflict in museums and at memorial sites, as well as advertising, film, journals, guidebooks, blogs, and photography. Focused on how war and tourism reinforce prevailing modes of domination, Holidays in the Danger Zone critically examines the long historical arc of the war–tourism nexus—from nineteenth-century imperialism to World War I and World War II, from the Cold War to globalization and the War on Terror.