Cool Pose

Traces the history of black men in America using a tough-guy image to obscure their anger and disappointment over their roles in society back to their origins in Africa and the slave era.

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Research on African American athletes generally fo-cuses on negative stereotypes of physical prowess, and socially controversial themes. Most studies in-vestigate racism, prejudice, discrimination, and ex-ploitation experienced by African American athletes. Many studies contrast African American and white athletes on a number of variables that support pre-vailing elitist stereotypes and denigrate African Ameri-can athletes. But few studies investigate the diverse and complex cultural dichotomies within the infrastruc-ture of sport in the African American community. Gary Sailes maintains that it is crucial to develop a more eclectic and immersed cultural approach when investigating African American involvement in com-petitive sports. The contributors to 'African Americans in Sports' show that there are also intrinsic cultural paradigms that are evident, presenting an informa-tive and interesting narrative regarding African American athletes. The chapters that make up this volume were written by noted scholars who were selected based on their expertise in their specific academic areas. They write about different components of the experience of African American male athletes. Chapters and contributors include: "Race and Athletic Performance: A Physiological Review" by David W. Hunter; "The Athletic Dominance of African Americans--Is There a Genetic Basis?" by Vinay Harpalani; "African American Player Codes on Celebration, Taunting, and Sportsmanlike Conduct" by Vernon L. Andrews; and "Stacking in Major League Baseball" by Earl Smith and C. Keith Harrison. Many chapters were originally published as a special issue of the 'Journal of African American Men.' This volume should be read by all those involved in athletics, as well as by sports sociologists and African American studies scholars.

"The detailed emphasis on behavioral descriptions, applied issues, and a practical plan for immediate implementation make this an innovative and important text. Abnormal Behavior and the Criminal Justice System will be an essential tool for both students and practitioners of criminal justice."--BOOK JACKET.

State of the hip-hop union -- The meaning of hip-hop -- From a cool complex to complex cool -- Thug life and social death -- The bridge : summary of chapters two and three -- Hip-hop authenticity in black and white -- Parental advisory : explicit lyrics -- The last verse -- Obama as hip-hop icon.

"The organization of the reader's guide—especially the groupings of landmark cases, race riots, and criminology theories—is impressive ... Other related titles lack the breadth, detail, and accessibility of this work ... Recommended for all libraries; essential for comprehensive social studies collections." —Library Journal As seen almost daily on local and national news, race historically and presently figures prominently in crime and justice reporting within the United States, in the areas of hate crimes, racial profiling, sentencing disparities, wrongful convictions, felon disenfranchisement, political prisoners, juveniles and the death penalty, and culturally specific delinquency prevention programs. The Encyclopedia of Race and Crime covers issues in both historical and contemporary context, with information on race and ethnicity and their impact on crime and the administration of justice. These two volumes offer a greater appreciation for the similar historical experiences of varied racial and ethnic groups and illustrate how race and ethnicity has mattered and continues to matter in the administration of American criminal justice. Key Features Covers a number of broad thematic areas: basic concepts and theories of criminal justice; the police, courts, and corrections; juvenile justice; public policy; the media; organizations; specific groups and populations; and specific cases and biographies Addresses such topics as gender, hate/bias crimes, immigrant experiences, international and cross-cultural issues, race and gangs, and race and law, Presents experiences of all major racial and ethnic groups in the U.S., including Asians, Blacks, Latinos, Native Americans, and Ethnic Whites, as well as religious minorities, such as Muslims Includes coverage of recent incidents like the alleged rape of a black female North Carolina Central University student by white male members of the Duke University Lacrosse Team;, the Jena 6 incident; the Tulia, Texas drug arrests; the Rodney King beating; the O. J. Simpson trials in the 1990s; and more recent racial profiling incidents Two appendices provide information on locating and interpreting statistical data on race and crime, as well as detailed instructions on how to access statistical data on the web for such specific areas as arrests, drugs, gang membership, hate crimes, homicide trends, juvenile justice, prison populations, racial profiling, the death penalty, and victimization Because the topic of race and crime is of wide interest and relevance, entries in this Encyclopedia are written in an accessible style to appeal to a broad audience, making it a welcome addition to academic and public libraries alike.

In seven representative episodes of black masculine literary and cultural history—from the founding of the first African American Masonic lodge in 1775 to the 1990s choreographies of modern dance genius Bill T. Jones—Constructing the Black Masculine maps black men’s historical efforts to negotiate the frequently discordant relationship between blackness and maleness in the cultural logic of American identity. Maurice O. Wallace draws on an impressive variety of material to investigate the survivalist strategies employed by black men who have had to endure the disjunction between race and masculinity in American culture. Highlighting their chronic objectification under the gaze of white eyes, Wallace argues that black men suffer a social and representational crisis in being at once seen and unseen, fetish and phantasm, spectacle and shadow in the American racial imagination. Invisible and disregarded on one hand, black men, perceived as potential threats to society, simultaneously face the reality of hypervisibility and perpetual surveillance. Paying significant attention to the sociotechnologies of vision and image production over two centuries, Wallace shows how African American men—as soldiers, Freemasons, and romantic heroes—have sought both to realize the ideal image of the American masculine subject and to deconstruct it in expressive mediums like modern dance, photography, and theatre. Throughout, he draws on the experiences and theories of such notable figures as Frederick Douglass, W. E. B. Du Bois, Booker T. Washington, and James Baldwin.

If culture is suspect, what of cultural theory? At a moment when culture's traditional caretakers -- humanism, philosophy, anthropology, and the nation-state -- are undergoing crisis and mutation, this volume charts the tensions and contradictions in the development and deployment of the concept of culture. A genuinely interdisciplinary venture, In Near Ruins brings together respected writers from the fields of history, anthropology, literary criticism, and communications. Together their essays present an intriguing picture of "culture" at the edges of humanism, of the politics of critical inquiry amid current social transformations, of the status and practice of historical knowledge in an age of theory. Skeptical of the concept of culture but fascinated with cultural forms, the authors take up diverse topics, from debates over sexuality in the contemporary United States to relations between empire, capitalism, and gender in nineteenth-century Britain; from poverty in U.S. inner cities to violence in war-torn Sri Lanka; from the operation of nostalgia on cultural practices in Japan to anthropological forms of state power in Indonesia and the writing of history in India. Linked by a common urge to think through the aesthetics and politics of particular social relations amid a variety of globalizing forces -- revolution, colonialism, nationalism, and the disciplinary institutions of the academy itself -- these writers contribute to the ongoing work of remapping the terrain of cultural analysis and reevaluating the stakes in such a daunting effort.