Copyright Licensing

Copyright Licensing can no longer be considered purely from the perspective of the licensor’s home territory. This practical and wide-ranging reference work provides comprehensive coverage of the law and practice of cross-border licensing in a number of major territories, including China, the EU, India, Mexico, Russia, Singapore, South Africa, and the USA. The book, written by expert authors with insight from practice and from their home jurisdictions, focuses on both copyright licensing and competition law and, specifically, the inter-relation between these legal fields. The book is uniquely structured to provide both thematic coverage and detailed analysis of each territory’s applicable laws and regulations, highlighting and addressing the legal issues that are most critical in and relevant to licensing practice. Cross-Border Copyright Licensing is an essential starting point for anyone considering or advising on the implementation or enforcement of a copyright licensing program, in either developed and emerging markets.

Witnesses: Marsha Kessler & Fritz Attaway, Motion Pict. Assoc. of Amer.; Decker Anstrom, Nat. Cable TV Assoc.; Steven Cox, Sr. DIRECTV; James Goodman, Capitol Broad.; Wade Hargrove, Network Affil. Stations All.; William Hawkins, Starpath, KY; Charles Hewitt, Sat. Broad. & Comm. Assoc.; Tom Howe, PBS; Thomas Ostertag, Baseball Comm.; Marybeth Peters, Reg. of Copyrights; Peter Boylan, United Video Sat. Grp.; Thomas Casey, PrimeTime 24; Charles Ergen, EchoStar Comm.; Bob Phillips, Nat. Rural Tele. Coop.; Matthew Polka, Small Cable Bus. Assoc.; James Popham, Assoc. of Local TV Stat.; & William Sullivan, Nat. Assoc. of Broad.

Provides an overview of issues surrounding electronic media access licenses for librarians.

"Copyright law and contract language are complex, even for attorneys and experts. Authors may be tempted to sign the first version of a publication contract that they receive, especially if negotiating seems complicated, intimidating, or risky. But there is a lot at stake for authors in a book deal, and it is well worth the effort to read the contract, understand its contents, and negotiate for favorable terms. To that end, Understanding and Negotiating Book Publication Contracts identifies clauses that frequently appear in publishing contracts, explains in plain language what these terms (and typical variations) mean, and presents strategies for negotiating "author-friendly" versions of these clauses. When authors have more information about copyright and publication options for their works, they are better able to make and keep their works available in the ways they want"--Publisher.