Corset Cutting And Making

20 historical corset patterns from 1900-1922.

Would you love to make a corset but don't know how? Do you think Corsetry is a difficult and specialised skill that's hard to learn? Well I'm here to tell you that anyone can make a beautiful, professional looking corset, cheaply and in their spare time.This updated version of The Express Corset Making Course will guide you through everything, from where to get the best online materials and tools to exactly how to construct your corset step-by-step. Sew along in real time, and see exactly how it's done without having to interpret instructions from a book. Make your corset with me as you watch each video chapter: 1. Introduction 2. Corsetry Materials3. Cutting Out Your Pattern 4. Pattern Matching5. Inserting The Busk 6. Sewing It All Together7. Inserting The Eyelets 8. Binding The Edges9. Outro & CreditsBonus Features: Creating a Back Panel, Altering a Mock-up

Over the centuries, the corset has been a vital garment designed to support and shape the fashions of the day, and has progressed from being an undergarment to bold outerwear. This practical book explains the full process of making a corset with clear instruction and supporting photographs. Packed with information, it explores methods of creating modern corsets, whilst acknowledging the pioneering techniques of the past. Whatever your reason for creating a corset- be it for theatre- re-enactment or personal wear - this book is an invaluable guide to making a well-constructed, figure-flattering garment. Includes: a list of helpful tools, equipment and materials; step-by-step illustrated instructions showing how to self-draft or personalize a commercially purchased corset pattern; techniques showing how to correct an array of fitting issues to produce a well-shaped corset; a selection of corset-making methods, illustrated with photographs and, finally, imaginative approaches to decorating and personalizing corsets. There are three main projects showing the development of the patterns and construction techniques to create gorgeous corsets.

Stays and Corsets: Historical Patterns Translated for the Modern Body goes a step beyond traditional historical costuming texts by not only providing you with historical pattern diagrams and information, but by showing you how to adapt these patterns to the contemporary body shape. Using her original pattern-drafting system, author Mandy Barrington will show you how to draft a historical pattern for a modern body shape, while still retaining an accurate historical silhouette. Each pattern has been generated from an original stay, corset, or pattern taken from a historical garment. The instructions to follow these new patterns are designed to accommodate any size of female figure, allowing you to avoid extremely difficult, time consuming, and inaccurate historical pattern re-sizing Requiring only basic prior knowledge of pattern drafting, all calculations have been worked out for the costume maker and are provided in simple tables accompanied by easy-to-read, step-by-step diagrams that clearly show how the historical pattern is plotted onto the female basic block, coupled with photographs of the constructed stays and corsets.

"Progressing through almost two centuries of corset-making, this collection showcases a range of period pieces, from the 1750 whale-boned corsets, through the invention of the sewing machine and mass-produced corsets of the 1850s to the makeshift corsets of World War I." "Reflecting the changing fashions and attitudes of women throughout the centuries, the collection includes corsets for pregnancy, riding corsets for sportswomen and hard-wearing corsets for housemaids. There are even corsets for small children and their dolls." "Each corset features an annotated pattern, a detailed drawing and close-up photography so any historical detail can be captured accurately by the maker. Each pattern is accompanied by a brief overview that places the corset within its historical context and explains any features or alterations that are necessary for making up the patterns." "A must-have guide for anyone with an interest in fashion history, Corsets: Historical Patterns and Techniques is a treasure trove of information for fashion students, costume makers for stage and screen, reenactors and historians alike."--BOOK JACKET.

This sewing guide reveals a breakthrough method to simplify learning stitches of all kinds, with more than 100 stitches from the simple to the fanciful. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her teams at Alabama Chanin and The School of Making began to look at needlework closely, they realized all stitches are based on geometric grid systems. They also discovered that learning new stitches—even elaborate ones—became simple and easy when using grids as guides. In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches—from the basic straight and chain to complex feather and herringbone. Photos of both right and wrong sides are included, as well as guidelines for modifying stitches to increase one’s repertoire further. The book also offers downloads for two stitching cards with the grids on which every stitch in the book is based. These printable cards can be used as stencils for transferring grids to fabric.

Corsets and Crinolines is a study of the changing shapes of women's dress and how these were produced, how simple laced bodices became corsets of cane, whale-bone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Added are contemporary tailors and dressmakers accounts, illustrations, index, a glossary of terms and materials, appendices on the repair and manufacture of corsets and crinolines.

Containing 2,729 entries, Kevin L. Seligman’s bibliography concentrates on books, manuals, journals, and catalogs covering a wide range of sartorial approaches over nearly five hundred years. After a historical overview, Seligman approaches his subject chronologically, listing items by century through 1799, then by decade. In this section, he deals with works on flat patterning, draping, grading, and tailoring techniques as well as on such related topics as accessories, armor, civil costumes, clerical costumes, dressmakers’ systems, fur, gloves, leather, military uniforms, and undergarments. Seligman then devotes a section to those American and English journals published for the professional tailor and dressmaker. Here, too, he includes the related areas of fur and undergarments. A section devoted to journal articles features selected articles from costume- and noncostumerelated professional journals and periodicals. The author breaks these articles down into three categories: American, English, and other. Seligman then devotes separate sections to other related areas, providing alphabetical listings of books and professional journals for costume and dance, dolls, folk and national dress, footwear, millinery, and wigmaking and hair. A section devoted to commercial pattern companies, periodicals, and catalogs is followed by an appendix covering pattern companies, publishers, and publications. In addition to full bibliographic notation, Seligman provides a library call number and library location if that information is available. The majority of the listings are annotated. Each listing is coded for identification and cross-referencing. An author index, a title index, a subject index, and a chronological index will guide readers to the material they want. Seligman’s historical review of the development of publications on the sartorial arts, professional journals, and the commercial paper pattern industry puts the bibliographical material into context. An appendix provides a cross-reference guide for research on American and English pattern companies, publishers, and publications. Given the size and scope of the bibliography, there is no other reference work even remotely like it.