Corsets And Crinolines

Corsets and Crinolines is a study of the changing shapes of women's dress and how these were produced, how simple laced bodices became corsets of cane, whale-bone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Added are contemporary tailors and dressmakers accounts, illustrations, index, a glossary of terms and materials, appendices on the repair and manufacture of corsets and crinolines.

Ever since Eve's first blush, clothes have girded, graced and transformed the female physique. Fascinating and insightful, The Corset and the Crinoline is an illustrated history of clothing's attendant underpinnings—especially those that whittled the female waist to its most slender proportions. Reproduced from a rare 1868 fashion publication, each page reveals how the use of wood, whalebone, steel, hoops, and tight laces had a gripping influence on shaping the figures of women from ancient Greece to nineteenth-century Vienna. Enlivened by excerpts from authentic letters, magazine articles, and satiric poems, over fifty exquisite black-and-white engravings highlight the wardrobes—and what was worn underneath them—of a Persian dancing girl, an ancient Egyptian woman, a Roman lady of high rank, Queen Elizabeth, Marie de Medici, a woman of the French revolutionary period, and many more. Costume designers, artists, and anyone interested in the history of fashion will be captivated!

This is an invaluable treatise on corsets and crinoline. Popular mainly in the 1800s, the corset is a woman's tightly fitting undergarment worn to shape the figure, and the crinoline is a stiff petticoat used to hold out a woman's skirt. This work presents the history of these pieces of clothing, their construction, use, and their impact on shaping the body. In addition, the writer aimed to provide the readers with all the essential information about the harm corsets can cause to women's bodies as they mold their waist and restrict their moment for as long as they're wearing them. This work talks about how one can acquire the desirable without causing any injury to the health.

"Progressing through almost two centuries of corset-making, this collection showcases a range of period pieces, from the 1750 whale-boned corsets, through the invention of the sewing machine and mass-produced corsets of the 1850s to the makeshift corsets of World War I." "Reflecting the changing fashions and attitudes of women throughout the centuries, the collection includes corsets for pregnancy, riding corsets for sportswomen and hard-wearing corsets for housemaids. There are even corsets for small children and their dolls." "Each corset features an annotated pattern, a detailed drawing and close-up photography so any historical detail can be captured accurately by the maker. Each pattern is accompanied by a brief overview that places the corset within its historical context and explains any features or alterations that are necessary for making up the patterns." "A must-have guide for anyone with an interest in fashion history, Corsets: Historical Patterns and Techniques is a treasure trove of information for fashion students, costume makers for stage and screen, reenactors and historians alike."--BOOK JACKET.

In this classic book, Norah Waugh explores the changing shapes of women’s dress from the 1500s to the 1920s. Simple laced bodices became corsets of cane, whalebone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Corsets and Crinolines explains the cyclical nature of these fashions, and how waists and skirts changed shape and size through three distinct eras: The 1500s to 1670—farthingales and whaleboned bodies. 1670 to 1800—Stays and hooped petticoats. 1800 to 1925—corsets, crinolines and bustles. Each section describes how these garments originated, how they became popular and how they emerged as central to the fashions of the time. Extracts from diaries, journals, poems and newspapers, as well as over 100 illustrations, demonstrate the variety of these ubiquitous items of clothing throughout modern history. Corsets and Crinolines also contains a wealth of practical notes and resources for today’s costume makers and designers, including: Scaleable patterns for the construction of 25 different bustles, crinolines, corsets, corselets, stays, pocket hoops, hooped petticoats and bodices. Detailed appendices on the manufacture of corsets and crinolines, including farthingales, supports and hooped petticoats. A list of further reading, including costume histories; textile and weaving histories; reconstruction of period clothing; contemporary application of foundational garments; and a list of museums and institutions with period clothing collections, for first-hand study. A glossary of terms and materials.

Stays and Corsets: Historical Patterns Translated for the Modern Body goes a step beyond traditional historical costuming texts by not only providing you with historical pattern diagrams and information, but by showing you how to adapt these patterns to the contemporary body shape. Using her original pattern-drafting system, author Mandy Barrington will show you how to draft a historical pattern for a modern body shape, while still retaining an accurate historical silhouette. Each pattern has been generated from an original stay, corset, or pattern taken from a historical garment. The instructions to follow these new patterns are designed to accommodate any size of female figure, allowing you to avoid extremely difficult, time consuming, and inaccurate historical pattern re-sizing Requiring only basic prior knowledge of pattern drafting, all calculations have been worked out for the costume maker and are provided in simple tables accompanied by easy-to-read, step-by-step diagrams that clearly show how the historical pattern is plotted onto the female basic block, coupled with photographs of the constructed stays and corsets.

This book traces the evolution of the style of men's dress through a sequence of diagrams accurately scaled down from patterns of actual garments, many of them rare museum specimens. The plates have been selected with the same purpose. Some are photographs of suits for which diagrams have also been given; others, reproduced from paintings and old prints, show the costume complete with its accessories. Quotations from contemporary sources--from diaries, travelers' accounts and tailors' bills--supplement Norah Waugh's text with comments on fashion and lively eyewitness descriptions.

The Corset and the Crinoline By William Barry Lord