Cosmopolitan Asia

One key concept in the large body of scholarship concerned with theorizing social relations is the idea of 'cosmopolitanism'. This book unpacks the idea of cosmopolitanism through the linked knowledges of the Global South. It brings into dialogue an inter-disciplinary team of local and transnational scholars who examine various temporal, cultural, spatial and political contexts in countries as different, yet connected, as Malaysia, Indonesia, Singapore, India, Bangladesh, Japan, Korea and Vietnam. The book also considers a wide range of subjects – present and historical, real, as represented in literature and in theatre, and as theorized in philosophy – across these diverse contexts, but always focusing on regions and places where inter-Asian intermingling has taken place. The conclusions arrived at are varied and considerably enrich social theorizing. The book reveals a cosmopolitanism that is much more specifically Asian than the cosmopolitanism usually associated with the West, demonstrates how concepts of 'nation', 'local' and 'globalization' play out in practice in Asian settings, and re-examines concepts such as migration, diaspora, and the construction of identities. The book has much to offer scholars engaged in history, literary studies, anthropology and cultural studies.

In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-critique and parody. Urdu writers resisted the cultural models offered by colonialism, creating instead a global community of imagination in which literary models could freely circulate and be readapted, mixed, and drawn upon to develop alternative lines of thinking. Highlighting the participation of readers and writers from diverse social and religious backgrounds, the book reveals an Urdu cosmopolis where lively debates thrived in newspapers, literary journals, and letters to the editor, shedding fresh light on the role of readers in shaping vernacular literary culture. Arguing against current understandings of Urdu as an exclusively Muslim language, Dubrow demonstrates that in the late nineteenth century, Urdu was a cosmopolitan language spoken by a transregional, transnational community that eschewed identities of religion, caste, and class. The Urdu cosmopolis pictured here was soon fractured by the forces of nationalism and communalism. Even so, Dubrow is able to establish the persistence of Urdu cosmopolitanism into the present and shows that Urdu’s strong tradition as a language of secular, critical modernity did not end in the late nineteenth century but continues to flourish in film, television, and on line. In lucid prose, Dubrow makes the dynamic world of colonial Urdu print culture come to life in a way that will interest scholars of modern Asian literatures, South Asian literature and history, cosmopolitanism, and the history of print culture.

"This book provides a denationalized historical contextualization and comparative analysis of the Philippine, Indonesian, and Vietnamese revolutions. It emphasizes and evidences the importance of international circumstances and transoceanic and transcontinental cosmopolitan communities and connections-whether republican, Communist, Islamic, or otherwise- in enabling and impelling these three instances of revolutionary mobilization in Southeast Asia and in shaping their varying trajectories and outcomes"--

Parasitoid wasps are cosmopolitan, numerous and enormously diverse with probably one million or more species worldwide, most of which occur in the moist tropics. Their ecological importance is enormous although perhaps most evident in their major roles in the control of insect pest populations. In natural ecosystems they are integral in regulating populations of a vast number of insects, and therefore are key players in terrestrial food webs. Knowledge of their biology is still very poor because the current state of taxonomy is still in its infancy in most parts of the world.In this book, we provide an overview of the more than 30 families of parasitoid wasps that occur in the 11 countries in South East Asia. Particular emphasis is given to those most commonly encountered and reared, as well as to those used in biological control programmes. Outlines of the morphology, biology, ecology and behaviour of each family, as well as of various important subfamilies are presented. The current state of taxonomy in the region is summarised. Other chapters cover basic biology, behaviour, morphological terminology, phylogeny and methods of specimen collecting, preparation and rearing with particular relevance to the tropics. Modern molecular approaches to speeding taxonomic description of hyperdiverse taxa are considered in depth. All groups are illustrated with colour photographs. This book will be of value to professional entomologists, academics, entomology students and the growing body of amateur entomologists and insect photographers.

This collection of thirteen essays examines cultural, political, economic, technological and institutional aspects of popular music across Asia, from India to Japan.

Examines forms of cosmopolitanism in the high period of South Asian anti-colonialism, 1890-1947. Essays argue that anti-colonial action stemmed not only from a teleological rush to realize the form of nation-states, but from the speculative aspiration to critique and transcend notions of universalism and the ultimate good brought by British rule.

Broadening an overly narrow definition of Islamic journalism, Janet Steele examines day-to-day reporting practices of Muslim professionals, from conservative scripturalists to pluralist cosmopolitans, at five exemplary news organizations in Malaysia and Indonesia. At Sabili, established as an underground publication, journalists are hired for their ability at dakwah, or Islamic propagation. At Tempo, a news magazine banned during the Soeharto regime and considered progressive, many see their work as a manifestation of worship, but the publication itself is not considered Islamic. At Harakah, reporters support an Islamic political party, while at Republika they practice a “journalism of the Prophet” and see Islam as a market niche. Other news organizations, too, such as Malaysiakini, employ Muslim journalists. Steele, a longtime scholar of the region, explores how these publications observe universal principles of journalism through an Islamic idiom.