Cosmopolitan Spaces

1. Global and European social science is a growing area of university work. 2. The author has a major reputation in this field. 3. There are other books dealing with the same topic, but this book has a unique theoretical and substantive standpoint.

Cosmopolitan Spaces in Odesa: A Case Study of an Urban Context is the first book to explore Odesa’s cosmopolitan spaces in an urban context from the nineteenth to twenty-first centuries. Leading scholars shed new light on encounters between Jewish, Ukrainian, and Russian cultures. They debate different understandings of cosmopolitanism as they are reflected in Odesa’s rich multilingual culture, ranging from intellectual history and education to music, opera, and literature. The issues of language and interethnic tensions, imperialist repression, and language choice are still with us today. Moreover, the book affords a historical view of what lay behind the Odesa myth, as well as insights into the Jewish and Ukrainian cultural revivals of the early twentieth century.

Renowned editors and contributors have come together to produce one of the first books to tackle cosmopolitanism from a geographical perspective. It employs a range of approaches to provide a valuable grounded treatment.

A Yale sociology professor discusses how everyday people meet the demands of urban living through islands of civility he calls "cosmopolitan canopies" and describes how activities carried out under this canopy can ease racial tensions and promote harmony.

This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central.

Bringing together a distinguished interdisciplinary group of scholars, this volume explores what happens when new forms of privatization meet collectivist pasts, public space is sold off to satisfy investor needs and tourist gazes, and the state plans for Egypt’s future in desert cities while stigmatizing and neglecting Cairo’s popular neighborhoods. These dynamics produce surprising contradictions and juxtapositions that are coming to define today’s Middle East. The original publication of this volume launched the Cairo School of Urban Studies, committed to fusing political-economy and ethnographic methods and sensitive to ambivalence and contingency, to reveal the new contours and patterns of modern power emerging in the urban frame. Contributors: Mona Abaza, Nezar AlSayyad, Paul Amar, Walter Armbrust, Vincent Battesti, Fanny Colonna, Eric Denis, Dalila ElKerdany, Yasser Elsheshtawy, Farha Ghannam, Galila El Kadi, Anouk de Koning, Petra Kuppinger, Anna Madoeuf, Catherine Miller, Nicolas Puig, Said Sadek, Omnia El Shakry, Diane Singerman, Elizabeth A. Smith, Leïla Vignal, Caroline Williams.

Cosmopolitan Borders makes the case for processes of bordering being better understood through the lens of cosmopolitanism. Borders are 'cosmopolitan workshops' where 'cultural encounters of a cosmopolitan kind' take place and where entrepreneurial cosmopolitans advance new forms of sociality in the face of 'global closure'.

"In a historic verdict, the Supreme Court of India in September 2018, struck down Section 377 of the Indian Penal Code and decriminalized homosexuality and granted personal rights and freedom to the LGBTQIA community at large. However, in December 2018, the Transgender Persons Bill was passed in the Lok Sabha (the People's House and lower house of Indian Parliament) that has negated and undermined the rights of the trans community in India. The Bill omits the reference to a 'neither male nor female' formulation, and covers any person whose gender does not match the gender assigned at birth, as well as transmen, transwomen, those with intersex variations, the gender-queer, and those who designate themselves based on socio-cultural identities such as hijra, aravani, kinner and jogta. This book articulates the ethnographic and anthropological studies of hijras (eunuchs) and the popular transgender culture in India through the case study of contemporary Mumbai. It studies how their identity is shaped through consumption of various practices of beauty and takes into account the direct provincial dialogues as to how the hijras negotiate different spaces of surgeries, clinics and medicine to shape their new forms of identity. It highlights how globalizing modernity would build a concrete understanding of the way local patterns of transgender sexuality and eroticism are shaped by this sort of culture. It attempts to build a more robust and complex understanding of sexual experiences among these subjects in the locale, thus projecting the intersection of local meanings of transgender eroticism that intersect global patterns of similar identities with their desire and sexuality. The local specificity of the hijra sexual economy relates to global transgender practices, thus proposing a nuanced discourse of space, culture and sexuality to the local context of the globalized and modernized India, instead of the articulation of global homogeneity of transgender identities"--