Court Politics Culture And Literature In Scotland And England 1500 1540

The focus of this study is court literature in early sixteenth-century England and Scotland. The author examines courtly poetry and drama in the context of a complex system of entertainment, education, self-fashioning, dissimulation, propaganda and patronage. He places selected works under close critical scrutiny to explore the symbiotic relationship that existed between court literature and important socio-political, economic and national contexts of the period 1500 to 1540. The first two chapters discuss the pervasive influence of patronage upon court literature through an analysis of the panegyric verse that surrounded the coronation of Henry VIII. The rhetorical strategies adopted by courtiers within their literary works, however, differed, depending on whether the writer was, at the time of writing the verse or drama, excluded or included from the environs of the court. The different, often elaborate rhetorical strategies are, through close readings of selected verse, delineated and discussed in chapter three on David Lyndsay and chapter four on Thomas Wyatt and Thomas Elyot.

A study of the actions and responsibilities of those taking temporary power during the minority of a monarch.

Analyses the relations between nobility, crown and state, first in Scotland and then in the first courts of the unified kingdoms.

An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. The fifteenth and sixteenth centuries have long been acknowledged as a period of profound change in ideas of authorship, in which a transition from a "medieval" to a "modern" paradigm took place. In England and Scotland, changing approaches to Chaucer have rightly been considered as a catalyst for the elevation of English as a literary language and the birth of an English literary history. There is a tendency, however, when moving from Chaucer's self-professed poetic followers of this time to the philological approach associated with William Caxton and the 1532 Works, to pass over the literary careers of the English and Scots poets belonging to the intervening half-century: John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas. This volume redresses that neglect. Its close and comparative readings of these poets' stimulating but critically neglected dream visions and related first-person narratives reveal a spectrum of ideas of authorship: four distinct engagements with tradition and opportunity, united by their utilisation of a particular form. It regards authorship as a topic of invention, a discourse for appropriation, which is available to but not inevitable in late medieval and early modern writing. Overall, it facilitates newly focussed study of an often obscured literary-historical period, one with a heightened interest in the authors of the past - Chaucer, Lydgate, Petrarch, Virgil - but also an increasingly acute perception of the conditions of authorship in the present.

The tragic story of Anne Boleyn has been retold over the centuries, yet two key figures in Anne's life-her father Thomas and brother George- are often relegated to the margins of Henry VIII's turbulent reign. Well before Anne's coronation in 1533, Thomas was regarded as one of Henry's most skilled and experienced ambassadors, and George was a talented young courtier on the rise. But Anne's downfall was to have a devastating effect on her family – ultimately costing her and her brother their lives. A family whose success and prestige had been shaped over generations was destroyed in a violent and brutal episode as the king sought a new wife and a male heir. In this first biography devoted to the Boleyn men, Lauren Mackay takes us beyond the stereotypes of Thomas and George to present a story that has almost been lost to history. This book follows the Boleyn men as they negotiated their way through the ruthless game of politics among the wolves of the court, and establishes their place in Tudor history.

John Leeds examines the choice made by Renaissance chroniclers between Latin and the vernacular, in light of some central concerns of current literary theory. He extends the boundaries of existing critical literature on early modern subjectivity to include the grammatical subject, showing how its disposition, in the radically dissimilar syntactic systems of Latin and Scots, conditions the way in which the subject (i.e., the human individual) is conceived in the writing of history.

The first monograph to examine textual standardization patterns in legal and administrative texts on the basis of lexical bundles, drawing from a comprehensive corpus of medieval and early modern legal texts

This volume provides the first critical editions of four works on counsel by the distinguished Tudor humanist, Thomas Elyot (1490-1546). Included with the texts are critical introductions, textual variants, substantive notes, and a general introduction to Elyot’s life.