Courts And Courtiers In Renaissance Northern Italy

The extraordinary cultural Renaissance in the northern Italian courts of the late 15th and early 16th centuries is the subject of this volume. It starts with Baldessar Castiglione's Book of the Courtier (1528) which encapsulates this sense of renewal: his experiences at court and their subsequent rewriting form the backbone of the work. The author then addresses questions of biography, gender, genre, and the varied roles of the courtier, expanding the perspective of Castiglione's text to include the lives and writings of other courtiers and patrons. What was it like to be a courtier? What were the problems associated with such a lifestyle? The importance of women in court circles is also highlighted in studies of one of the most notable of female patrons Isabella d'Este (1474-1539) and of the theoretical developments in writing about gender, stimulated by such women. Stephen Kolsky's analysis of both well-known and comparatively obscure texts brings out the diversity of practices that constituted court society and their centrality to our understanding of the Renaissance.

First published in 1528 and written over several years by Baldesar Castiglione, count of Novilara, "The Book of the Courtier" is one of the most important and definitive accounts of Italian Renaissance court life. Organized as a series of fictional conversations that occur between the courtiers of the Duke of Urbino in 1507, "The Book of the Courtier" is a book of manners and etiquette and discusses the expectations for a perfect courtier. Castiglione had intimate knowledge of these rules and standards as he was a courtier and diplomat himself with many years spent in the Duke of Urbino's court. The courtier must have a warrior spirit, be athletic, and have good knowledge of the humanities, classics, and fine arts. As the fictional members of the court debate and try to describe the perfect gentleman, as well as the perfect lady, they engage in a discussion of the nature of nobility, humor, and love in the age of the Italian Renaissance. "The Book of the Courtier" was widely read and distributed soon after its publication and remains a significant first-hand account of this fascinating period in history. This edition follows the translation of Leonard E. Opdycke and is printed on premium acid-free paper.

An insider's view of court life during the Renaissance, here is the handiwork of a 16th-century diplomat who was called upon to resolve the differences in a war of etiquette among the Italian nobility.

This comprehensive study of the courts of Renaissance Italy explores every aspect of their diversity and magnificence, from Naples in the south to Monferrato in the north, from the oriental-like splendors presided over by the Swabian emperor Frederick II to the Baroque glories of the Counter-Reformation in Florence. . .Scholarly and well documented, The Courts of the Italian Renaissance vividly evokes the past and is an essential guide for the reader wishing to learn more about one of the most fascinating periods of Italian history. /

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The Book of the Courtier, Baldassare Castiglione's classic account of Renaissance court life, offers profound insight into the refined behavior which defined the era's ruling class. The courtly customs and manners of Italy to a great extent characterized the Renaissance, which elevated art and expression to new heights. Baldassare Castiglione published this book with the intention of chronicling the manners, customs and traditions which underpinned how courtiers, nobles, and their servants, behaved. Although ostensibly a book of etiquette and good conduct, Castiglione's treatise carries enormous historical value. He derived his observations directly from the many gatherings and receptions conducted by society's elite. Conversations with the officials, diplomats and nobility of the era further enhanced the accuracy of this book, imbuing it with an authenticity seldom seen elsewhere.

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