Creatures Of Darkness

More than any other writer, Raymond Chandler (1888-1959) is responsible for raising detective stories from the level of pulp fiction to literature. Chandler's hard-boiled private eye Philip Marlowe set the standard for rough, brooding heroes who managed to maintain a strong sense of moral conviction despite a cruel and indifferent world. Chandler's seven novels, including The Big Sleep (1939) and The Long Goodbye (1953), with their pessimism and grim realism, had a direct influence on the emergence of film noir. Chandler worked to give his crime novels the flavor of his adopted city, Los Angeles, which was still something of a frontier town, rife with corruption and lawlessness. In addition to novels, Chandler wrote short stories and penned the screenplays for several films, including Double Indemnity (1944) and Strangers on a Train (1951). His work with Billy Wilder and Alfred Hitchcock on these projects was fraught with the difficulties of collaboration between established directors and an author who disliked having to edit his writing on demand. Creatures of Darkness is the first major biocritical study of Chandler in twenty years. Gene Phillips explores Chandler's unpublished script for Lady in the Lake, examines the process of adaptation of the novel Strangers on a Train, discusses the merits of the unproduced screenplay for Playback, and compares Howard Hawks's director's cut of The Big Sleep with the version shown in theaters. Through interviews he conducted with Wilder, Hitchcock, Hawks, and Edward Dmytryk over the past several decades, Phillips provides deeper insight into Chandler's sometimes difficult personality. Chandler's wisecracking Marlowe has spawned a thousand imitations. Creatures of Darkness lucidly explains the author's dramatic impact on both the literary and cinematic worlds, demonstrating the immeasurable debt that both detective fiction and the neo-noir films of today owe to Chandler's stark vision.

Two gods, two houses, one quest, and the eternal war between life and death To save his kingdom, Anubis, Lord of the Dead, sends forth his servant on a mission of vengeance. At the same time, from The House of Life, Osiris sends forth his son, Horus, on the same mission to destroy utterly and forever The Prince Who Was a Thousand. But neither of these superhuman warriors is prepared for the strange and harrowing world of mortal life, and The Thing That Cries in the Night may well destroy not only their worlds, but all mankind. As Zelazny did with the Hindu pantheon in the legendary, groundbreaking classic Lord of Light, the master storyteller here breathes new life into the Egyptian gods with another dazzling tale of mythology and imagination.

Fall under the spell of the Beautiful Darkness, the sequel to the instant New York Times bestselling gothic fantasy, Beautiful Creatures! There were no surprises in Gatlin County. At least, that's what I thought. Turns out, I couldn't have been more wrong. Ethan Wate used to think of Gatlin as a place where nothing ever changed. Then mysterious newcomer Lena Duchannes revealed a secret world of curses and Supernaturals with terrifying abilities. Lena showed him a Gatlin where impossible, magical, life-altering events happen. Sometimes life-ending. And now that Ethan's eyes have been opened to the darker side of Gatlin, there's no going back. Haunted by strange visions only he can see, Ethan is pulled deeper into his town's tangled history and finds himself caught up in the dangerous network of underground passageways endlessly crisscrossing the South, where nothing is as it seems.

The world is darker than you realize... Rose Foster is just your typical, smart-mouthed, socially awkward genius from a family full of felons. Okay, fine, so maybe there's nothing typical about her. But she'd at least maintained a semblance of normalcy in her life until the night a ghost-like man gave her a strange, red stone and disappeared without a trace. Rose suddenly finds herself hunted by monsters that she never believed existed. One monster, named Theron, is particularly interested in killing her. Her only hope of survival is to work with Kallias, a cynical, ancient Greek vampire with the ability to read and control minds. As a vampire, he hardly seems trustworthy to her, but he has his own reasons for wanting Theron dead, and that works in her favor. With the help of Kallias, Rose finds unlikely allies among an unusual group of vampires. The only problem is... Rose is almost positive that these vampires are hiding a very important detail about what she is. In her quest to defeat Theron and the vampires that follow him, Rose must face the possibility that she might, in fact, be an even darker monster than the ones that are trying to kill her...

Powerful vampire, Rose Foster, and her girlfriend, Kara Unnarsdóttir, take refuge in a hidden kingdom of vampires, as war breaks out between vampires and humans. Rose is shocked to find that even though she doesn't know them, the vampires of this kingdom know her. Not only that, but they're prepared to follow her into battle. Yet, they refuse to tell her why.A world war rages on in their absence, threatening the extinction of both species. Rose soon realizes that, even though she doesn't want power, if she wants to prevent genocide, she'll have to take her place as a Commander of Power.But when Kara uncovers a terrifying piece of information about Rose, she must decide, once and for all, if her loyalty to the woman she loves is strong enough to withstand even the end of the world. Or if it's time to do what she does best: betrayal.In this final installment of the Creatures of Darkness series, the Eklektos will either save the world or destroy it.

The papers in this volume are representative of those presented at a conference entitled "Creatures of the Dark: The Nocturnal Prosimians," held at Duke University, June 9-12, 1993. The purpose of the conference, attended by more than 100 scientists, was to assemble, for the ftrst time ever, scholars from diverse ftelds with a common interest in the nocturnal prosimian primates. The history of the precursors of this meeting are outlined in the Historical Perspective by Doyle (this volume). Most of the invited papers are presented here in modified form, as are several papers originally presented as posters. Two papers are included that were not presented, due to scheduling conftcts and health considerations. Some papers, delivered from the podium, are not included in this volume. Interactions among conference participants resulted in many revisions to the contributions, as did the comments of reviewers and the editors. Several papers which contained new data or new interpretations of familiar phenomena met with constructive criticism, resulting in modification of the original papers. We thank all of the contributors for their patience and cooperation, and commend the numerous reviewers who generously donated their time and expertise. We greatly appreciate funding from the National Institutes of Health, the Wenner Gren Foundation for Anthropological Research, the Duke University Center for International Studies, the Duke University Primate Center, and Drs. Charles Putman of Duke University and Malcolm Gillis, currently of Rice Universtiy.

“[An] exhaustively researched survey of Raymond Chandler’s thorny relationship with Hollywood during the classic period of film noir.” —Alain Silver, film producer and author Raymond Chandler’s seven novels, including The Big Sleep (1939) and The Long Goodbye (1953), with their pessimism and grim realism, had a direct influence on the emergence of film noir. Chandler worked to give his crime novels the flavor of his adopted city, Los Angeles, which was still something of a frontier town, rife with corruption and lawlessness. In addition to novels, Chandler wrote short stories and penned the screenplays for several films, including Double Indemnity (1944) and Strangers on a Train (1951). His work with Billy Wilder and Alfred Hitchcock on these projects was fraught with the difficulties of collaboration between established directors and an author who disliked having to edit his writing on demand. Creatures of Darkness is the first major biocritical study of Chandler in twenty years. Gene Phillips explores Chandler’s unpublished script for Lady in the Lake, examines the process of adaptation of the novel Strangers on a Train, discusses the merits of the unproduced screenplay for Playback, and compares Howard Hawks’s director’s cut of The Big Sleep with the version shown in theaters. Through interviews he conducted with Wilder, Hitchcock, Hawks, and Edward Dmytryk over the past several decades, Phillips provides deeper insight into Chandler’s sometimes difficult personality. Chandler’s wisecracking private eye, Philip Marlowe, has spawned a thousand imitations. Creatures of Darkness lucidly explains the author’s dramatic impact on both the literary and cinematic worlds, demonstrating the immeasurable debt that both detective fiction and the neo-noir films of today owe to Chandler’s stark vision.