Credo

Offering inspiring words on issues ranging from charity and justice, politics, economic issues, the environment, nuclear disarmament, and mortality to the meaning of faith, the church, and a pastor's responsibility.

In this book, Pauline Fairclough tackles one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-6.

Literary Nonfiction. CREDO. I believe. No other statement is so full of intent and subversion and power. A Credo is a call to arms. It is a declaration. A Credo is the act of an individual pushing back against society, against established stigmas, taboos, values, and norms. A Credo provokes. It desires change. A Credo is an artist or community challenging dogma, and putting oneself on the front line. A Credo is art at risk. A Credo can be a marker of revolution. A Credo, is thus, the most calculating and simple form of a manifesto. CREDO creates a bridge from the philosophical to the practical, presenting a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. CREDO: AN ANTHOLOGY OF MANIFESTOS AND SOURCEBOOKS FOR CREATIVE WRITING is a raw look at what motivates authors today.

Following the prayers, a brief compendium of various important lists and other information can be found, such as the Ten Commandments, the Beatitudes, the Precepts of the Church, and others.

This important book, by a theologian regarded as the most eminent of this century, explains the Apostle's Creed as a foundation of the Christian religion.

William Sloane Coffin challenged the nation with his passionate calls for social justice. In this best-seller, Coffin gives a powerful record of his remarkable public life, offering his inspiring words on issues ranging from charity and justice to politics and the meaning of faith.

Tamas Vekerdy, one of the most well-known Hungarian psychologists, called Credo an 'essential insight not just into Feldmar's life but into the world and the era that we currently live in.' Feldmar was three and a half years old when the Arrow Cross came and took his mother to Auschwitz, his father to labour service, and his grandmother to the ghetto. A young Catholic woman hid him for a year and a half - perhaps she inspired Feldmar to become the kind stranger in many other people's lives years later. Feldmar was sixteen in 1956 when the revolution was crushed, and he escaped from Hungary to Canada all by himself. He fled from bleak prospects and a controlling, critical mother into the unknown. He ended up in Toronto, Canada, and became an academic. In the early 1970s, he met the person who radically changed his thinking: R. D. Laing. The book's longest chapter, 'Journal Entries', comes from notes Feldmar took in 1974-1975 when he studied with Laing in London. He adds notes and remarks in the present to the past, increasing the tension in the already fascinating passages. Following this is the text of an important conversation with Laing, covering topics such as love, therapy, and change. Next is a paper by his lifelong friend Francis Huxley, 'Shamanism, Healing, and R. D. Laing'. The book concludes with perhaps its most influential chapter, 'Fantasy and Reality'. Here, Feldmar speculates on the fundamental elements of his approach to psychotherapy: the nature of responsibility and ethics, politics, freedom, individuality, community, solidarity, will, and relationships. The bond between Feldmar and Laing permeates every page of Credo. The reader can closely follow Feldmar's remarkable journey of how their relationship shaped his therapeutic approach and helped him develop into the radical and inspirational psychotherapist he is today. This book is essential reading for all psychotherapists, psychoanalysts, and fans of R. D. Laing.

This book develops an innovative approach for understanding the relationship between music and words in the works of five major composers of the English Renaissance: John Taverner, Christopher Tye, John Sheppard, Thomas Tallis, and William Byrd. Focusing on these composers’ settings of the Latin Credo, the author shows how musical and linguistic emphasis can be used to understand the composers’ theological interpretations of the text. By combining markedness theory with style analysis, this study demonstrates that the composers used their musical skills to not only create beautiful music but also raise certain elements of the text to the foreground of perception and relegate others to supporting roles, inviting listeners to experience the familiar words of the liturgy in unique ways. Providing new insights into the changing musical and religious world of the sixteenth century, this book is relevant to anyone researching music or religion in early modern England, while offering a flexible and widely adaptable tool for the analysis of musical-textual relationships.