Crime In Tv The News And Film

Crime in TV, the News, and Film provides a fresh look at the interplay between criminal events and the media outlets that cover them. The authors’ diverse backgrounds— a criminologist researcher, a documentarian and media professor, a police officer, and a criminologist who is a former TV reporter— allow for frank discussion. Combining field experience with criminological research, the book gives insight to the everyday media operations that can produce most people’s views on crime and profoundly influence public opinion— public opinion that often frames public policy. Viewers of crime dramas and consumers of news will gain a new understanding of the way their programs are produced. Readers will become more aware of the issues and biases that sometimes cloud perceptions of crime and criminals. Finally, both experts and scholars interested in the subject will improve their discernment of media stories and media depictions, shining a light on crime in a hazy field. This book can be used in the classroom for an array of courses in the fields of media and communications, criminology, sociology, and more.

This book brings together the theory and practice of local TV news, considering the coverage of crime, for students in journalism, mass comm, media and society, and other areas.

A child-sex predator is on the loose and Detective Lennox, terrified and determined is going to protect the victim at any cost. Detective Inspector Ray Lennox has fled to Miami to escape the aftermath of a mental breakdown induced by occupational stress and cocaine abuse, and a harrowing child-sex murder case back in Edinburgh. But his fiancée Trudi is only interested in planning their wedding, leaving Lennox cast adrift, alone in Florida. A coke-fuelled binge brings him into contact with another victim of sexual predation, ten-year-old Tianna, and Lennox flees across the state with his terrified charge, determined to protect her at any cost. Can Lennox trust his own instincts? And can he handle Tianna, while still trying to get to grips with the Edinburgh murder? 'Welsh is one of our most interesting writers' Sunday Telegraph 'A disturbing but vital read' Harper's Bazaar *DISCOVER THE SECOND NOVEL IN IRVINE WELSH'S CRIME SERIES, THE LONG KNIVES, NOW*

During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True Crime examines the various genres of true crime using the most popular and well-known examples. And despite its examination of some of the potentially negative effects of the genre, it is written for people who read and enjoy true crime, and wish to learn more about it. With skyrocketing crime rates and the appearance of a frightening trend toward social chaos in the 1970s, books, documentaries, and fiction films in the true crime genre tried to make sense of the Charles Manson crimes and the Gary Gilmore execution events. And in the 1980s and 1990s, true crime taught pop culture consumers about forensics, profiling, and highly technical aspects of criminology. We have thus now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. Through the suggestion that certain kinds of killers are monstrous or outside the realm of human morality, and through the perpetuation of the stranger-danger idea, the true crime aesthetic has both responded to and fostered our culture's fears. True crime is also the site of a dramatic confrontation with the concept of evil, and one of the few places in American public discourse where moral terms are used without any irony, and notions and definitions of evil are presented without ambiguity. When seen within its historical context, true crime emerges as a vibrant and meaningful strand of popular culture, one that is unfortunately devalued as lurid and meaningless pulp.

Crime and punishment fascinate. Overwhelming in their media dominance, they present us with our most popular television programs, films, novels, art works, video games, podcasts, social media streams and hashtags. This work offers a foundational space for understanding the cultural life and imaginative force and power of crime and punishment. Across five areas foundational to the study of crime and media, leading scholars from five continents engage cutting edge scholarship in order to provide definitive overviews of over 120 topics.

In this short and accessible introduction, criminologist Diane Crocker evaluates the latest Canadian data to reveal how well our justice system reflects the values and expectations of Canadians. Crocker presents a thorough examination of the various ways Canadians address crime, from prison, parole, and rehabilitation to prevention, restorative justice, and harm-reduction strategies. The result is an informative overview of the latest research and government policies behind these key issues in Canada. --Book Jacket.

Despite being an increasingly high profile subject, few publications address media representations of law and order head on. This book aims to meet this need by bringing together an important range of papers from leading researchers in the field, addressing issues of fictional, factual and hybrid representations of crime in the media.