Criticism Of The Court And The Evil King In The Middle Ages

Examining literary narratives from the tenth through the fifteenth centuries, this book explores how writers used their craft to voice harsh criticism of the ruling class and unearths a deep distrust of kings and other authority figures during the Middle Ages.

How power was distributed and exercised is a key issue in understanding attitudes and assumptions in late medieval England. The essays in this volume all deal with those who had the power to make political decisions, whether kings, nobles or gentry, courtiers or clergy. While ultimately power rested on force, it was enshrined in the law and more usually exercised by influence and by the dangling of reward. Most disputes were settled without violence, if often with recourse to prolonged struggles in the courts, but those who offended against established interests could be punished severely, as the cases of Sir John Mortimer and of Bishop Reginald Pecock show. These essays, presented to Gerald Harriss, who has done so much to illuminate the history of the period, show not only how power was exercised but also how men of the time thought about it. Contributors: Rowena E. Archer, Christine Carpenter, Jeremy Catto, Rosemary Horrox, R.W. Hoyle, Maurice Keen, Dominic Luckett, Philippa Maddern, S.J. Payling, Edward Powell, Anthony Smith, Simon Walker, Christopher Woolgar, Edmund Wright.

Why devote a Companion to the "mirrors for princes", whose very existence is debated? These texts offer key insights into political thoughts of the past. Their ambiguous, problematic status further enhances their interest. And although recent research has fundamentally challenged established views of these texts, until now there has been no critical introduction to the genre. This volume therefore fills this important gap, while promoting a global historical perspective of different “mirrors for princes” traditions from antiquity to humanism, via Byzantium, Persia, Islam, and the medieval West. This Companion also proposes new avenues of reflection on the anchoring of these texts in their historical realities. Contributors are Makram Abbès, Denise Aigle, Olivier Biaggini, Hugo Bizzarri, Charles F. Briggs, Sylvène Edouard, Jean-Philippe Genet, John R. Lenz, Louise Marlow, Cary J. Nederman, Corinne Peneau, Stéphane Péquignot, Noëlle-Laetitia Perret, Günter Prinzing, Volker Reinhardt, Hans-Joachim Schmidt, Tom Stevenson, Karl Ubl, and Steven J. Williams.

King John long ago acquired the epithet 'Bad,' and he is reputed to be the worst of England's kings. Before his death in 1216, his desperate exploitation of his subjects for ever more money had turned him into the mythical monster of Hollywood legend. In marked contrast to his brother Richard, John appeared incompetent in battle, failing to defend Normandy (1202-04), and was unsuccessful in recovering his lost lands in 1214. A continuing crisis was a constant need for money, forcing John to drain England of funds for campaigns in France, demanding unlawful and oppressive new taxes. Adding to his evil reputation was an ill-tempered personality and a streak of pettiness or spitefulness that led him to monstrous acts, including murdering his own nephew. King John's unpopularity culminated in a final crisis, a revolt by the English baronage, 1215-16, aimed at subjecting him to the rule of law, that resulted in his grant of Magna Carta.

All societies are constructed, based on specific rules, norms, and laws. Hence, all ethics and morality are predicated on perceived right or wrong behavior, and much of human culture proves to be the result of a larger discourse on vices and virtues, transgression and ideals, right and wrong. The topics covered in this volume, addressing fundamental concerns of the premodern world, deal with allegedly criminal, or simply wrong behavior which demanded punishment. Sometimes this affected whole groups of people, such as the innocently persecuted Jews, sometimes individuals, such as violent and evil princes. The issue at stake here embraces all of society since it can only survive if a general framework is observed that is based in some way on justice and peace. But literature and the visual arts provide many examples of open and public protests against wrongdoings, ill-conceived ideas and concepts, and stark crimes, such as theft, rape, and murder. In fact, poetic statements or paintings could carry significant potentials against those who deliberately transgressed moral and ethical norms, or who even targeted themselves.

Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.

Constance Hoffman Berman presents an indispensable collection of the most influential and revisionist work to be done on religion in the Middle Ages in the last two decades. Bringing together an authoritative list of scholars from around the world, this book is a comprehensive compilation of the most important work in this field. Medieval Religion provides a valuable service for all those who study the Middle Ages, church history or religion.

First published in 1998, this valuable reference work offers concise, expert answers to questions on all aspects of life and culture in Medieval England, including art, architecture, law, literature, kings, women, music, commerce, technology, warfare and religion. This wide-ranging text encompasses English social, cultural, and political life from the Anglo-Saxon invasions in the fifth century to the turn of the sixteenth century, as well as its ties to the Celtic world of Wales, Scotland and Ireland, the French and Anglo-Norman world of the Continent and the Viking and Scandinavian world of the North Sea. A range of topics are discussed from Sedulius to Skelton, from Wulfstan of York to Reginald Pecock, from Pictish art to Gothic sculpture and from the Vikings to the Black Death. A subject and name index makes it easy to locate information and bibliographies direct users to essential primary and secondary sources as well as key scholarship. With more than 700 entries by over 300 international scholars, this work provides a detailed portrait of the English Middle Ages and will be of great value to students and scholars studying Medieval history in England and Europe, as well as non-specialist readers.