Cross Channel

In the age of cross-channel commerce, successful firms must identify, develop, and implement the right cross-channel services to attract and satisfy their target customers. This book aims to assist multi-channel players to increase their company’s performance and enhance their overall value proposition by showing how to select the appropriate cross-channel strategy and how to establish synergies between online and offline channels.

Explores modernist aesthetics and cultural exchange in Britain, France and beyond Offers cutting-edge explorations of different aspects of artistic exchange between Britain and France, written by experts on both sides of the ChannelProvides original close readings of canonical and marginalised modernist textsOpens up new conceptual paradigms by probing multiple meanings related to 'crossing' and 'channelling' modernismOrganises chapters around three key themes of 'translating', 'fashioning', 'mediating' that intervene in the new modernist studiesDescribed by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel. Cross-Channel Modernisms historicises artistic exchangesa ina Britain, France and beyond and proposes a rich conceptual apparatus of 'crossings' and 'channels' through which we can read modernism and understand it as emerging from, and intervening in, an always-already shifting, multivalent,a internationala context.

[Includes 4 charts, 31 maps and 62 illustrations] Cross-Channel Attack has been planned and written as the introduction to the history of those campaigns in 1944 and 1945 which led to the destruction of the German armies in the west. It provides necessary background for the study of all the campaigns in the European Theater of Operations. The narrative of operations ends on 1 July 1944, with the Allies firmly established in Normandy. The concluding chapters show the successful fruition of plans and preparations reaching back as far as January 1942; but the seizure of the Norman beaches and the establishment of a lodgment area are only a beginning, a point of departure for the drive to the Elbe and the Baltic. Although Cross Channel Attack includes discussion of certain problems of high command and logistics, a more complete treatment is accorded these subjects in two volumes now under preparation in this series: The Supreme Command and Logistical Support of the Armies. Whether the reader approaches the book with the justified pride that he was a member or supporter of the winning team, or whether he reads to learn, is a matter for him to decide. The victor tends to prepare to win the next war with the same means and methods with which he won the last. He forgets the difficulty of reaching decisions, the planning problems, his faltering, his unpreparedness. The vanquished is wont to search far afield for new and improved methods, means, and equipment. The accomplishments of those who fought in this period were indeed great, as were the sacrifices. But from the national viewpoint it would seem desirable to read this volume with the self-critical eye of the vanquished as well as with the pride of the victor, an approach which the thoughtful reader will not find difficult.

From the bestselling, Booker Prize-winning author of The Sense of an Ending, his first collection of short stories explores the vast divide between England and France. • “A witty, playful and ironic writer at the top of his form." —San Francisco Chronicle In this collection, Barnes explores the narrow body of water containing the vast sea of prejudice and misapprehension which lies between England and France with acuity, humor, and compassion. For whether Barnes's English characters come to France as conquerors or hostages, laborers, athletes, or aesthetes, what they discover, alongside rich food and barbarous sexual and religious practices, is their own ineradicable Englishness. The ten stories that make up Cross Channel introduce us to a plethora of intriguing, original, and sometimes ill-fated characters. Elegantly conceived and seductively written, Cross Channel is further evidence of Barnes's wizardry.

Discusses the Allied invasion of Normandy, with extensive details about the planning stage, called Operation Overlord, as well as the fighting on Utah and Omaha Beaches.