Crossing The Pomerium

A multifaceted exploration of the interplay between civic and military life in ancient Rome The ancient Romans famously distinguished between civic life in Rome and military matters outside the city—a division marked by the pomerium, an abstract religious and legal boundary that was central to the myth of the city's foundation. In this book, Michael Koortbojian explores, by means of images and texts, how the Romans used social practices and public monuments to assert their capital's distinction from its growing empire, to delimit the proper realms of religion and law from those of war and conquest, and to establish and disseminate so many fundamental Roman institutions across three centuries of imperial rule. Crossing the Pomerium probes such topics as the appearance in the city of Romans in armor, whether in representation or in life, the role of religious rites on the battlefield, and the military image of Constantine on the arch built in his name. Throughout, the book reveals how, in these instances and others, the ancient ideology of crossing the pomerium reflects the efforts of Romans not only to live up to the ideals they had inherited, but also to reconceive their past and to validate contemporary practices during a time when Rome enjoyed growing dominance in the Mediterranean world. A masterly reassessment of the evolution of ancient Rome and its customs, Crossing the Pomerium explores a problem faced by generations of Romans—how to leave and return to hallowed city ground in the course of building an empire.

No public action of the Roman state, the populus Romanus, at home or at war, was to be carried out without prior permission from Iuppiter Optimus Maximus. Permission was obtained, in a procedure known as auspices, by the magistrate in charge of the intended action-usually a Consul, Praetor, or Dictator. Auspices thus occupy a fundamental place in the-unwritten-constitution of the Roman State. Yet especially in the 3rd century BCE, acceptance of the principle was not always universal. The Challenge to the Auspices presents an investigation into the interaction of Roman magistrates during the Middle Republic with the practice of auspices, with a focus on attempts to avoid, ignore, or resist this requirement. Proceeding from an examination of the Roman concepts of imperium and auspices (auspicia), especially as they relate to the realm of war, and of the constitutional position and powers of the Dictator and the Master-of-Horse (magister equitum) relative to each other and to the Consuls and lower magistrates, the work offers six case studies in which Roman commanders questioned, violated, or openly rejected the need for auspices. It is argued that these instances reflect a not insignificant minority view within the Roman ruling class regarding the efficacy of auspices and the necessity of observing them. The catastrophic outcome in several of these events, particularly during the early years of the Second Punic War, rendered further resistance to the practice politically unsustainable, and by the second century resulted in its universal acceptance, regardless of personal belief.

The Moving City: Processions, Passages and Promenades in Ancient Rome focusses on movements in the ancient city of Rome, exploring the interaction between people and monuments. Representing a novel approach to the Roman cityscape and culture, and reflecting the shift away from the traditional study of single monuments into broader analyses of context and space, the volume reveals both how movement adds to our understanding of ancient society, and how the movement of people and goods shaped urban development. Covering a wide range of people, places, sources, and times, the volume includes a survey of Republican, imperial, and late antique movement, triumphal processions of conquering generals, seditious, violent movement of riots and rebellion, religious processions and rituals and the everyday movements of individual strolls or household errands. By way of its longue durée, dense location and the variety of available sources, the city of ancient Rome offers a unique possibility to study movements as expressions of power, ritual, writing, communication, mentalities, trade, and – also as a result of a massed populace – violent outbreaks and attempts to keep order. The emerging picture is of a bustling, lively society, where cityscape and movements are closely interactive and entwined.

In this work, Fred Drogula studies the development of Roman provincial command using the terms and concepts of the Romans themselves as reference points. Beginning in the earliest years of the republic, Drogula argues, provincial command was not a uniform concept fixed in positive law but rather a dynamic set of ideas shaped by traditional practice. Therefore, as the Roman state grew, concepts of authority, control over territory, and military power underwent continual transformation. This adaptability was a tremendous resource for the Romans since it enabled them to respond to new military challenges in effective ways. But it was also a source of conflict over the roles and definitions of power. The rise of popular politics in the late republic enabled men like Pompey and Caesar to use their considerable influence to manipulate the flexible traditions of military command for their own advantage. Later, Augustus used nominal provincial commands to appease the senate even as he concentrated military and governing power under his own control by claiming supreme rule. In doing so, he laid the groundwork for the early empire's rules of command.

This textbook provides comprehensive coverage of the political, military, and social history of ancient Rome from the earliest days of the Republic to its collapse and the subsequent foundations of the empire established by Augustus prior to his death in AD 14. Interspersed through the discussion of the political history of the period are crucial chapters on all aspects of Roman culture, including women, religion, slavery and manumission, overseas conquests and their impact, and life in the city of Rome, giving students a full understanding of republican society, culture, and politics. With over 130 maps, illustrations, and photographs, The Ancient Romans is lavishly illustrated, with a particular emphasis on coins as a valuable historical resource. It also closely references the authors’ sourcebook, Ancient Rome: Social and Historical Documents from the Early Republic to the Death of Augustus, second edition, allowing students to engage with the documentary evidence and written sources in a deep and meaningful way. The Ancient Romans: History and Society from the Early Republic to the Death of Augustus is an indispensable resource for undergraduate students of the Roman Republic and its society and culture, as well as offering a comprehensive and compelling introduction for the interested reader.

A detailed study of pollution and impurity in Roman religion, offering new theories on a previously neglected, yet vital, subject.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”

This pathbreaking analysis of Roman political culture in the middle Republic focuses on the concerns of the Roman Senate as it decided whether or not to award a victorious general triumphal honors. Miriam R. Pelikan Pittenger's strikingly original approach illuminates this process by examining several Senate debates as reported by the historian Livy. The conduct of these debates illustrates the competitive ethos in the elite and mirrors creative tensions between the magistrates, the Senate, and the people of Rome. Contested Triumphs shows how Livy dramatized the process of history in the making and vividly demonstrates how it is the struggle itself that remains most vital.