Crossing The Waters

2017 Christianity Today Book Award winner (“Christian Living / Discipleship” category) Get ready for the wettest, stormiest, wildest trip through the Gospel you’ve ever taken! The gospels are dramatic, wild, and wet—set in a rich maritime culture on the shores of the Sea of Galilee. Jesus’ first disciples were ragtag fishermen, and Jesus’ messages and miracles teem with water, fish, fishermen, net-breaking catches, sea crossings, boat-sinking storms, and even a walk on water. Because this world is foreign and distant to us, we’ve missed much about the disciples’ experiences and about following Jesus—until now. Leslie Leyland Fields—a well-known writer, respected biblical exegete, and longtime Alaskan fisherwoman—crosses the waters of time and culture to take us out on the Sea of Galilee, through a rugged season of commercial fishing with her family in Alaska, and through the waters of the New Testament. You’ll be swept up in a fresh experience of the gospels, traveling with the fishermen disciples from Jesus’ baptism to the final miraculous catch of fish—and also experiencing Leslie’s own efforts to follow Christ out on her own Alaskan sea. In a time when so many are “unfollowing” Jesus and leaving the Church, Crossing the Waters delivers a fresh encounter with Jesus and explores what it means to “come, follow me.”

2023 Honorable Mention, Isis Duarte Book Prize, Haiti/ Dominican Republic section (LASA) 2023 Winner, Gordon K. and Sybil Lewis Book Award, Caribbean Studies Association An innovative study of the artistic representations of undocumented migration within the Hispanophone Caribbean Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters relates a journey that remains silenced and largely unknown. Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees. An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.

Combines histories of the complex interactions between blacks and Natives in North America with examples and readings of art that has emerged from those exchanges.

Based on the real life of Edith Warner, who ran a tearoom at Otowi Crossing, just below Los Alamos, The Woman at Otowi Crossing is the story of Helen Chalmer, a person in tune with her adopted environment and her neighbors in the nearby Indian pueblo and also a friend of the first atomic scientists. The secret evolution of atomic research is a counterpoint to her psychic development. In keeping with its tradition of allowing the best of its list to thrive, Ohio University Press/Swallow Press is particularly proud to reissue The Woman at Otowi Crossing by best-selling author Frank Waters. This new edition features an introduction by Professor Thomas J. Lyon and a foreword by the author’s widow, Barbara Waters. The story is quintessential Waters: a parable for the potentially destructive materialism of the mid-twentieth century. The antidote is Helen Chalmer’s ability to understand a deeper truth of her being; beyond the Western notion of selfhood, beyond the sense of a personality distinct from the rest, she experiences a new and wider awareness. The basis for an opera of the same name, The Woman at Otowi Crossing is the powerful story of the crossing of cultures and lives: a fable for our times.

Join Glen and Julie as they extend their voyage from New Zealand through the Mideast. While in New Zealand they participate in every sailor's dream: the America's Cup Races. But there is no turning back once they leave the wonders of the Pacific for the Indian Ocean and find themselves in the grip of natural and political forces beyond their control. Crossing Pirate Waters is written with candor and wry humor. Come aboard and experience the uncertainties of what is at times, all-too-authentic experiences far from the islands of cruising romance and margaritas.

Carsick is the New York Times bestselling chronicle of a cross-country hitchhiking journey with America's most beloved weirdo. John Waters is putting his life on the line. Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I'm Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash? Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road? His real-life rides include a gentle eighty-one-year-old farmer who is convinced Waters is a hobo, an indie band on tour, and the perverse filmmaker's unexpected hero: a young, sandy-haired Republican in a Corvette. Laced with subversive humor and warm intelligence, Carsick is an unforgettable vacation with a wickedly funny companion—and a celebration of America's weird, astonishing, and generous citizenry.

In Muddying the Waters, Richa Nagar embarks on an eloquent and moving exploration of the promises and pitfalls she has encountered during her two decades of transnational feminist work. With stories, encounters, and anecdotes as well as methodological reflections, Nagar grapples with the complexity of working through solidarities, responsibility, and ethics while involved in politically engaged scholarship. Experiences that range from the streets of Dar es Salaam to farms and development offices in North India inform discussion of the labor and politics of coauthorship, translation, and genre blending in research and writing that cross multiple--and often difficult--borders. The author links the implicit assumptions, issues, and questions involved with scholarship and political action, and explores the epistemological risks and possibilities of creative research that bring these into intimate dialogue Daringly self-conscious, Muddying the Waters reveals a politically engaged researcher and writer working to become ""radically vulnerable,"" and the ways in which such radical vulnerability can allow a re-imagining of collaboration that opens up new avenues to collective dreaming and laboring across sociopolitical, geographical, linguistic, and institutional borders.

Alone - though he was just married - and on foot, Nicholas Crane embarked on an extraordinary adventure: a seventeen-month journey along the chain of mountains which stretches across Europe from Cape Finisterre to Istanbul. His aim was to explore Europe's last mountain wilderness and to meet the people who live on the periphery of the modern world.