Crucicentric Congregational And Catholic

This book presents a synthesis of Alan Sell’s theology drawn from his voluminous publications. As Sell’s doctrinal views are explored and interpreted, his indebtedness to P. T. Forsyth becomes clear. What emerges is a theology rooted in and flowing from the Cross-Resurrection event. Standing in the Separatist, Dissenting, and Nonconformist traditions, Sell advocates a wholehearted commitment to a Congregational ecclesiology, which he maintains carries the potential to break through the log-jams holding up the establishment of full ecumenical relationships across the churches. Saddened by Christianity’s many sectarianisms, Sell’s intentions are thoroughly catholic; while his faithfulness to the Christian tradition handed on to him is matched by a willingness to receive insights from beyond it. The result is a generous, if eclectic, expression of Christian orthodoxy. The critical phase of the book turns upon the question whether Sell’s “generous” orthodoxy is generous enough: Do his theological conclusions actually do justice to the life and ministry of Jesus? And secondly are they credible in the contemporary world? For all Sell’s commitment to apologetics does his theology actually speak to contemporary hearers?

This book treads new ground by bringing the Evangelical and Dissenting movements within Christianity into close engagement with one another. While Evangelicalism and Dissent both have well established historiographies, there are few books that specifically explore the relationship between the two. Thus, this complex relationship is often overlooked and underemphasised. The volume is organised chronologically, covering the period from the late seventeenth century to the closing decades of the twentieth century. Some chapters deal with specific centuries but others chart developments across the whole period covered by the book. Chapters are balanced between those that concentrate on an individual, such as George Whitefield or John Stott, and those that focus on particular denominational groups like Wesleyan Methodism, Congregationalism or the ‘Black Majority Churches’. The result is a new insight into the cross pollination of these movements that will help the reader to understand modern Christianity in England and Wales more fully. Offering a fresh look at the development of Evangelicalism and Dissent, this volume will be of keen interest to any scholar of Religious Studies, Church History, Theology or modern Britain.

The widely read author and philosopher Peter Kreeft presents a unique book about the important beliefs that Catholics and Protestants share in common. Inspired by Christ's prayer for unity in the Gospel of John and Saint John Paul II's encyclical Ut Unum Sint, Kreeft demonstrates that Christian reunification is possible. While he acknowledges that there are still significant differences between Catholics and Protestants, he emphasizes that they agree on the single most important issue: justification. The style of this book is modeled on Pascal, Solomon, and Jesus: short answers and single points to ponder rather than long strings of argument. The writing is direct, simple, and confrontational, but vertically rather than horizontally by ""directing arrows not against each other (Protestant or Catholic) but against our own hearts and minds and wills."" The purpose of this book, writes Kreeft, is to be ""like an Australian sheepdog, herding and hectoring Christ's separated sheep back to His face. For that is the only way they can ever return back to each other.""

"Ecclesiology which takes into account the Second Vatican Council, ecumenism, and globalization"--Provided by publisher.

A history of Christian thought about the salvation of those who have been considered to be "outside the church".

Christian Congregational Music explores the role of congregational music in Christian religious experience, examining how musicians and worshippers perform, identify with and experience belief through musical praxis. Contributors from a broad range of fields, including music studies, theology, literature, and cultural anthropology, present interdisciplinary perspectives on a variety of congregational musical styles - from African American gospel music, to evangelical praise and worship music, to Mennonite hymnody - within contemporary Europe and North America. In addressing the themes of performance, identity and experience, the volume explores several topics of interest to a broader humanities and social sciences readership, including the influence of globalization and mass mediation on congregational music style and performance; the use of congregational music to shape multifaceted identities; the role of mass mediated congregational music in shaping transnational communities; and the function of music in embodying and imparting religious belief and knowledge. In demonstrating the complex relationship between ’traditional’ and ’contemporary’ sounds and local and global identifications within the practice of congregational music, the plurality of approaches represented in this book, as well as the range of musical repertoires explored, aims to serve as a model for future congregational music scholarship.