Crushing Conceptualism In Modern Christianity

A heavy spirit of conceptualism has infiltrated the modern Christian establishments. Our traditions, philosophies, theologies, etc. Everything our beliefs are built upon has been influenced by an elite world-class system. Have you ever felt like there has to be more to our placement in this world than going through the motions of the Sunday morning ritual called “church?” More to this thing we call “Christianity?” If so, this book is what you have been waiting for. A truth movement has emerged. A remnant of modern “Ark Builders” endeavors to awaken those who are still asleep. Every day we see evidence of what the Bible describes as “spiritual wickedness in high places” (Ephesians 6:12). Those who secretly govern our world have an agenda to unite and target professing Christians. The motive is world dominance, and the method is mind control, to brainwash the mass into conforming to what is socially acceptable and politically correct. But we are not ignorant of the enemy’s strategies. This book equips its readers with information exposing this deception, as it bridges the gap between conspiracy theory and demonic activity. You are about to open the door to a world you never knew existed, a reality of which you never knew you were a part. Prepare yourself. Once you see, you will never be able to unsee this realm again.

To some, the phrase “Biblical Veganism” is an oxymoron. The idea that a modern dietary trend could be considered biblical poses a problem. After all, several instances in the Bible depict men of God eating animal meat. How then can we take this idea seriously? In this detailed exposition, we will explore common misconceptions about veganism in efforts to sever any confusion. After all, most people who reject biblical veganism only do so out of tradition and have never investigated this matter. Rather, most allow their currently held paradigm of Torah to determine what our Creator originally imagined for humanity. While variation may exist between our definitions of “vegan,” we can all agree on the primary qualification, that vegans abstain from animal meat. Shifting the Torah Paradigm (STP) reinforces the biblical principle that humanity was originally created to consume a garden diet. Among the Torah community, there are some who insist that we must consume the flesh of certain animals to properly obey the commands, namely our instructions for Passover. At the same time, those who abstain from animal flesh contend otherwise, that our Creator never intended for humanity to kill and eat from the animal kingdom, whether it is deemed “clean” or “unclean” by Mosaic law. STP maintains that meat eaters have neglected the context by which the entire sacrificial system was instituted. Moreover, the purpose of this book is to explore this unseen storyline by investigating how sacrifice entered the picture and to understand why Yeshua neither taught nor observed this aspect of Torah.

Toward Forever: Radical Reflections on History and Art is a diverse, colourful and eclectic set of essays of historical and cultural analyses. From the genesis of Islam as a social movement, to an account of Goya's art in the context of feudal absolutism and the Napoleonic wars, to The Da Vinci Code, and much more besides. McKenna is a classical Marxist not shy of addressing popular culture, past and present, works often ignored by other Marxist critics increasingly confined to Academia and its high-brow concerns.

Life is full of connections – if you know how to make them. Crushing follows two people -- one determined and a bit awkward, the other unsure where to begin -- longing to find out where they belong. Their intersecting and overlapping journeys reveal hidden connections and the unpredictable and unexpected ways we may find each other. Achingly beautiful, quietly defiant, and full of subtle wit and wisdom, Crushing is a story told in silence; a story without words but bursting with life and color. This stunning debut graphic novel from Sophie Burrows is a timely look at life in an age of distance and a story of love and understanding -- a perfect book to read and to share.

Shadow of the Third Century: A Revaluation of Christianity, first published in 1949, begins with the assertions that a true history of Christianity has never before been written and that the roots of the Christian religion lie in earlier religions and philosophies of the ancient world. The author, Alvin Boyd Kuhn, asserts that Christianity as we know it took the form it did due to a degeneration of knowledge rather than to an energization produced by a new release of light and truth into the world. In the ancient world, knowledge was commonly passed down by esoteric traditions, its inner meaning known only to the initiated. The Gospels, according to Kuhn, should therefore be understood as symbolic narratives rather than as history. Sacred scriptures are always written in a language of myth and symbol, and the Christian religion threw away and lost their true meaning when it mistranslated this language into alleged history instead of reading it as spiritual allegory. This literalism necessarily led to a religion antagonistic toward philosophy. Moreover, it produced a religion that failed to recognize its continuity with, and debt to, earlier esoteric schools. As evidence of this, Kuhn finds that many of the gospel stories and sayings have parallels in earlier works, in particular those of Egypt and Greece. The transformation of Jesus’ followers into Pauline Christians drew on these sources. Moreover, the misunderstanding of true Christianity led to the excesses of misguided asceticism. Overall, the book seeks to serve as a “clarion call to the modern world to return to the primitive Christianity which the founder of Christian theology, Augustine, proclaimed had been the true religion of all humanity.” With its many citations from earlier works, Shadow of the Third Century also serves as a bibliographic introduction to alternative histories of Christianity.

Why did the Jews reject Jesus? Was he really the son of God? Were the Jews culpable in his death? These ancient questions have been debated for almost two thousand years, most recently with the release of Mel Gibson’s explosive The Passion of the Christ. The controversy was never merely academic. The legal status and security of Jews—often their very lives—depended on the answer. In WHY THE JEWS REJECTED JESUS, David Klinghoffer reveals that the Jews since ancient times accepted not only the historical existence of Jesus but the role of certain Jews in bringing about his crucifixion and death. But he also argues that they had every reason to be skeptical of claims for his divinity. For one thing, Palestine under Roman occupation had numerous charismatic would-be messiahs, so Jesus would not have been unique, nor was his following the largest of its kind. For another, the biblical prophecies about the coming of the Messiah were never fulfilled by Jesus, including an ingathering of exiles, the rise of a Davidic king who would defeat Israel’s enemies, the building of a new Temple, and recognition of God by the gentiles. Above all, the Jews understood their biblically commanded way of life, from which Jesus’s followers sought to “free” them, as precious, immutable, and eternal. Jews have long been blamed for Jesus’s death and stigmatized for rejecting him. But Jesus lived and died a relatively obscure figure at the margins of Jewish society. Indeed, it is difficult to argue that “the Jews” of his day rejected Jesus at all, since most Jews had never heard of him. The figure they really rejected, often violently, was Paul, who convinced the Jerusalem church led by Jesus’s brother to jettison the observance of Jewish law. Paul thus founded a new religion. If not for him, Christianity would likely have remained a Jewish movement, and the course of history itself would have been changed. Had the Jews accepted Jesus, Klinghoffer speculates, Christianity would not have conquered Europe, and there would be no Western civilization as we know it. WHY THE JEWS REJECTED JESUS tells the story of this long, acrimonious, and occasionally deadly debate between Christians and Jews. It is thoroughly engaging, lucidly written, and in many ways highly original. Though written from a Jewish point of view, it is also profoundly respectful of Christian sensibilities. Coming at a time when Christians and Jews are in some ways moving closer than ever before, this thoughtful and provocative book represents a genuine effort to heal the ancient rift between these two great faith traditions.

With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.

Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.