Cuba The Morning After

A major study of U.S.-Cuba relations warns that America is ill-prepared for the serious dilemmas and even threats posed by a post-Castro Cuba.

A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.

On the day after the big announcement, finding a Granma (Cuba's daily newspaper) to read about the big news was a challenge, because people had quickly scarfed up all the copies for souvenirs. Well before it was printed, though, the news began trickling out. Midmorning on December 17, 2014, rumors of a prisoner exchange circulated. Something unusual between the U.S. and Cuba was reportedly in the works. Both Alan Gross, the U.S. citizen imprisoned in Cuba for five years on espionage charges, and the remaining three of the five "Cuban Heroes" imprisoned in the U.S. for fifteen years on the same charges, had been released and were returning to their respective homes, as were other lower profile political prisoners. Later in the day, even bigger news spread as people learned of the two administrations' secret negotiations designed to end their fifty-six-year-old Cold War, thanks in part to the intervention of Pope Francis (who happened to be celebrating his birthday on this day). In the ensuing months since December 17, many articles have emerged in major publications and many news stories have aired across broadcast and cable television, all documenting aspects of Cuban life. The pieces are captivating and well-produced, but I have been disappointed in one respect: the stories typically center on Havana, the capital city that has suddenly started to charm, if not bewitch, so many people who are now eager to visit this metropolis seemingly frozen in time, before "everything changes." As accurate as the portrayals are, they only show one thin slice of Cuban life, the urban scene of the country's power center. While we did spend some time in Havana, Kim and I got to know many other urban and rural communities in eleven of the sixteen Cuban provinces, where we worshipped in twenty-seven churches and ate home-cooked meals in fifty homes. We were astounded by the incredible range of cultural diversity we found along the way. A "typical Cuban," or a "Cuban identity," is as hard to pin down as our own here in the U.S. What made the year fascinating for us was in part the timing, being there in the midst of the major narrative unfolding, seeing how people in different communities reacted to the prospects of a new day for our countries. For me, though, even more fascinating than this large public narrative was the impact of the thousand private stories of everyday Cubans, small but compelling stories of human resilience and creativity, humor and pathos.

Havana is Cuba's soul: a mix of Third World, First World, and Other World. After over a decade of visits as a teacher, researcher, and friend, Karen Dubinsky looks past political slogans and tourist postcards to the streets, neighbourhoods, and personalities of a complicated and contradictory city. Her affectionate, humorous vignettes illustrate how Havana's residents--old Communist ladies, their sceptical offspring, musicians, underground vendors, entrepreneurial landlords, and poverty-stricken professors--go about their daily lives. As Cuba undergoes dramatic change, there is much to appreciate, and learn from, in the unlikely world Cubans have collectively built for themselves. A portion of the proceeds from the sale of this book will go to the Queen's University Student Overseas Travel Fund--The Sonia Enjamio Fund, which funds Cuban/Canadian student exchange.

By the author of 2021 Pura Belpré Honor Book The Total Eclipse of Nestor Lopez, a sweeping, emotional middle grade historical novel about a twelve-year-old boy who leaves his family in Cuba to immigrate to the U.S. by himself, based on the author's family history. “I don’t remember. Tell me everything, Pepito. Tell me about Cuba.” When the failed Bay of Pigs invasion in 1961 solidifies Castro’s power in Cuba, twelve-year-old Cumba’s family makes the difficult decision to send him to Florida alone. Faced with the prospect of living in another country by himself, Cumba tries to remember the sound of his father’s clarinet, the smell of his mother’s lavender perfume. Life in the United States presents a whole new set of challenges. Lost in a sea of English speakers, Cumba has to navigate a new city, a new school, and new freedom all on his own. With each day, Cumba feels more confident in his new surroundings, but he continues to wonder: Will his family ever be whole again? Or will they remain just out of reach, ninety miles across the sea? A Kirkus Best Children's Book of the Year "...Cuevas’ latest is a triumph of the heart...A compassionate, emotionally astute portrait of a young Cuban in exile." —Kirkus, STARRED REVIEW "Cuevas’ intense and immersive account of a Cuban boy’s experience after the failed Bay of Pigs Invasion brings a specific point in history alive." —Booklist, STARRED REVIEW "Cuevas packs this sophomore novel with palpable emotions and themes of friendship, love, longing, and trauma, attentively conveying tumultuous historical events from the lens of one young refugee." — Publishers Weekly, STARRED REVIEW

In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued--through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country's future. Meanwhile, politics in Washington--Barack Obama's opening to the island, Donald Trump's reversal of that policy, and the election of Joe Biden--have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an ambitious chronicle written for an era that demands a new reckoning with the island's past. Spanning more than five centuries, Cuba: An American History reveals the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the influence of the United States on Cuba and the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba. Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States--as well as the author's own extensive travel to the island over the same period--this is a stunning and monumental account like no other. --

“A subtle yet striking collection of sepia-like photographs depicting life in Cuba, coupled with the perceptive observations of a Cuban exile returning home.” —Miami Herald Imagine being unable to return to your homeland for thirty-six years. What would you do if you finally got a chance to go back? In 1996, after travel restrictions between the United States and Cuba were relaxed, Cuban exile Tony Mendoza answered that question. Taking his cameras, notebooks, and an unquenchable curiosity, he returned for his first visit to Cuba since the summer of 1960, when he emigrated with his family at age eighteen. In this book he presents over eighty evocative photographs accompanied by a beautifully written text that mingles the voices of many Cubans with his own to offer a compelling portrait of a resilient people awaiting the inevitable passing of the socialist system that has failed them. His photographs and interviews bear striking witness to the hardships and inequalities that exist in this workers’ “paradise,” where the daily struggle to make ends meet on an average income of eight dollars a month has created a longing for change even in formerly ardent revolutionaries. At the same time, Cuba—Going Back is an eloquent record of a personal journey back in time and memory that will resonate with viewers and readers both within and beyond the Cuban American community. It belongs on the shelves of anyone who values excellent photography and well-crafted prose. “This book, based on the photos and interviews he conducted on his trip, is a remarkable first-hand account of today’s Cuba.” —Library Journal