Cultural History After Foucault

Both as historian and maker of culture, Foucault infused numerous disciplines of study with a new conceptual vocabulary and an agenda for future research. His ideas have called central assumptions in Western culture into question and altered the ways in which scholars and social scientists approach such issues as discourse theory, theory of knowledge, Eros, technologies of the Self and Other, punishment and prisons, and asylums and madness.The contributors to this volume indicate Foucault's achievements and the suggestive power of his work, as well as his methodological weaknesses, historical inaccuracies, and ambiguities. Above all, they attempt to show how one can use Foucault to go beyond him in opening new approaches to cultural history. Though comprehensiveness was not attempted, their essays broach the major controversial aspects of Foucauldian cultural history--the position of the subject, the fusion of power and knowledge, sexuality, the historical structures and changes--and they explicitly analyze them with respect to antiquity, the Renaissance, and the nineteenth century.In this collection, Neubauer presents analyses by historians, literary scholars, and philosophers of the entire, transdisciplinary range of Foucault's oeuvre, emphasizing the rich suggestiveness of its agenda. The breadth of the undertaking makes it suitable for seminars and graduate courses in numerous departments.

Contributes to Foucauldian scholarship by contextualizing Foucault's key concepts and identifying current and emerging applications of his work.

Both as historian and maker of culture, Foucault infused numerous disciplines of study with a new conceptual vocabulary and an agenda for future research. His ideas have called central assumptions in Western culture into question and altered the ways in which scholars and social scientists approach such issues as discourse theory, theory of knowledge, Eros, technologies of the Self and Other, punishment and prisons, and asylums and madness. The contributors to this volume indicate Foucault's achievements and the suggestive power of his work, as well as his methodological weaknesses, historical inaccuracies, and ambiguities. Above all, they attempt to show how one can use Foucault to go beyond him in opening new approaches to cultural history. Though comprehensiveness was not attempted, their essays broach the major controversial aspects of Foucauldian cultural history--the position of the subject, the fusion of power and knowledge, sexuality, the historical structures and changes--and they explicitly analyze them with respect to antiquity, the Renaissance, and the nineteenth century. In this collection, Neubauer presents analyses by historians, literary scholars, and philosophers of the entire, transdisciplinary range of Foucault's oeuvre, emphasizing the rich suggestiveness of its agenda. The breadth of the undertaking makes it suitable for seminars and graduate courses in numerous departments.

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical documents in the same way that they previously read "great" texts. Anthropologists have turned to the history of their own discipline in order to better understand the ways in which disciplinary authority was constructed. As historians have begun to participate in this ferment, they have moved away from their earlier focus on social theoretical models of historical development toward concepts taken from cultural anthropology and literary criticism. Much of the most exciting work in history recently has been affiliated with this wide-ranging effort to write history that is essentially a history of culture. The essays presented here provide an introduction to this movement within the discipline of history. The essays in Part One trace the influence of important models for the new cultural history, models ranging from the pathbreaking work of the French cultural critic Michel Foucault and the American anthropologist Clifford Geertz to the imaginative efforts of such contemporary historians as Natalie Davis and E. P. Thompson, as well as the more controversial theories of Hayden White and Dominick LaCapra. The essays in Part Two are exemplary of the most challenging and fruitful new work of historians in this genre, with topics as diverse as parades in 19th-century America, 16th-century Spanish texts, English medical writing, and the visual practices implied in Italian Renaissance frescoes. Beneath this diversity, however, it is possible to see the commonalities of the new cultural history as it takes shape. Students, teachers, and general readers interested in the future of history will find these essays stimulating and provocative.

The author argues that Foucault's archaeology is an attempt to separate historical and philosophical analysis from the evolutionary model of nineteenth-century biology and to establish a new form of social thought based on principles similar to field theory in twentieth-century physics. She examines Foucault's view of the relationship between power and knowledge and goes on to discuss the new concepts of space, time, subject, and causality expressed in relativity theory, quantum mechanics, Saussurean linguistics, and Foucault's literary essays." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Throughout American history, women's roles have been a source of controversy. Despite having to struggle to be heard or listened to, women vigorously participated in the political debates and cultural lives of American society. They responded actively to the social problems of their day, joining anti-slavery and temperance groups in the nineteenth century, only to discover that gender hindered their right to speak or act in public. Such limitations led to the women's rights movement and a long struggle for the vote and full citizenship rights.

Michel Foucault’s seminal The History of Sexuality (1976–1984) has since its publication provided a context for the emergence of critical historical studies of sexuality. This collection reassesses the state of the historiography on sexuality—a field in which the German case has been traditionally central. In many diverse ways, the Foucauldian intervention has governed the formation of questions in the field as well as the assumptions about how some of these questions should be answered. It can be argued, however, that some of these revolutionary insights have ossified into dogmas or truisms within the field. Yet, as these contributions meticulously reveal, those very truisms, when revisited with a fresh eye, can lead to new, unexpected insights into the history of sexuality, necessitating a return to and reinterpretation of Foucault’s richly complex work. This volume will be necessary reading for students of historical sexuality as well as for those readers in German history and German studies generally who have an interest in the history of sexuality.

Michel Foucault examines the archeology of madness in the West from 1500 to 1800 - from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built, and walls were erected between the "insane" and the rest of humanity.