Cultural Studies Vol 12 2

First published in 1998. Routledge is an imprint of Taylor and Francis, an informa company.

A collection of essays on the topical and familiar : the future of reggae and the legend of Bob Marley; community and the public body in breast cancer media activism, and the redefinition of the Louvre are among the subjects discussed.

Thinking and writing about the past, challenging what 'history' might be and how it could appear is an ongoing interest of this journal and an ongoing (sometimes contentious) point of connection between cultural studies and history. The shifts in how we research and write the past is no simple story of accepted breakthroughs that have become the new norms, nor is it a story where it is easy to identify what the effects of cultural studies thinking on the discipline of history has been. History has provided its own challenges to its own practices in a very robust way, while the cultural studies has challenged what the past is and how it might be rendered from a wide ranging set of ideas and modes of representation that have less to do with specific disciplinary arguments than responses to particular modes (textual, filmic, sonic), particular sites (nations, Indigenous temporalities, sexuality, literature, gender) and perhaps a greater willingness to accentuate the political in the historical.

An examination of the place of religion, especially Islam, in political and cultural life took on a special urgency after the events of 9/11. The essays in this volume concentrate on the way that Islam impacts on the everyday lives of people who reside in societies where Islam plays a large part. The relationship between Islam and women has always been seen as problematic, and by highlighting women’s negotiations with this religion, this volume seeks to understand the many and various strategies and connections that are made, and their political and cultural ramifications. By keeping an Asian focus, the authors also seek to understand the wide panorama that Islamic societies inhabit, and the manifold political and cultural expressions that ensue from this. The effort is not only to break the image of a monolithic structure and set of beliefs, but also to highlight on-the-ground negotiations, and the ways that women in particular find spaces within Islamic structures and discourses. This book was originally published as a special issue of Inter-Asia Cultural Studies.

This special issue looks at the increasing presence of Cultural Studies as a discipline within academia. The debate about it's relevance still rages and is commented on in these pages. Also includes tips on publishing for academics and a guide to Cultural Studies institutional presence. A must for all students and graduates in the field.

This book brings together some of the most prominent scholars working across the spectrum of Latin American and Latino studies to explore their changing intellectual undertaking in relation to global processes of change. Critical Latin American and Latino Studies identifies the challenges and possibilities of more politically engaged and theoretically critical modes of scholarly practice. One objective is to provide a brief critical history of the study of various Latin American cultures -- Latino, Chicano, Puerto Rican, among others. But these essays also serve to assess the roles of ethnic and area studies in light of changing scholarly trends, from emphases on gender and sexuality to a focus on postcoloniality and globalization. The result is an important contribution to current debates on the conditions of contemporary knowledge production. Book jacket.

This issue of Cultural Studies will deal with the broad range of subjects that typify this journal.

Cultural studies face a complicated yet rich future, proving both flexible and resilient in many countries. Against this backdrop, this book offers a fresh perspective on the state of the field of cultural studies, via an evaluation of the work of one of its key thinkers – Graeme Turner – and the traditions of Australian cultural studies which have been influential on the formation of the field. Thinking with Turner, and being informed by his practice, can help orient us in the face of new challenges and contexts across culture, media, and everyday life; teaching and pedagogy; the relation of research to the new politics of public engagement, policy, management, and universities; the internationalization of cultural studies and the reconfiguration of nationalism; the changing concepts and relations of culture; the development of important new areas in cultural studies, such as celebrity studies; and the emergence of digital media studies. This lively and provocative volume is essential reading for anyone interested in where cultural studies has come from, where it’s heading to, and what kinds of ideas – not least from Graeme Turner – will help scholars and students alike make sense of and reconfigure the discipline. This book was originally published as a special issue of Cultural Studies.