Culture And International History

Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.

The current political conflicts in Somalia and Russia make the reappearance of this book as relevant as ever. Politics and Culture in International History illumines world politics by identifying the causes of conflict and war and assessing the validity of schemes for peace and unity. Bozeman maintains that political systems are grounded in cultures; thus, international relations are by definition hitercultural relations. She deals exclusively with the thought patterns of the world's literate civilizations and societies between the fourth millenium B.C. and the fifteenth century A.D. In a substantial new introduction, Bozeman analyzes world politics over the last half century, showing how the interplay of politics and culture has intensified. She notes that the world's assembly of states is no longer held together by substantive accords on norms, purposes, and values, but by loose agreements on the use offorms, techniques, and words. The causes and effects of these changes between the 1950s and 1990s are assayed by Bozeman.

Culture and International Relations contextually re-examines the history of international relations in order to explore how the discipline has imported and employed the concept of culture. The author challenges the notion that IR has only been interested in culture since the end of the Cold War by tracing different understandings of culture throughout its history.

This book examines the cultural concepts that guided the development of the “age of mankind”— the changes that took place in historical, philosophical, scientific, religious, literary, and artistic thought in the 20th century. It discusses a broad range of major topics, including the spread of commercial capitalism; socialist revolutions; the two world wars; anti-colonialist national liberation movements; scientific progress; the clashes and fusion of Eastern and Western cultures; globalization; women’s rights movements; mass media and entertainment; the age of information and the digital society. The combination of cultural phenomena and theoretical descriptions ensures a unity of culture, history and logic. Lastly, the book explores the enormous changes in lifestyles and the virtualized future, revealing cultural characteristics and discussing 21st -century trends in the context of information technology, globalization and the digital era.

International History: A Cultural Approach offers an innovative history of modern international relations that stresses cultural themes. In place of the usual focus on great-power rivalries, diplomatic negotiations, military conflict, and other phenomena in which sovereign nations are the key players, this book focuses on intercultural relations as individuals, races, religions, and non-state actors interact across national boundaries, to provide a fresh perspective on modern international history. Among the themes covered are: - Nationalism and cosmopolitanism - Migration - Cross-cultural encounters - Consumerism and youth cultures - Environmental transformations - Economic and technological globalization Akira Iriye and Petra Goedde's approach offers a deeper understanding of international history, focusing on people and their cultures rather than just state level interactions.

Recent studies on the meaning of cultural diplomacy in the twentieth century often focus on the United States and the Cold War, based on the premise that cultural diplomacy was a key instrument of foreign policy in the nation’s effort to contain the Soviet Union. As a result, the term “cultural diplomacy” has become one-dimensional, linked to political manipulation and subordination and relegated to the margin of diplomatic interactions. This volume explores the significance of cultural diplomacy in regions other than the United States or “western” countries, that is, regions that have been neglected by scholars so far—Eastern Europe, Asia, and the Middle East. By examining cultural diplomacy in these regions, the contributors show that the function of information and exchange programs differs considerably from area to area depending on historical circumstances and, even more importantly, on the cultural mindsets of the individuals involved.