Culture Conflict And Migration

Immigration and its consequences is a substantially contested subject with hugely differing viewpoints. While some contend that criminal participation by migrants is the result of environmental factors found in the host country that are beyond the control of migrants, others blame migrants for all that is wrong in their communities. In this book, experts from Europe, the USA, Turkey and Israel examine recent developments in the fields of culture conflict, organized crime, victimization and terrorism, all of which intersect to varying degrees with migration and illegal conduct. While the essays further our understanding of a variety of issues surrounding migration, at the same time they illuminate the complexities of managing the challenges as globalization increases.

This title was first published in 2002: The issue of immigration and crime in all of its many contexts and forms, is a problem which affects numerous countries throughout the world. In many countries, immigrants have been accused of disproportionate involvement in crime while, in others, immigrants are often claimed to be the victims of criminal offenders, as well as indifferent criminal justice systems. The subjects covered within this informative collection include the offending and victimization rates of immigrants and their dependants, institutional racism, human trafficking/smuggling and ethnic conflicts. In particular, the problems faced by female immigrants are addressed in detail. Whilst some papers look at the issues facing particular countries, such as Germany, the United Kingdom, Australia, Israel and Turkey, others adopt a more comparative approach. Migration, Culture Conflict and Crime is an essential and compelling read for all those with a strong interest in this important area. Not only does it significantly advance our scientific knowledge concerning the relationship between immigration, crime and justice, but it also sets forth a number of proposals which, if implemented, could address many of the problems found in these areas.

A major study of Catholic and Protestant Irish in an important but neglected center of historic Irish settlement where communal violence and Irish-related antipathy bore the hallmarks of the Liverpool and Glasgow experiences. "Culture, Conflict and Migration... deserves to be read as an important contribution to the growing literature on the Irish in Britain."Irish Studies Review

Culture plays a central role in our understanding of migration as an economic phenomenon. This title emphasises on the distinctions in culture between migrants, the families they left behind, and the local population in the migration destination.

A compliation of the conference papers from the 32nd International Congress in the History of Art organised by the International Committee of the History of Art (CIHA). CROSSING CULTURES: CONFLICT, MIGRATION AND CONVERGENCE is an in-depth examination of the effect of globalism on art and art history. Covering all aspects of art-including traditional media, painting, sculpture, architecture and the crafts, as well as design, film, visual performance and new media-it explores the themes of conflict, migration and convergence in the visual, symbolic and artistic exchanges between cultures throughout history. Crossing Cultures is a compliation of the conference papers from the 32nd International Congress in the History of Art organised by the International Committee of the History of Art (CIHA), edited by conference convenor Professor Jaynie Anderson. This volume contains more than 200 papers presented at the congress by art historians from twenty-five countries, including Homi K Bhabha (Harvard University), Michael Brand (Director of the John Paul Getty Museum, Los Angeles), Marcia Langton (Chair of Australian Indigenous Studies, University of Melbourne), Ronald de Leeuw (Director of the Rijksmuseum, Amsterdam), Neil McGregor (Director of the British Museum, London) and Ruth B Phillips (Canada Research Chair in Modern Culture and Professor of Art History, Carleton University, Ottawa). Never before has the state of art history in our polycentric world been demonstrated so well. Crossing Cultures encourages fresh thinking about global art history.

Capturing the important place and power role that culture plays in the decision-making process of migration, this Handbook looks at human movement outside of a vacuum; taking into account the impact of family relationships, access to resources, and security and insecurity at both the points of origin and destination.