Culture Curers And Contagion

Essays on health, illness and treatment in various tribal societies.

Contagion as process, metaphor, and timely interpretive tool, from antiquity to the twenty-first century. Cultures of Contagion recounts episodes in the history of contagions, from ancient times to the twenty-first century. It considers contagion not only in the medical sense but also as a process, a metaphor, and an interpretive model--as a term that describes not only the transmission of a virus but also the propagation of a phenomenon. The authors describe a wide range of social, cultural, political, and anthropological instances through the prism of contagion--from anti-Semitism to migration, from the nuclear contamination of the planet to the violence of Mao's Red Guard. The book proceeds glossary style, with a series of short texts arranged alphabetically, beginning with an entry on aluminum and "environmental contagion" and ending with a discussion of writing and "textual resemblance" caused by influence, imitation, borrowing, and plagiarism. The authors--leading scholars associated with the Center for Historical Research (CRH, Centre de recherches historiques), Paris--consider such topics as the connection between contagion and suggestion, "waltzmania" in post-Terror Paris, the effect of reading on sensitive imaginations, and the contagiousness of yawning. They take two distinct approaches: either examining contagion and what it signified contemporaneously, or deploying contagion as an interpretive tool. Both perspectives illuminate unexpected connections, unnoticed configurations, and invisible interactions.

In the age of HIV, antibiotic-resistant bacteria, the Ebola Virus and BSE, metaphors and experience of contagion are a central concern of government, biomedicine and popular culture. Contagion explores cultural responses of infectious diseases and their biomedical management over the nineteenth and twentieth centuries. It also investigates the use of 'contagion' as a concept in postmodern reconceptualisations of embodied subjectivity. The essays are written from within the fields of cultural studies, biomedical history and critical sociology. The contributors examine the geographies, policies and identities which have been produced in the massive social effort to contain diseases. They explore both social responses to infectious diseases in the past, and contemporary theoretical and biomedical sites for the study of contagion.

In the age of HIV, antibiotic-resistant bacteria, the Ebola Virus and BSE, metaphors and experience of contagion are a central concern of government, biomedicine and popular culture. Contagion explores cultural responses of infectious diseases and their biomedical management over the nineteenth and twentieth centuries. It also investigates the use of 'contagion' as a concept in postmodern reconceptualisations of embodied subjectivity. The essays are written from within the fields of cultural studies, biomedical history and critical sociology. The contributors examine the geographies, policies and identities which have been produced in the massive social effort to contain diseases. They explore both social responses to infectious diseases in the past, and contemporary theoretical and biomedical sites for the study of contagion.

"An A-Z glossary of "cultures of contagion", conceived literally and metaphorically, and approaxched from multiple historical perspectives"--

Shows how narratives of contagion structure communities of belonging and how the lessons of these narratives are incorporated into sociological theories of cultural transmission and community formation.

"Through case studies, this book investigates the pictorial imaging of epidemics globally, especially from the late eighteenth century through the 1920s when, amidst expanding industrialism, colonialism, and scientific research, the world endured a succession of pandemics in tandem with the rise of popular visual culture and new media. Images discussed range from the depiction of people and places to the invisible realms of pathogens and emotions, while topics include the messaging of disease prevention and containment in public health initiatives, the motivations of governments to ensure control, the criticism of authority in graphic satire, and the private experience of illness in the domestic realm. Essays explore biomedical conditions as well as the recurrent constructed social narratives of bias, blame, and othering regarding race, gender, and class that are frequently highlighted in visual representations. This anthology offers a pictured genealogy of pandemic experience that has continuing resonance. The book will be of interest to scholars working in art history, visual studies, history of medicine, and medical humanities"--