Cultures Of Radicalism In Britain And Ireland

This collection of essays addresses the role of literature in radical politics. Topics covered include the legacy of Robert Burns, broadside literature in Munster and radical literature in Wales.

The main theme of this book is religion and identity - not only national identity, but also regional and local identities. David Hempton penetrates to the heart of vigorous religious and political cultures, both elite and popular, in the eighteenth and nineteenth centuries. He brings to life a diverse and variegated spectrum of religious communities in all of the British Isles. With so much new British history really an extended version of old English history, Hempton has devoted more attention to the Celtic fringes, especially Ireland. It is an exercise in comparative history, but he also shows how richly coloured is the religious history of these islands. He demonstrates that even in their cultural distinctiveness, the various religious traditions have had more in common than is sometimes imagined. The book arises from the 1993 Cadbury Lectures at the University of Birmingham.

Publisher Description (unedited publisher data) In this volume of interdisciplinary essays, leading scholars examine the radical tradition in British literary culture from the English Revolution to the French Revolution. They chart continuities between the two periods and examine the recuperation of ideas and texts from the earlier period in the 1790s and beyond. Contributors utilize a variety of approaches and concepts: from gender studies, the cultural history of food and diet and the history of political discourse, to explorations of the theatre, philosophy and metaphysics. This volume argues that the radical agendas of the mid-seventeenth century, intended to change society fundamentally, did not disappear throughout the long eighteenth-century only to be resuscitated at its close. Rather, through close textual analysis, these essays indicate a more continuous transmission. Library of Congress subject headings for this publication: English literature 18th century History and criticism, Radicalism in literature, English literature Early modern, 1500-1700 History and criticism, English literature 19th century History and criticism, Revolutionary literature, English History and criticism, Politics and literature Great Britain History, Radicalism Great Britain History.

Pamphleteering was a vital component of the popular political discussion opened up by the French Revolution of 1789, but while the English pamphlet wars have been exhaustively explored, Welsh pamphlet literature has been ignored. During the fifteen years following the French Revolution of 1789, over 100 Welsh pamphlets and sermons engaged in a public discourse which discussed the larger issues raised by the Revolution and the war against the French Republic. This pioneering volume seeks to capture the excitement of the period by demonstrating how radicals and loyalists, Dissenters, Methodists and Churchmen, pacifists and warmongers engaged in a lively argument in their published works. An in-depth essay reviews and interprets texts written by artisans, Dissenting ministers, country curates and Anglican bishops, who all used religion as politics; promoted war or peace; argued over republicanism and loyalism, and utilized the law as a stage for political ideas. All texts are fully translated and thus made accessible to an English-speaking audience for the first time.

The essays in this collection explore significant questions regarding the terms 'radical' and 'radicalism' in early modern England. They investigate whether we can speak of a radical tradition, and whether radicalism was a local, national or transnational phenomenon. It looks at the role of migration and exchange of ideas, images and texts in the history of supposedly radical events, ideologies and movements (or moments). Offering a timely reassessment of the subject, it reflects the latest research on seventeenth-century British and Irish radicalism.

The essays in this collection explore a number of significant questions regarding the terms 'radical' and 'radicalism' in early modern English contexts. They investigate whether we can speak of a radical tradition, and whether radicalism was a local, national or transnational phenomenon. In so doing this volume examines the exchange of ideas and texts in the history of supposedly radical events, ideologies and movements (or moments). Once at the cutting edge of academic debate radicalism had, until very recently, fallen prey to historiographical trends as scholars increasingly turned their attention to more mainstream experiences or reactionary forces. While acknowledging the importance of those perspectives, Varieties of seventeenth- and early eighteenth-century English radicalism in context offers a reconsideration of the place of radicalism within the early modern period. It sets out to examine the subject in original and exciting ways by adopting distinctively new and broader perspectives. Among the crucial issues addressed are problems of definition and how meanings can evolve; context; print culture; language and interpretative techniques; literary forms and rhetorical strategies that conveyed, or deliberately disguised, subversive meanings; and the existence of a single, continuous English radical tradition. Taken together the essays in this collection offer a timely reassessment of the subject, reflecting the latest research on the theme of seventeenth-century English radicalism as well as offering some indications of the phenomenon's transnational contexts. Indeed, there is a sense here of the complexity and variety of the subject although much work still remains to be done on radicals and radicalism - both in early modern England and especially beyond.

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

An edited collection examining the construction of popular culture in the late eighteenth and early nineteenth centuries.