Curious Collectors Collected Curiosities

This study asks its readers to enter into an investigation of the nature of collecting as an aesthetic exercise. Spanning the 16th-century through today, it gathers together the work of current scholars to re-envision the task of collectors and their collections in broad strokes.

Curious Collectors, Collected Curiosities: An Interdisciplinary Study asks its readers to enter into an investigation of the nature of collecting as an aesthetic exercise. Spanning the sixteenth century through today, this book gathers together the work of current scholars to re-envision the task of collectors and their collections in broad strokes. Each chapter appropriates the idea of a cabinet of curiosity in order to expand its boundaries of meaning and to complicate our understanding of the acts of display and observation. These chapters also demonstrate that collecting is a universal trope which nevertheless depends on time and place for its particular expressions. Whether the collection is made up of literary texts and criticism, visual art, including mechanical reproductions, taxidermy and photography, historical travelogues, museum exhibitions, blockbuster films, or airline in-flight briefing cards, it conveys an urgent relevance to our consumer age, in which information is abundant and attention is a commodity.

For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.

Exactly the book for every young explorer who loves finding stuff in nature and bringing it home. Cabinet of Curiosities is a lavishly illustrated introduction to the wonders of natural history and the joys of being an amateur scientist and collector. Nature writer Gordon Grice, who started his first cabinet of curiosities at age six when he found a skunk’s skull, explains how scientists classify all living things through the Linnaeus system; how to tell real gold from fool’s gold; how to preserve butterflies, crab shells, feathers, a robin’s egg, spider specimens, and honeycombs; how to identify seashells; the difference between antlers and horns; how to read animal tracks. And then, what to do with your specimens, including how to build a cabinet of curiosities out of common household objects, like a desk organizer or a box for fishing tackle.

Offers a history of museum collecting in western Europe over the course of its formative centuries, tracing its origins from the culture of collecting that emerged during the Renaissance, which served the purposes of both prestige and academic enquiry.

'Curiosity' and 'wonder' are topics of increasing interest and importance to Renaissance and Enlightenment historians. Conspicuous in a host of disciplines from history of science and technology to history of art, literature, and society, both have assumed a prominent place in studies of the Early Modern period. This volume brings together an international group of scholars to investigate the various manifestations of, and relationships between, 'curiosity' and 'wonder' from the 16th to the 18th centuries. Focused case studies on texts, objects and individuals explore the multifaceted natures of these themes, highlighting the intense fascination and continuing scrutiny to which each has been subjected over three centuries. From instances of curiosity in New World exploration to the natural wonders of 18th-century Italy, Curiosity and Wonder from the Renaissance to the Enlightenment locates its subjects in a broad geographical and disciplinary terrain. Taken together, the essays presented here construct a detailed picture of two complex themes, demonstrating the extent to which both have been transformed and reconstituted, often with dramatic results.

In this striking social history, Barbara M. Benedict draws on the texts of the early modern period to discover the era's attitudes toward curiosity, a trait we learn was often depicted as an unsavory form of transgression or cultural ambition.

A fascinating insight into the strange world of collectors of the macabre, Morbid Curiosities features 18 unique collections and an extensive interview with each collector, explaining how and why they collect, and showcasing the most remarkable pieces from each collection. The collections include skulls, mummified body parts, taxidermy, occult objects and various carnival, and side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time. Morbid Curiosities includes stunning, specially commissioned photography of both the individual objects and the context of how the collector exhibits their work, forming a unique showcase of the bizarre and the intriguing.