Curiouser

Our culture has a dominant narrative about children: they are (and should stay) innocent of sexual desires and intentions. At the same time, children are officially, tacitly, assumed to be heterosexual. Curiouser is a book about this narrative and what happens when it takes an unexpected, or queer, turn-when the stories of childhood must confront a child whose play does not conform to the ideal of child (a)sexuality.The contributors to Curiouser examine the ostensibly simple representations of children that circulate through visual images, life narrative, children's literature, film, and novels. At issue in these essays are the stories we tell to children, the stories we tell about children, and the stories we tell ourselves as children-stories that ultimately frame what is normative and what is queer. From the fiction of Horatio Alger, Henry James, Djuna Barnes, and Guy Davenport to the spectacles of Michael Jackson, Calvin Klein, and The Exorcist; from the narrative structure of pedophilia to evangelical Christianity; from punk tomboyism to queer girl-scouting: these scholars of childhood and sexuality scrutinize queer childhood energies in an impressive range of cultural forms.Contributors: Lauren Berlant, U of Chicago; Andre Furlani, Concordia U; Judith Halberstam, U of California, San Diego; Ellis Hanson, Cornell U; Paul Kelleher; Kathryn Kent, Williams College; James Kincaid, U of Southern California; Richard Mohr, U of Illinois, Urbana; Michael Moon, Johns Hopkins U; Kevin Ohi, Boston College; Eric Savoy, U of Montreal; Eve Kosofsky Sedgwick, CUNY Graduate Center; Kathryn Bond Stockton, U of Utah; Michael Warner, Rutgers U.Steven Bruhm is associate professor of English at Mount St. Vincent University. He is the author of Reflecting Narcissus: A Queer Aesthetic (Minnesota, 2000) and Gothic Bodies: The Politics of Pain in Romantic Fiction (1994). Natasha Hurley has taught children's literature and queer theory at Mount St. Vincent University and St. Mary's University in Halifax.

The perfect companion to Lewis Carroll's classic book and director Tim Burton's March 2010 remake of Alice in Wonderland Alice?s Adventures in Wonderland has fascinated children and adults alike for generations. Why does Lewis Carroll introduce us to such oddities as blue caterpillars who smoke hookahs, cats whose grins remain after their heads have faded away, and a White Queen who lives backwards and remembers forwards? Is it all just nonsense? Was Carroll under the influence? This book probes the deeper underlying meaning in the Alice books, and reveals a world rich with philosophical life lessons. Tapping into some of the greatest philosophical minds that ever lived?Aristotle, Hume, Hobbes, and Nietzsche?Alice in Wonderland and Philosophy explores life?s ultimate questions through the eyes of perhaps the most endearing heroine in all of literature. Looks at compelling issues such as perception and reality as well as how logic fares in a world of lunacy, the Mad Hatter, clocks, and temporal passage Offers new insights into favorite Alice in Wonderland characters and scenes, including the Mad Hatter and his tea party, the violent Queen of Hearts, and the grinning Cheshire Cat Accessible and entertaining, Alice in Wonderland and Philosophy will enrich your experience of Alice's timeless adventures with new meaning and fun.

Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Annie Leibovitz for over 150 years Lewis Carroll's Alice's Adventures in Wonderlandis a cultural phenomenon. First published in 1865, it has never been out of print and has been translatedinto 170 languages. But why does it have such enduringand universal appeal, for both adults and children? Thisbook explores the global impact of Alicein art, design, and performance from the 19th century to today. Startingwith the Victorian literary and social context in which thisstory was created, it shows the ways in which Carroll'sbooks have been reimagined and reinterpreted by eachnew generation, from the original illustrations by JohnTenniel to artwork by Peter Blake and Salvador Dal., and from the 1951 Disney movie to Tim Burton's 2010interpretation.

The Countess of Stanlein restored -- A visit to the gallery -- Curiouser and curiouser -- My old young books -- Towards an autobiography -- Acknowledgments

Examines the phenomenon of new word creation, offering criteria for predicting the success of new words and including the American Dialect Society's listing of words of the year from 1991 to 2001.

Collects Excalibur (1988) #42-58, Excalibur: XX Crossing (1992) #1, material from Marvel Comics Presents (1988) #110. Alan Davis returns to Excalibur! The legendary artist takes over the writing chores to steer Shadowcat, Nightcrawler, Phoenix, Captain Britain and Meggan to new heights of greatness — and madness! The troublesome Technet return to wreak havoc! The Captain Britain Corps puts Brian Braddock on trial! Meggan searches for her past! And Excalibur deals with the offbeat arrivals of Kylun and Cerise! But what is the fearsome threat of the Anti-Phoenix, and who has been pulling Excalibur’s strings since the very beginning? Plus: Secrets of the Phoenix Force are revealed, the Crazy Gang makes its bizarre return and Captain Britain’s sister, Psylocke, stops by — to help battle their older brother, the insane Jamie Braddock! Guest-starring Spider-Man and the X-Men!

To save the Hatter, Alice must work with the one man she despises so much that she might still love him. Alice thought she'd turned over a new leaf. No more working for Jabberwocky. No more making deals with the ruthless Queen of Hearts. No more hanging around The Mushroom with tinkers, tarts, scoundrels, and thieves in London's criminal underbelly. But she'd been bonkers to dream. Hatter's reckless behavior leads Alice back to the one person she never wanted to see again, Caterpillar. Pulled into Caterpillar's mad schemes, Alice must steal a very big diamond from a very royal lady. The heist is no problem for this Bandersnatch. But protecting her heart from the man she once loved? Impossible. Sometimes love is mad.