Curricular And Architectural Encounters With W G Sebald

This book engages with the writings of W.G. Sebald, mediated by perspectives drawn from curriculum and architecture, to explore the theme of unsettling complacency and confront difficult knowledge around trauma, discrimination and destruction. Moving beyond overly instrumentalist and reductive approaches, the authors combine disciplines in a scholarly fashion to encourage readers to stretch their understandings of currere. The chapters exemplify important, timely and complicated conversations centred on ethical response and responsibility, in order to imagine a more just and aesthetically experienced world. In the analysis of BILDUNG as human formation, the book illuminates the pertinent lessons to be learned from the works of Sebald and provokes further investigations into the questions of memory, grief, and limits of language. Through its juxtaposition of curriculum and architecture, and using the prose of Sebald as a prism, the book revitalizes questions about education and ethics, probes the unsettling of complacency, and enables conversation around difficult knowledge and ethical responsibility, as well as offering hope and resolve. An important intervention in standard approaches to understanding currere, this book provides essential context for scholars and educators with interests in the history of education, curriculum architectural education and practice studies, memory studies, narrative research, Sebaldian studies, and educational philosophy.

This book presents a new conceptualization of the idea of legacy in a family business setting as an educational experience of teaching and learning between generations. Using the lived experience of the author, it combines autoethnography with a discussion on the influence of Chinese culture on family business and expectations placed on the eldest son, as well as Bill Pinar’s model of Currere, to investigate the processes around intergenerational learning. The author argues that legacy is the process of journeying to full personhood and the results of connected and collective aspirations, shifting the focus from succession that is often marked by silence and power control. The author’s approach to business as a field has transformed its strong instrumental approach into an existential orientation with self-discovery and self-creation as an ongoing process. Providing the new and innovative beginnings of a theoretical curriculum that could foster legacy processes and taking a unique and interdisciplinary approach to looking at family business and legacy, this book will be relevant to scholars and researcher of both education and business studies.

Not to be conflated with systems of accountability, this book examines responsibility as a subject of educational inquiry. The author argues that responsibility in its most radical sense is not connected to a higher authority. Rather, responsibility summons the actor to do the right thing when no one else is there to announce what is right; it involves speaking the truth in a world that is increasingly characterized by organized lying and organized irresponsibility. The search for responsibility as education is explored through a wide range of issues including: studying the ways in which the bureaucratization of the world undermine ethical consciousness; cultivating the ethical imagination in education which is not only vital to sustaining democracy, but to counteracting indifference to crimes against humanity and crimes against the planet; critiquing the imperial nationalism of a wave of education legislation requiring American schools to provide instruction on genocides and other mass atrocities that take place by ‘others’ and ‘abroad’ but not at ‘home’ or by ‘us’; centralizing a curriculum of common sense in an era marked by a breakdown of common sense and disinformation narratives; and facing a reality that can never be experienced: the end of the human world. Reimagining education as an avenue for cultivating personal responsibility and global justice, this text will be of interest to students, scholars, and researchers working in curriculum studies, philosophy of education, educational policy, and teacher education.

Offering unique theoretical perspectives, autobiographical insights and narrative accounts from elementary and secondary educators, this monograph illustrates the need for teachers to engage critically with counter-stories as they teach to issues including colonization, war, and genocide. Juxtaposing Pinar’s concept of ethical self-encounters with theories of subjective reconstruction, multidirectional memory, and autobiographical narration, this rich volume considers teachers’ ethical responsibility to interrogate the curriculum via self-reflection and self-formation. Using cases from workshops and classrooms conducted over five years, Strong-Wilson traces teachers’ and students’ movement from "implicated subjects" to "concerned subjects." In doing so, she challenges the neoliberal dynamics which erode teacher agency. By working at the intersections of pedagogy, literary theory and memory studies, this book introduces timely arguments on subjectivity and ethical responsibility to the field of education in the Global North. It will prove to be an essential resource for post-graduate researchers, scholars and academics working with curriculum theory and pedagogical theory in contemporary education.

From one of the undisputed masters of world literature, a haunting novel of sublime ambition and power about a man whose fragmentary memories of a lost childhood lead him on a quest across Europe in search of his heritage. Jacques Austerlitz is a survivor – rescued as a child from the Nazi threat. In the summer of 1939 he arrives in Wales to live with a Methodist minister and his wife. As he grows up, they tell him nothing of his origins, and he reaches adulthood with no understanding of where he came from. Late in life, a sudden memory brings him the first glimpse of his origins, launching him on a journey into a family history that has been buried. The story of Jacques Austerlitz unfolds over the course of a 30-year conversation that takes place in train stations and travellers’ stops across England and Europe. In Jacques Austerlitz, Sebald embodies the universal human search for identity, the struggle to impose coherence on memory, a struggle complicated by the mind’s defences against trauma. Along the way, this novel of many riches dwells magically on a variety of subjects – railway architecture, military fortifications, insects, plants and animals, the constellations, works of art, a small circus and the three cities that loom over the book, London, Paris and Prague – in the service of its astounding vision.

Poems in Maleea Acker's second collection range over continents and countries, asking an essential question for our time: How do we live in the world? The poems seek always to approach that threshold between human and natural worlds, attending to what can be seen and sensed with a fine ear and eye. We meet one another at the threshold, through a "splice of intimacy," displaced, the poet says, finding temporary homes and intimacies with one another and with all living things.

Accustomed to the dark, dripping stands of Douglas–fir, spruce and hemlock that blanketed the Hudson's Bay Company outposts on the remote western coast of the "new World" the first Europeans were surely startled to see the wide–open landscapes of the Garry oak meadows they encountered on Southern Vancouver Island ––– landscapes that might have reminded any explorers who had ventured into the African savannahs of what they had seen there. Though slow in comprehending what they had stumbled upon, the Europeans immediately recognized the deep, rich deposits of black soil that extended many feet below the surface, and James Douglas chose the site as the ideal location for the HBC's new fort, and settlement. What the newcomers failed to appreciate is that these meadows were not the work of nature alone, but of the Coast Salish peoples who had been living in these parts for millennia. With the construction of the fort of Victoria began an encroachment on these Garry oak meadows, built up over centuries if not millennia, a process that continues today. In Gardens Aflame, Victoria writer and environmentalist Maleea Acker tells us about this unique and vanishing ecosystem, and the people who have made it their life's work to save the Garry oak and the environment ––– including the human environment ––– it depends on. Acker tells us about the Garry oak species and its unique habits and requirements, including its unusual summer dormancy period, when all the surrounding plants are coursing with life. We learn something about the scientists, arborists, and Garry oak–loving volunteers who have dedicated themselves to this tree; and about Theophrastus, Humboldt, and their other forebearers who are still reshaping our notions of nature and humans' place in it. And in the course of Acker's story, we see her fall under the spell of the strange beauty woven by these magnificent trees, and the ecosystems they tower over ––– until, in the final act, she decides to turn her own front yard into her own version of a Garry oak meadow, defying City Hall and the neighbours, and bringing to a head in 2011 all the issues raised 150 years ago when Europeans first saw the open meadows of Southern Vancouver Island. Gardens Aflame is number 21 in the Transmontanus series.