Daddy Lenin And Other Stories

Bestselling author Guy Vanderhaeghe’s new book of fiction is both timely and timeless and showcases his supreme talent as a storyteller and poignant observer of the human condition. Among these nine addictive and resonant stories: A teenage boy breaks out of the strict confines of his family, his bid for independence leads him in over his head. He learns about life in short order and there is no turning back. An actor’s penchant for hiding behind a role, on and off stage, is tested to the limits and what he comes to discover finally places him face to face with the truth. With his mother hospitalized for a nervous condition and his father away on long work stints, a boy is sent to another family for his meals. His gradually building relationship with a teenage daughter who has been left handicapped from Polio opens unexpected doors to the world. In the powerful title story, a middle-aged man remeets his former adviser at university, a charismatic and domineering professor dubbed Daddy Lenin. As their tense reunion progresses, secrets from the past painfully revise remembered events and threaten to topple the scaffolding of a marriage. With Daddy Lenin and Other Stories, award-winning author Guy Vanderhaeghe returns once again to the form that launched his stellar literary career. Here is a grand master writing at the height of his powers.

NATIONAL BESTSELLER WINNER of the 2022 Glengarry Book Award The first novel in nearly a decade from the three-time Governor General's Award‒winning author of The Last Crossing, August Into Winter is an epic story of crime and retribution, of war and its long shadow, and of the redemptive possibilities of love. You carried the past into the future on your back, its knees and arms hugging you tighter with every step. It is 1939, with the world on the brink of global war, when Constable Hotchkiss confronts the spoiled, narcissistic man-child Ernie Sickert about a rash of disturbing pranks in their small prairie town. Outraged and cornered, Ernie commits an act of unspeakable violence, setting in motion a course of events that will change forever the lives of all in his wake. With Loretta Pipe—the scrappy twelve-year-old he idealizes as the love of his life—in tow, Ernie flees town. In close pursuit is Corporal Cooper, who enlists the aid of two brothers, veterans of World War One: Jack, a sensitive, spiritual man with a potential for brutal violence; and angry, impetuous Dill, still recovering from the premature death of his wife who, while on her deathbed, developed an inexplicable obsession with the then-teenaged Ernie Sickert. When a powerful storm floods the prairie roads, wreaking havoc, Ernie and Loretta take shelter in a one-room schoolhouse where they are discovered by the newly arrived teacher, Vidalia Taggart. Vidalia has her own haunted past, one that has driven her to this stark and isolated place with only the journals of her lover Dov, recently killed in the Spanish Civil War, for company. Dill, arriving at the schoolhouse on Ernie's trail, falls hard and fast for Vidalia—but questions whether he can compete with the impossible ideal of a dead man. Guy Vanderhaeghe, writing at the height of his celebrated powers, has crafted a tale of unrelenting suspense against a backdrop of great moral searching and depth. His is a canvas of lavish, indelible detail: of character, of landscape, of history—in all their searing beauty but all their ugliness, too. Vanderhaeghe does not shrink from the corruption, cruelty, and treachery that pervade the world. Yet even in his clear-eyed depiction of evil—a depiction that frequently and delightfully turns darkly comic—he will not deny the possibility of love, of light. With August Into Winter, Guy Vanderhaeghe has given us a masterfully told, masterfully timed story for our own troubled hearts.

These superbly crafted stories reveal an astonishing range, with settings that vary from a farm on the Canadian prairies to Bloomsbury in London, from a high-rise apartment to a mine-shaft. Vanderhaeghe has the uncanny ability to show us the world through the eyes of an eleven-year-old boy as convincingly as he reveals it through the eyes of an old man approaching senility. Moving from the hilarious farce of teenage romance all the way to the numbing tragedy of life in a ward for incurables, these twelve stories inspire belief, admiration, and enjoyment, and come together to form a vibrant chronicle of human experience from a gifted observer of life’s joys and tribulations. This is Guy Vanderhaeghe’s brilliant first book of fiction.

Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.

The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.

Ed is punchy, unemployed, and on the wrong side of thirty. After his exasperated wife, Victoria, leaves him, Ed finds consolation where he has always found it, in his own rich and eccentric imagination. Pursued by the demons of his own obsession, Ed embarks on a quixotic quest to find Victoria. As he prowls the city’s parking garages and motel strips, Ed begins a journey back into his past and is forced – most reluctantly – to confront the web of lies and self-deceptions he has woven to keep reality at bay – until even his fantasies start to turn against him. Keenly observant, humane, and darkly comic, My Present Age is an irresistible story about what happens when an Everyman becomes a casualty of modern life.

What is the future of humanity? What does it mean to be ‘human’ in the posthuman age? What responsibility does humankind have towards others and their environments? How are the stories that humans tell themselves implicated in the very power asymmetries and eco-political challenges that they bemoan? Taking a cross-disciplinary approach to the posthuman age, the essays in this collection speak to the multifaceted geographies and counter-geographies of humanity, probing into the possible futures we face as planetary species. Some of these include: ecological issues generated by centuries of neglecting our environment(s); power asymmetries stemming from economic and cultural globalization; violence and its affective politics informed by cultural, ethnic, and racial genocides; religious disputes; social inequities produced by consumerism; gender normativity; and the increasing impact of digital and AI (artificial intelligence) technology on the human body, as well as historical, socio-political, not to mention ethical relations.

This volume aims to introduce undergraduates, graduates, and general readers to the diversity and richness of Canadian short story writing and to the narrative potential of short fiction in general. Addressing a wide spectrum of forms and themes, the book will familiarise readers with the development and cultural significance of Canadian short fiction from the early 19th century to the present. A strong focus will be on the rich reservoir of short fiction produced in the past four decades and the way in which it has responded to the anxieties and crises of our time. Drawing on current critical debates, each chapter will highlight the interrelations between Canadian short fiction and historical and socio-cultural developments. Case studies will zoom in on specific thematic or aesthetic issues in an exemplary manner. The Routledge Introduction to the Canadian Short Story will provide an accessible and comprehensive overview ideal for students and general readers interested in the multifaceted and thriving medium of the short story in Canada.