Daily Life Ornamented

Ornamented Lives is a theoretical synthesis of cultural psychology, aesthetics, and philosophy of meaning construction. It is an extension of the author’s theory of Semiotic Dynamics (Culture in Minds and Societies, 2007) to the field of ornaments. Ornaments are not merely “decorations” but play the important role of guiding the affective depths of the human minds. This is done by capturing the whole fields of perceivable peripheral spaces and filling them with highly recursive forms. The book concentrates on the visual ornaments of various kinds, indicating in them the tensions between basic forms—linear and curvilinear. This tension is present in human construction of environments—natural growth involves curvilinear forms while human constructions introduce linearity. The basic tension between linear and curvilinear infinities is expressed in the use of spiral forms in art and architecture. The book builds a theoretical account of human beings constantly creating sublime life occasions that give them affective charge for dramatizations of ordinary living. Episodically the sublime acquires new quality—becomes aesthetic. The coverage in this book links the aesthetic, the sublime, and the mundane into one theoretical scheme within cultural psychology.

When Arlie, Ty, and the ever-present Mr. Boots discover an old dragonfly pendant, they don't think much of it -- it's just another thing to keep mr. Boots from trying to swallow. But when the pendant turns out to have odd powers -- powers to make all of the lawn ornaments and decorationsin town come to life -- it's time for Arlie and Ty (and Mr. Boots, if they can drag him out from under the couch cushions) to put a stop to all this supernatural nonsense!

This book provides unique insights into Late Neolithic life, its organization and its economy, made possible by an altogether exceptional collection of recent archaeological findings in South Scandinavia from longhouses with sunken floors dating from this period. Through analysis and interpretation of these comprehensive materials, Danish archaeologist John Simonsen presents brand new findings essential for many wider interpretations of this crucial and fascinating transitional period from the Stone Age to the Bronze Age (c. 2350- c. 1600 BC). The basic materials presented and discussed in Daily Life at the Turn of the Neolithic were mainly found during new archaeological excavations in the central part of the Limfjord region of Denmark, but, in terms of the wider perspectives and considerations, often relate to the entire region and in several respects also to South Scandinavia - and beyond.

A clear, lively, and deeply informed survey of life in Renaissance Italy for students and general readers, this book presents a thoughtful cultural and social anthropology of practices, values, and negotiations. Lively and reader-friendly, this second edition of Daily Life in Renaissance Italy provides a colorful and accurate sense of how it felt to inhabit the Renaissance Italian world (1400–1600). In clearly written chapters, the book moves from Renaissance Italy's geography to its society, and then to family. It also looks at hierarchies, moralities, devices for keeping social order, media and communications and the arts, space, time, the life cycle, material culture, health, and illness, and finishes with work and play. This new edition is especially alert to the rich connections between Italy and the rest of Europe, and with Africa and Asia. The book synthesizes a great deal of recent scholarship on social and material history, paying additional attention to the arts and religion. Readers are given an inside view of people from every social class, elite and ordinary, men and women. Written for students of all levels, from secondary school up, it is also an accessible introduction for travelers to Italy.

Beads, bracelets, necklaces, pendants and many other ornaments are familiar objects that play a fundamental role in personal expression and communication. This book considers how and why the human relationship with ornaments developed and continued over tens of thousands of years, from hunter-gatherer life in the cave to urban elites, from expedient use of natural resources to complex technologies. Using evidence from archaeological sites across Turkey, the Near East and the Balkans, it explores the history of personal ornaments from their appearance in the Palaeolithic until the rise of urban centers in the Early Bronze Age and encompassing technologies ranging from stone cutting to early glazing, metallurgy and the roots of glass manufacture. The development of theoretical and practical approaches to ornaments and the current state of research are illustrated with a wide variety of examples. This book shows that far from being objects of display, of little value in archaeological interpretation and often overlooked, these artifacts are key to understanding trade, relationships, values, beliefs and the construction of personal identity in the past. Indeed, more than any other group of artifacts, their variety in material, form, use and distribution opens doors to both wide ranging scientific exploration and consideration of what it is to be human.

Variations on the theme of the ornament in Kracauer's urban writings, suggesting ways in which the subjective can reappropraite urban life. For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In Ornaments of the Metropolis, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel Ginster, Written by Himself, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection Streets of Berlin and Elsewhere, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, Jacques Offenbach and the Paris of His Time shows how the superficial—in a sense, ornamental—milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.

The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.