Dance Of The Nomad

The notebooks of A. D. Hope are a portrait of the contradictory essence of the poet's intellect and character. Shot through with threads of self-awareness and revelation, Hope imbued his notebooks with irony and humour, forming them as a celebration of the joy and terror of human existence. Stripped of intimate revelation, the entries give witness to Hope's view that art is a superior force in the creation of new being and values, and a guide for the conduct of our lives. Seeking to find pathways through the maze of an intellectual life, this is a profound and timely contribution to Australia's literary scholarship. Ann McCulloch's analysis of this thematic selection of Hope's notebooks reveals him to be relentless in his experimentation with ideas. Revealing the originality of his thinking and the astonishing range of his reading and interests, this edition is a testament to the intellect of one of Australia's towering literary figures.

This extraordinary work categorizes and analyzes the 40 years of notes that A. D. Hope wrote in his journals on a nightly basis. The organization of the material is unique, allowing the reader access to a careful selection from the one million words that Hope wrote in his notebooks throughout his life.

Introduction -- Goodbye to All That: Escape Stories -- Practical Magic: Welcome to Silicon Bali -- Paradise Paradox: Constructing a Digital Nomad Community -- Not on Holiday: Making Money and Building Dreams -- Stages of Nomadism: Honeymooners, Visa Runners, and Resident Nomads -- Conclusion: In Search of Freedom, Community, and Meaningful Work.

This book expands the understanding of conditions defining the creation and circulation of contemporary dance that differ across Europe. It focuses on festival-making connected with the Balkan regional project ‘Nomad Dance Academy’ (NDA), and highlights collective approaches to sustain a theorisation of festivals using the concepts of dissensus and imperceptible politics. Drawing from anthropological methods, three festivals PLESkavica, Slovenia; Kondenz, Serbia and LocoMotion, North Macedonia, are explored through social, political and historical currents affecting curatorial practice. This book closely follows how festival-makers navigate the values of international development that during and after the Yugoslav wars looked to art as part of peacekeeping and nation-building processes. This coincided with increasing discourse and practices of contemporary dance that gained momentum in the 1980s alongside European festivalisation. I show how contemporary dance acts as an agent for transformation, but also a carrier of older forms of social organisation, reflecting methods and values of Yugoslav Worker Self-management that are deployed by the groups creating the festivals. This book will be of interest to dance scholars as well as researchers tracing the long-term effects of the dissolution of the Socialist Federal Republic of Yugoslavia.

For some people, at some times, in some places, on some drugs, dance music can be a gateway to transformative, even transcendent experiences. With the help of skilled DJs, dancers can reach euphoric states, discard their egos, and feel social barriers dissolve. Dance floors can be sites of openness, subversion, and even small-scale acts of political resistance. At a minimum, dance music lightens the burdens of contemporary life. At its best, dance music offers glimpses of better worlds. Yet even where dance music communities are built on principles of resistance and liberation, they nevertheless share the grittier realities of the rest of the world. Dance Music makes the case that dance music is ordinary and that something exceeding the social and spatiotemporal bounds of the dance floor is required for the transformative promise of dance music to be realized.

DIVDIVA memoir of desert travel—by camel and horseback—from a beloved author/divDIV An internationally renowned writer of mystery fiction, Mary Roberts Rinehart knows her way around an exotic setting. When faced with the Pyramids, the Nile, and the sprawling Egyptian desert in her own life, she does not fall in with the crowd of tourists waiting in line at the tombs of the Pharaohs. Instead, she hikes up her skirt, plants her pumps in the sand, and hops on a camel. She has but one question: Where am I supposed to sit?/divDIV On a hundred-mile expedition into the Egyptian desert, Rinehart does her best to master the herky-jerk of this desert beast. But traveling with an entourage of well-mannered people, she finds that desert living is not completely stripped of the comforts of home. Upon returning to the United States, Rinehart makes an excursion out west, which, she finds, is where the true adventure begins./div/div

Reproduction of the original.