Dancing Female

Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.

How do women set up institutions? How has higher education helped or hindered women in the world of dance? These are some of the questions addressed through interviews and researched by the educators and dancers Sharon E. Friedler and Susan B. Glazer in Dancing Female . In dealing with some of the tensions, joys, frustrations, and fears women experience at various points of their creative lives, the contributors strike a balance between a theoretical sense of feminism and its practice in reality. This book presents answers to basic questions about women, power, and action. Why do women choreographers choose to create the dances they do in the manner they do? How do women in dance work independently and organizationally?

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

A new look at Indian film dance, this book engages with the display and mobilization of the female dancing body to propose new models for theorizing film dance and music more generally. Author Usha Iyer offers a new understanding of how female dancer-actors impact narratives and the music composed for them.

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms cinema and dance historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the "choreomusicking body" and "dance musicalization," aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic "techno-spectacles," Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.

“Wow, what a book!! I don’t think I drew a full breath for the entire time I was reading… I took it everywhere I went… I needed to read it at every opportunity!… Unbelievably twisty… I loved every word of it!” Goodreads Reviewer ⭐⭐⭐⭐⭐ Jo pulled together the victims’ pictures. In all cases their arms were askew, in a way that looked like—what? It was like they were freeze-framed in the middle of some action. It was like they were dancing. When loving wife Jeanine is found dead in a small leafy town in Massachusetts, newly promoted Detective Jo Fournier is shocked to her core. Why leave her body posed like a ballerina? Why steal her wedding band and nothing else? Hungry for answers, Jo questions Jeanine’s husband, but the heartbreaking pain written on his face threatens to tear open Jo’s old wounds. It’s the same pain she felt when her boyfriend was cruelly shot dead by a gang in their hometown of New Orleans. She couldn’t get justice for him, but she’s determined to get justice for Jeanine’s devastated family. But before Jo can get answers, another woman is found, wedding ring stolen, body posed in the same ritualistic way. Digging through old files, Jo makes a terrifying link to a series of cold cases. She knows a serial killer is on the loose, but nobody will listen to the truth—not her bosses, nor the FBI. Still, Jo won’t let her superiors keep her from stopping the murderer in his tracks, even if it means the end of her career. Just as she is beginning to lose hope, she finds messages on the victims’ computers that feel like the crucial missing link. Knowing the killer is moments away from selecting his next target, will Jo be able to take him down the before another innocent life is lost? A USA Today bestseller, The Dancing Girls is the first book in an absolutely unputdownable and gripping crime thriller series. Fans of Robert Dugoni, Lisa Regan and Melinda Leigh will devour it in one sitting and will never see that OMG twist coming! Everyone is utterly addicted to The Dancing Girls: “Loved it, loved it, loved it!!… If I could give it 6 stars I would! In this current climate of ‘twists you will never see coming’—believe me… you will never see this coming!…Cannot wait for the next book!… Best book I have read.” NetGalley Reviewer ⭐⭐⭐⭐⭐ “Wow, Wow, Wow… Extremely addictive and left me wanting more. This book has everything… and a huge, unexpected twist you will not see coming. I can’t emphasize enough how much enjoyment I got from reading this… Well-deserved five stars—Wow.” Goodreads Reviewer ⭐⭐⭐⭐⭐ “Holy Freaking Hell when is the next book out?! From start to finish this book is just WOW!… Keeps you on the edge of your seat… Full of twists and turns… Talk about mind-blowing… Want to shout about it from the rooftops… I cannot recommend this book enough.” Baker’s Not So Secret Blog ⭐⭐⭐⭐⭐ “Wow! Wow! Wow! The twists left my head spinning! Oh so smugly, I thought I had the ending figured out when—whammo!—twist came out of nowhere. ‘Did NOT see that coming’ is an understatement. Blindsided! Wow.” Goodreads Reviewer ⭐⭐⭐⭐⭐ “I was just blown away by its climax, wandering around going OMG… Found it totally gripping… impossible to put down.” Muse Books ⭐⭐⭐⭐⭐ “An unpredictable rollercoaster ride with more twists and turns than you would find on a snakes and ladders board… I felt as though I had been punched in the gut and they left me breathless.” Ginger Book Geek ⭐⭐⭐⭐⭐

Fans of Louise Penny will love the Emily Kincaid mysteries by Elizabeth Kane Buzzelli! “Every woman who’s ever struggled with saying no, fitting in, and balancing independence against loneliness will adore first-timer Emily.” —Kirkus Reviews Following an ugly divorce and the death of her father, Emily Kincaid decides what she needs most is peace and quiet and time to think, so the part-time journalist and full-time struggling mystery writer relocates to a remote house in the woods of northern Michigan. When a severed head shows up in her garbage can, Emily knows she’s been singled out, and suddenly her peaceful solitude feels a lot like isolation and vulnerability. Discovering that the victim was a member of the Women of the Moon, a group of older local ladies who sing and dance around a bonfire in the woods late at night, Emily’s at a loss to know why anyone would want to hurt one of them. The women claim it’s a harmless act in praise of Mother Earth, a way to feel young again, but certain townspeople don’t see it that way. As Emily digs deeper, more of the women are turning up dead. Knowing she’ll have to root out a killer to save her peaceful paradise, Emily teams up with the cantankerous Deputy Dolly and begins navigating between eccentric town gossips and reclusive neighbors who would rather be left alone. When the killer gets too close for comfort, Emily knows she’ll have to put aside her fears before the natural life she’s chosen comes to a grisly and very unnatural end. Rave reviews for the Emily Kincaid Mysteries: Dead Dogs and Englishmen A Kirkus Reviews Best Book of 2011! “Buzzelli will have you packing your bags for a move to northern Michigan.” —Kirkus Reviews (starred review) “Emily is a detective for our times: She can’t afford health care, but she can make flour out of cat tails and work three jobs at once.” —Christian Science Monitor Dead Sleeping Shaman “Buzzelli’s well-crafted third Emily Kincaid . . . [features] sharp prose and spirited characterizations.” —Publishers Weekly “The appeal of this third in the series comes both from Emily—a likable character forging a new life after her divorce—and the evocatively described, nicely detailed small-town setting.” —Booklist Praise for A Most Curious Murder: “Fans of [Lewis] Carroll will delight in Zoe’s flights of fancy, and the northern Michigan setting in all its splendor is a charmer . . . an entertaining series with a quirky premise and captivating characters.” —Library Journal “This quirky, clever cozy series launch . . . [is] hard to resist.” —Publishers Weekly “Quirky main characters, lyrical dialogue and a story sure to appeal to bookworms as well as cozy mystery fans are all elements that give this novel a distinctive voice. A clever mystery and intriguing supporting cast round out the mix.” —RT Book Reviews (four star review)

Your height – your weight – your body shape – your age – the colour of your eyes - do not matter when you want to learn to belly dance. You will feel healthier, more energetic and happier, than you have ever felt. You will feel you are a beautiful woman. You will feel self-assured. You will feel…JOY! Zaïda first started to belly dance at the age of 60 and has felt healthier and happier in the past 5 years than she ever did in the previous 6 decades. This book was written especially to encourage you …. the older woman…. to DANCE to experience your true, inner self to experience JOY! Try this form of gentle exercise for just a few months and you will never want to stop. 'Always yield to temptation, because it may not pass your way again'