Dancing With Dr Kildare

The day Nina's father dies, she discovers an old music manuscript written in his hand and locked away in a desk. Her father was no musical genius, so where did this symphony come from, and what compelled him to keep it hidden? The answer lies in a web of deceit that reaches back forty years. Digging into her family's past, Nina is forced to reconsider her own traumatic childhood, when her father's chronic hypochondria nearly destroyed her family. Nina's sole refuge had been the home of her best friend, whose parents were world champions of ballroom dancing. There she had found relief in the glittering world of Argentinian tango. But as the symphony forces her to confront difficult questions about her past and her father's dark secret, Nina soon begins to wish she had never unlocked that desk . . .

Don’t Dance with Mary Grace: This romantic rouse is the continuing saga of the young and seductive Mary Grace Clooney, the Irish game player caught up in her own personal ambitions. It’s 1990. She has already succeeded in becoming a rich American citizen by default... being named an heir to the Bradford Thompson estate. But all does not sit well with the Thompson family members. Fuming over their financial loss, they are bent on revenge... deadly revenge. Will their scheme to get even with Mary Grace succeed? Perhaps. Mary Grace needs help desperately. Her Grandmum Clooney guides her well by spouting Irish wit and Irish warnings. Mary Grace’s life takes a few unexpected traumatic turns. This shrewd calculating colleen must find answers. Her shenanigans are clever... but is she to be trusted? Be ever vigilant if you choose to dance with Mary Grace!

Glasgow, 1971. The old way of life is under threat for the tight-knit community in Dalbeattie Street, Maryhill. The shadow of the wrecker's ball looms large over their homes, and they must face the choice of moving to a new estate or dispersing throughout the city. But powerful friendships refuse to be broken. These characters have gone through too much together to be destroyed by some measly planning scheme. They'll face this with the same inimitable Scottish humour and strength of spirit that have carried them through other tough times. Douglas' vivid portrait of Seventies Glasgow recreates, in glorious detail, a particular time and place, but at its heart are the universal themes of love, friendship and community.

Fred Astaire defined elegance on the dance floor. With white tie, tails and a succession of elegant partners - Ginger Rogers, Cyd Charisse, Rita Hayworth, Eleanor Powell, Judy Garland and others - he created an indelible image of the Anglo bon vivant. His origins, though, were far more humble: Born in Omaha, Nebraska, Fred Astaire came from Midwestern stock that partially had its origin in the late nineteenth century Jewish communities of Austria. At first, he played second fiddle in vaudeville to his sister, Adele; however, once he learned how to tap and bought his first Brooks Brothers suit, the game changed. How did he transform himself from a small town Nebraska boy into the most sophisticated man ever to dance across a dance floor? In this comprehensive new book about the life and artistry of Fred Astaire, Peter Levinson looks carefully at the entirety of Astaire's career from vaudeville to Broadway to Hollywood to television. He explores Astaire's relationships with his vivacious dance partners, his friendship with songwriters like George Gershwin and Irving Berlin and his relationship with choreographers like Hermes Pan to discover how Astaire, in effect, created his elegant persona. Astaire put his mark on the Hollywood musical, starting his career at RKO and then moving to MGM. From his long list of films, certain classics like "Swing Time", "Top Hat", "Royal Wedding" and "The Bandwagon" revolutionized the presentation of dance on film; but, he also revolutionized the television variety special with the Emmy-Award-Winning "An Evening With Fred Astaire". For 'Puttin' on the Ritz", veteran Hollywood insider, Peter Levinson interviewed over two hundred people who worked closely with Astaire such as Debbie Reynolds, Dick Van Dyke, Artie Shaw, Bobby Short, Oscar Peterson, Mel Ferrer, Betty Garrett, Joel Grey, Arlene Dahl, Michael Kidd, Betty Comden, Onna White, Margaret Whiting, Andy Williams, and others like Quincy Jones, John Travolta, and John Williams, to provide an intimate window on to his professional as well as his personal life. His new biography of Astaire is a celebration of the great era of sophistication on Broadway and in Hollywood as seen through the life of a man who learned how to put on the Ritz and become America's premiere song-and-dance-man: Fred Astaire.

"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.

Lazy, frivolous, conceited and totally self centred, Fiona MacDougall is not an asset to the workforce. When she applies for a transfer to the Infotech department of her company, she does so only in order to get an afternoon off work. Can she succeed in her challenging new job? Can she save her little brother from the consequences of his evil deeds? Will Moses do something embarrassing to the vicar's leg again?