Danger Mouse

Danger Mouse is the world's best secret agent. He's the greatest. He's fantastic. Then there's Penfold. He's . . . well, he's not much to look at, but he's got a book deal, so that's something. This hair-raising chapter book is Penfold's own account of one of Danger Mouse's most perilous missions. Featuring the villainous Baron Greenback and his second-rate sidekicks, this hilarious adventure is filled with mishaps, mayhem and, most of all, DANGER.

This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his 'art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another.

(Back cover) Summary – Inspector Spencer Traps Danger Mouse Inspector Spencer, a famous cat detective, is shocked to find out that Danger Mouse has escaped from his prison cell. Everyone in town is concerned about this thief “on the loose,” and Inspector Spencer calls his assistants to devise a plan to re-capture the villain, Danger Mouse. As in the previous books, the animal characters are adorable and stimulate the imagination of the readers and listeners. The story is creative, problem-solving, and humorous for elementary-aged children. Ellen Greenberg is an elementary school teacher and reading specialist who loves children’s literature. She enjoys writing stories about her own pet, Spencer, who operates a detective agency where he and his animal friends are able to solve problems and catch criminals. This is her fourth book in the Inspector Spencer series. The author utilizes many of the beloved characters from the first book, “Inspector Spencer Solves the Curious Case of Danger Mouse,” such as Pierre the Parrot, who speaks in rhyme. All four books were written to arouse the interest and imagination of children and to help them develop a love for reading. In fact this story was suggested by a second-grade student, who enjoyed the other books and requested that the author write one about Danger Mouse escaping from jail. Several of her young readers stated their own desires to become authors. The illustrations, completed by a talented artist, Caitlin Campbell, are awesome. They are very creative and give the animal characters distinct personalities.

"Get ready to be gripped by Penfold's latest action-packed adventure story, documenting one of Danger Mouse's most Dangerousmissions! Danger Mouse has decided that Penfold needs to learn some survival skills. So he's dragged him off to trek through the Himalayas! But they've not even made it halfway to Everest before their camping trip turns spooky - they seem to be under attack from a mysterious villain! Penfold is convinced that a real-life yeti is out to get them . . . Is he right? Or is there something even more terrifying awaiting them in the mountaintops?"

This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.

A Celebration of Animation explores the best-of-the-best cartoon characters from the 1920s to the 21st century. All the greats gracing this book are sure to trigger memories of carefree Saturday mornings or after-school hours in front of the TV.

A very helpful and accessible collection of contemporary issues in digital copyright law. . . Rimmer s book is quite possibly the most enjoyable and easy to read guide to selected issues of digital copyright law on the market today. . . Its core strength is undoubtedly its accessibility it is a pleasure to read. Martin Arthur Kuppers, Journal of Intellectual Property Law and Practice Matthew Rimmer s book provides much needed insight into the current status of digital copyright and its relationship to the general purchasing public. . . This book, which has a structure that flows with concinnity and concision, makes it easy to navigate some of the most complicated and controversial issues. Lisa Wong, Osgoode Hall Law Journal This engaging account of US copyright law (and copyright wars) is thorough and informative. Following a comprehensive and compelling introduction, encompassing a literature review and outline of the methodology and arguments to be adopted. . . His deep understanding of the subject matter, as well as his profound empathy with consumers, are evident throughout the work; the book will, no doubt, foster a similar interest in another generation of copyright law scholars. Louise Buckingham, Copyright Reporter Digital Copyright and the Consumer Revolution is a very important and timely book. . . and is a crucial vade mecum on the ever evolving global maze of case law and copyright reform . Colin Steele, Australian Library Journal It will most definitely prove to be an indispensable tool for researchers concerned with recent legal developments in the copyright field, both in America and Australia. Rimmer s Hands Off My iPod is a comprehensive and detailed analysis of current problems facing copyright holders as the struggle (and often fumble) to find a balance between profiting off their property and keeping the newly-powerful, increasingly agile user happy. Adam Sulewski, Journal of High Technology Law Rimmer brings the tension between law and technology to life in this important and accessible work. Digital Copyright and the Consumer Revolution helps make sense of the global maze of caselaw and copyright reform that extend from San Francisco to Sydney. The book provides a terrific guide to the world s thorniest digital legal issues as Rimmer demonstrates how the consumer interest is frequently lost in the crossfire. Michael A. Geist, the Canada Research Chair of Internet and E-Commerce Law, the University of Ottawa, Canada This book documents and evaluates the growing consumer revolution against digital copyright law, and makes a unique theoretical contribution to the debate surrounding this issue. With a focus on recent US copyright law, the book charts the consumer rebellion against the Sonny Bono Copyright Term Extension Act 1998 (US) and the Digital Millennium Copyright Act 1998 (US). The author explores the significance of key judicial rulings and considers legal controversies over new technologies, such as the iPod, TiVo, Sony Playstation II, Google Book Search, and peer-to-peer networks. The book also highlights cultural developments, such as the emergence of digital sampling and mash-ups, the construction of the BBC Creative Archive, and the evolution of the Creative Commons. Digital Copyright and the Consumer Revolution will be of prime interest to academics, law students and lawyers interested in the ramifications of copyright law, as well as policymakers given its focus upon recent legislative developments and reform proposals. The book will also appeal to librarians, information managers, creative artists, consumers, technology developers, and other users of copyright material.

This work digs deep into sampling practices across audio-visual media, from found footage filmmaking to Internet 'memes' that repurpose music videos, trailers and news broadcasts. The book extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring its politics, and examining its historical and global scope.