Dangerous Davies

As plain-clothes men go, Dangerous Davies looks like a non-starter. The small fry of petty larceny and minor disturbances in the backwaters of north-west London are his daily round. His philosophising Welsh drinking companion Mod, his outsized and unruly dog Kitty, his quarrels with his landlady Mrs Fulljames - none of these bodes well for the efficient solving of crimes and the outwitting of villainy. But Davies is encouraged by his beautiful friend Jemma, and every so often he stumbles upon something really big.

As plain-clothes men go, Dangerous Davies looks like a non-starter. The small fry of petty larceny and minor disturbances in the backwaters of north-west London are his daily round. His philosophising Welsh drinking companion Mod, his outsized and unruly dog Kitty, his quarrels with his landlady Mrs Fulljames - none of these bodes well for the efficient solving of crimes and outwitting of villainy. But Davies is encouraged by his beautiful friend Jemma, and every so often he stumbles upon something really big. Gathered together for the first time in one volume, here are Leslie Thomas's three books about the most endearing comic hero he has ever created.

Dangerous is back... In this, the fourth of Leslie Thomas's novels about Dangerous Davies, the last detective, Davies has retired from the Metropolitan Police and set up as a private eye. Cases are hard to come by until he is aburptly thrown into two mysteries - the murders of women answering lonely hearts advertisements, and the disappearance of a young girl student, a psychologist and a secret worth millions. But can Davies solve any of the mysteries and will his new career as a private detective be a success? People with the amazing characters that are the trademark of any book by Leslie Thomas, this is a highly original detective story that is as ingenious as it is touching and funny.

Lost, baffled, and alone in Willesden's mean streets, Detective Constable Dangerous Davies is up against the cream of criminality. Newspaper theft (the work of organized crime?), household robbery (including cheese from the fridge), it's all grist to his mill. When Dangerous is beaten up, yet again, at a European Friendship dinner dance he reluctantly takes some sick leave. Recuperating in Bournemouth he is approached by a member of the local Widows' Luncheon Club. She wants him to find out the truth about her husband's disappearance. Dangerous declines. It's against the rules. Back in Willesden a further beating helps change his mind. So starts a double life of regular casework and moonlighting as Dangerous lurches into a mystery fit to confuse the great Holmes himself...

This book is an appreciation of selected authors who make extensive use of humor in English detective/crime fiction. Works using humor as an amelioration of the serious have their heyday in the Golden Age of crime writing but they belong also to a long tradition. There is an identifiable lineage of humorous writing in crime fiction that ranges from mild wit to outright farce, burlesque, even slapstick. A mix of entertainment with instruction is a tradition in English letters. English crime fiction writers of the era circa 1913 to 1940 were raised in the mainstream literary tradition but turned their skills to detective fiction. And they are the humorists of the genre. This book is not an exhaustive study but an introduction into the best produced by the most capable and enjoyable authors. What the humorists seek is to surprise the reader by overturning their expectations using a repertoire of stylistic conceits and motifs (recurring incidents, devices, references). Humor has a liberating effect but is concerned too with "comic contrast" through ugliness and caricature. In crime fiction one effect is intellectual pleasure at solving (or attempting to solve) a puzzle. Another is entertainment but with serious undertones.