Dangerous Davies And The Lonely Heart

Dangerous is back... In this, the fourth of Leslie Thomas's novels about Dangerous Davies, the last detective, Davies has retired from the Metropolitan Police and set up as a private eye. Cases are hard to come by until he is aburptly thrown into two mysteries - the murders of women answering lonely hearts advertisements, and the disappearance of a young girl student, a psychologist and a secret worth millions. But can Davies solve any of the mysteries and will his new career as a private detective be a success? People with the amazing characters that are the trademark of any book by Leslie Thomas, this is a highly original detective story that is as ingenious as it is touching and funny.

As plain-clothes men go, Dangerous Davies looks like a non-starter. The small fry of petty larceny and minor disturbances in the backwaters of north-west London are his daily round. His philosophising Welsh drinking companion Mod, his outsized and unruly dog Kitty, his quarrels with his landlady Mrs Fulljames - none of these bodes well for the efficient solving of crimes and the outwitting of villainy. But Davies is encouraged by his beautiful friend Jemma, and every so often he stumbles upon something really big.

As plain-clothes men go, Dangerous Davies looks like a non-starter. The small fry of petty larceny and minor disturbances in the backwaters of north-west London are his daily round. His philosophising Welsh drinking companion Mod, his outsized and unruly dog Kitty, his quarrels with his landlady Mrs Fulljames - none of these bodes well for the efficient solving of crimes and outwitting of villainy. But Davies is encouraged by his beautiful friend Jemma, and every so often he stumbles upon something really big. Gathered together for the first time in one volume, here are Leslie Thomas's three books about the most endearing comic hero he has ever created.

Lost, baffled, and alone in Willesden's mean streets, Detective Constable Dangerous Davies is up against the cream of criminality. Newspaper theft (the work of organized crime?), household robbery (including cheese from the fridge), it's all grist to his mill. When Dangerous is beaten up, yet again, at a European Friendship dinner dance he reluctantly takes some sick leave. Recuperating in Bournemouth he is approached by a member of the local Widows' Luncheon Club. She wants him to find out the truth about her husband's disappearance. Dangerous declines. It's against the rules. Back in Willesden a further beating helps change his mind. So starts a double life of regular casework and moonlighting as Dangerous lurches into a mystery fit to confuse the great Holmes himself...

This book is an appreciation of selected authors who make extensive use of humor in English detective/crime fiction. Works using humor as an amelioration of the serious have their heyday in the Golden Age of crime writing but they belong also to a long tradition. There is an identifiable lineage of humorous writing in crime fiction that ranges from mild wit to outright farce, burlesque, even slapstick. A mix of entertainment with instruction is a tradition in English letters. English crime fiction writers of the era circa 1913 to 1940 were raised in the mainstream literary tradition but turned their skills to detective fiction. And they are the humorists of the genre. This book is not an exhaustive study but an introduction into the best produced by the most capable and enjoyable authors. What the humorists seek is to surprise the reader by overturning their expectations using a repertoire of stylistic conceits and motifs (recurring incidents, devices, references). Humor has a liberating effect but is concerned too with "comic contrast" through ugliness and caricature. In crime fiction one effect is intellectual pleasure at solving (or attempting to solve) a puzzle. Another is entertainment but with serious undertones.

A walk through Kensal Green Cemetery, a meat pie in the greasy spoon, a weekend away complete with flannel pyjamas - Dangerous Davies knows how to treat the woman he loves. Detective Constable Davies has two things on his mind: Jemma Duval, the beautiful, black, hymn-singing social worker, and 'Lofty' Brock, the harmless old eccentric who drowned in the canal. To prove that Lofty's death was no accident, our hero sets out to do some undercover detective work. He soon discovers that something sinister is going on. Something that requires intuition, dedication, brilliant deduction - and a timely blow with a blunt instrument.

In a sunlit, secret valley in the green mountains of central Italy, two people meet away from the horrors and clamour of battle. David Hopkins, a young fisherman from west Wales and Kate Medhurst, from a genteel town in the Thames Valley, embark upon an idyllic love affair away from the conflict that surrounds them. However, they cannot escape the war forever, and when they are targeted by a single enemy aeroplane their dreams are destroyed. Weeks later, Hopkins wakes up in a Russian hospital in Vienna where he's slowly recovering from serious wounds - with no recollection of the past. Eventually, transferred to an American hospital and then repatriated to Britain, Hopkins reluctantly returns to Wales. And there, alone and haunted by the months he cannot remember, Hopkins embarks upon a journey of rediscovery...

At the start of the war in 1939 James Bevan is a junior officer approaching middle-age, attached to a small anti-aircraft unit on the south coast. Abandoned by his wife, the soldiers he command are his family: Bairnsfather, whose sexual encounters with his girl friend Muriel take place in an air-raid shelter; Cartwright, trying to keep two women on his gunner's pay of a shilling a day; Hignet, cosily educating himself in the orderly room. It is a rude awakening when they are called upon for the real war. Hugely absorbing, rich and rewarding, Other Times brims with history and experience, love, sorrow and humour.