Dangerous Ground: The Complete Series Dangerous Ground Special Agents for the Department of Diplomatic Security, Taylor MacAllister and Will Brandt have been partners and best friends for three years, but everything changed the night Taylor admitted his feelings for Will. Yeah, it's complicated... Old Poison Friends, partners, and now lovers. If it was complicated before, it's even trickier now that Will has been assigned a case which guarantees he'll be working side-by-side with ex-boyfriend David Bradley. Blood Heat It's a bad time for DSS Agents Brandt and MacAllister to find themselves stranded in the middle of the New Mexico wilderness responsible for the health and welfare of a suspected terrorist. In other words, another day at the office. Dead Run The strain of a long distance relationship is beginning to tell after eleven months of Will being posted in Paris. A romantic holiday in the City of Lights could be just the thing to bridge the ever-growing distance--if it doesn't kill them first. Kick Start Will is finally braced to bring Taylor home to meet the folks. Unfortunately, not every member of the Brandt clan loves Taylor the way Will does. Then again, not everyone loves the Brandts. Blind Side With resources already overstretched, the last thing Will and Taylor need is another client. And the last thing Will needs is for that client to turn out to be an old boyfriend of Taylor's.

Yeah, it's complicated...

Special Agents for the Department of Diplomatic Security, Taylor MacAllister and Will Brandt have been partners and best friends for three years, but everything changed the night Taylor admitted the truth about his feelings for Will. Taylor agreed to a camping trip in the High Sierras -- despite the fact that he hates camping -- because Will wants a chance to save their partnership. But the trip is a disaster from the first, and things rapidly go from bad to worse when they find a crashed plane and a couple of million dollars in stolen money. With a trio of murderous robbers trailing them, Will and Taylor are on dangerous ground, fighting for their partnership, their passion...and their lives.

The bestselling author of Targeted shares the identity of the serial killer who co-starred with him on Dark Minds and the story of their intriguing bond. In September 2011, M. William Phelps made a decision that would change reality-based television—and his own life. He asked a convicted serial killer to act as a consultant for his TV series. Under the code name “Raven,” the murderer shared his insights into the minds of other killers and helped analyze their crimes. As the series became an international sensation, Raven became Phelps's unlikely confidante, ally—and friend. In this deeply personal account, Phelps traces his own family's dark history, and takes us into the heart and soul of a serial murderer. He also chronicles the complex relationship he developed with Raven. From questions about morality to Raven's thoughts on the still-unsolved, brutal murder of Phelps's sister-in-law, the author found himself grappling with an unwanted, unexpected, unsettling connection with a cold-blooded killer. Drawing on over seven thousand pages of letters, dozens of hours of recorded conversations, personal and Skype visits, and a friendship five years in the making, Phelps sheds new light on Raven's bloody history, including details of an unknown victim, the location of a still-buried body—and a jaw-dropping admission. All this makes for an unforgettable journey into the mind of a charming, manipulative psychopath that few would dare to know—and the determined journalist who did just that. Praise for New York Times bestselling author M. William Phelps “Anything by Phelps is an eye-opening experience.” —Suspense Magazine “Phelps is the king of true crime.” —Lynda Hirsch, Creators Syndicate columnist

As 1997 approaches, England's prime minister learns of a secret document signed by Mao Tse-tung that could delay the Chinese takeover of Hong Kong for an additional 100 years. The British hire former terrorist Sean Dillon to keep the document from coming to light, before parties in Hong Kong retrieve it and destroy the balance of world power.

In the remote and unpredictable Aleutians, danger comes without warning in an adrenaline rush of a novel by USA Today bestselling author Rachel Grant. Archaeologist Fiona Carver has unfinished business in the Aleutian Islands. After an emergency evacuation cut her first expedition short, she's finally back. But time is not on her side as she races to finish documenting the remnants of a prehistoric village, recover missing artifacts, and track down missing volcanologist Dylan Slater. Having bluffed his way onto Fiona's team with fake credentials, wildlife photographer Dean Slater is willing to risk more than federal prison to find his missing brother, but he needs Fiona's help. She knows the inhospitable terrain better than anyone. When the two set out together on a perilous journey, it becomes more than a recovery mission. In their fight for survival, nature isn't the only threat. They aren't the only ones on the hunt. Mile by dangerous mile, someone is hunting them.

The director of such classic Hollywood films as In a Lonely Place, Johnny Guitar, and Rebel Without a Cause, Nicholas Ray nevertheless remained on the margins of the American studio system throughout his career, and despite his cult status among auteurist critics and cinephiles, he has also remained at the margins of film scholarship. Lonely Places, Dangerous Ground offers twenty new essays by international film historians and critics that explore the director's place in the history of the Hollywood industry and in the larger institution of cinema, as well as a 1977 interview with Ray that has never before been published in its entirety in English. In addition to readings of Ray's most celebrated films, the book provides a range of approaches to his life and work, engaging new questions of his cinematic authorship with areas that include history and culture, politics and society, gender and sexuality, style and genre, performance, technology, and popular music. The collection also looks at Ray's lesser-known and underappreciated films, and devotes attention to the highly experimental We Can't Go Home Again, his recently restored final film made in the 1970s with his students at Binghamton University, State University of New York. Rediscovering what Ray means to contemporary film studies, the essays show how his films continue to possess a vital power for film history and criticism, and for film culture.

The boys are back in town—and Paris is burning! For Special Agents of the Department of Diplomatic Security, Taylor MacAllister and Will Brandt, the strain of a long-distance relationship is beginning to tell after eleven months of separation. A romantic holiday could be just the thing to bridge the ever-growing distance, but when Taylor spots a terrorist from the 70s, long believed dead but very much alive, it's c'est la vie. Now instead of sipping wine and seeing the sights, the boys are chasing a wily and deadly foe through the graveyards and catacombs of Paris. Of course, it could always be worse—and soon it is.

Friends, partners, and now lovers. If it was complicated before, it's even trickier now that Will has been assigned a case which guarantees he'll be working side-by-side with ex-boyfriend David Bradley. As for Taylor, newly recovered from his recent shooting and finally off desk duty, being reassigned a new partner—who seems as thrilled to be working with him as he is her—is just the start of his problems. Whoever has been leaving weird notes on his car windshield has graduated to sending him a dead cobra in a bottle of wine. Sure, DSS Agents Brandt and MacAllister have made a few enemies over the years, but until now it's never felt quite so personal. Taylor's insecurity about David Bradley and Will's uneasy suspicion Taylor isn't telling him everything he knows about his mysterious stalker puts them on shaky ground at the very moment a vengeful enemy is moving in for the kill.