Daniel Gordon Houseplants Signed Edition

This highly collectible, limited-edition pop-up book is a work of art in itself, rendering Daniel Gordon's sculptural forms into a new layer of materiality and animating them in a pop-up performance. The book consists of six works in pop-up form, some featuring simple plants, others unfolding more elaborate tableaux. Inspired by his interest in the popularity of certain subjects on the internet--houseplants among them--Gordon meticulously cuts up pictures found online to create sculptural and fantastical still lifes. He uses photography not to show reality, but to present a new version of it. The crumpled paper and mix of realistic and unnatural colors render the objects slightly goofy. "Without seams and faults and limitations, my project would be very different," Gordon says. "The seamlessness of the ether is boring to me, but the materialization of that ether, I think, can be very interesting." His pieces are a perfect marriage of digital and analog processes and of high and low artistic references, complicating what is understood as sculpture, photography, painting, and the cutout.

This highly collectible, limited-edition pop-up book is a work of art in itself, rendering Daniel Gordon's sculptural forms into a new layer of materiality and animating them in a pop-up performance. The book consists of six works in pop-up form, some featuring simple plants, others unfolding more elaborate tableaux. Inspired by his interest in the popularity of certain subjects on the internet--houseplants among them--Gordon meticulously cuts up pictures found online to create sculptural and fantastical still lifes. He uses photography not to show reality, but to present a new version of it. The crumpled paper and mix of realistic and unnatural colors render the objects slightly goofy. "Without seams and faults and limitations, my project would be very different," Gordon says. "The seamlessness of the ether is boring to me, but the materialization of that ether, I think, can be very interesting." His pieces are a perfect marriage of digital and analog processes and of high and low artistic references, complicating what is understood as sculpture, photography, painting, and the cutout.

From medieval bestiaries to Borges’s Book of Imaginary Beings, we’ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer’s song. But bestiaries are more than just zany zoology—they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don’t. With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change. A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.

It's time for plant lovers to dust off their houseplants, update their image, and discover just how exciting, trendy, and crucial plants can be in the home. The Unexpected Houseplant, by renowned plant authority Tovah Martin, isn't your typical, old-fashioned, dowdy houseplant book. Martin's approach is revolutionary—picture brilliant spring bulbs by the bed, lush perennials brought in from the garden, quirky succulents in the kitchen, even flowering vines and small trees growing beside an easy chair. Martin brings an evangelist's zeal to the task of convincing homeowners that indoor plants aren't just a luxury—they're a necessity. In addition to design flair, houseplants clean indoor air, which can be up to ten times more polluted. Along with loads of visual inspiration, readers will learn how to make unusual selections, where to best position plants in the home, and valuable tips on watering, feeding, grooming, pruning, and troubleshooting, season by season.

An Eclipse of Moths extends Gregory Crewdson's obsessive exploration of the small-town, postindustrial American landscape. Each of these sixteen, never-before-published images is composed at a cinematic scale with the artist's signature auteurial care. Downed streetlights, abandoned baby carriages, and decommissioned carnival rides set the scene for a cast of classic Crewdsonian characters--full of equal parts yearning and ennui. This collection of images is offered in a limited-edition, slipcased volume, sumptuously produced at a scale that offers an immersive experience of each of these carefully crafted scenes.

Snail World: Life in the Slimelight is a collection of absorbing snapshots from an alternate universe where snails drink bubble tea at the mall, hit tiny bongs, and get beamed up into flying saucers. Real snails and frogs bring to life miniature scenes meticulously created by artists Aleia Murawski and Sam Copeland, inspired by moody, cinematic moments and nostalgic Americana. These dreamlike and often hilarious images evoke the melodrama of daily life: a snail alone in an apartment with one last box to move; two snails getting slime all over grandma's plastic-covered armchairs; a frog doing karaoke in a heart-shaped hot tub. With hidden details to discover each time you flip through the pages, Snail World is a quirky celebration of the (very) little things in life. By Aleia Murawski and Sam Copeland. Hardcover with debossed image and spot gloss on cover. 80 pages, full color interior. Published by Broccoli. Measures 7" x 9 1⁄4".

The concept of My One Word is simple. Lose the long list of resolutions—all your sweeping promises to change—and do something about one thing this year instead of nothing about everything. Choose just one word that represents what you most hope God will do in you, and focus on it for an entire year. This single act will force clarity and concentrate your efforts. As you focus on your word over an extended period of time, you position yourself for God to form your character at a deep, sustainable level. Growth and change will result. Author Mike Ashcraft, who has led his megachurch through this My One Word project for more than five years, and Proverbs 31 Ministries author and speaker Rachel Olsen, who has lived it, are encouraging, insightful, good-humored, yet realistic in this enjoyable read. Their stories of growth and change through My One Word will keep you motivated. Throughout the book you'll also find words and stories of people just like you who have joined the My One Word movement and discovered the power of just one word. Includes discussion questions for use with the small-group video curriculum, My One Word: A DVD Study (sold separately).

Each spread in this board book is actually something else entirely -- from a flip phone and a folded t-shirt to an elephant's trunk and much more.