Dante S Purgatorio The Divine Comedy Volume Ii Purgatory Translated By Henry Wadsworth Longfellow With An Introduction By William Warren Vernon

Dante Alighieri was born in Florence, Italy in the middle of the 13th century and what is principally known of him comes from his own writings. One of the world's great literary masterpieces, "The Divine Comedy" is at its heart an allegorical tale regarding man's search for divinity. The work is divided into three sections, "Inferno", "Purgatorio", and "Paradiso", each containing thirty-three cantos. It is the narrative of a journey down through Hell, up the mountain of Purgatory, and through the revolving heavens into the presence of God. In this aspect it belongs to the two familiar medieval literary types of the Journey and the Vision, however Dante intended the work to be more than just simple allegory, layering the narrative with rich historical, moral, political, literal, and anagogical context. In order for the work to be more accessible to the common readers of his day, Dante wrote in the Italian language. This was an uncommon practice at the time for serious literary works, which would traditionally be written in Latin. One of the truly great compositions of all time, "The Divine Comedy" has inspired and influenced readers ever since its original creation. Presented here is the second volume of "The Divine Comedy" translated into English verse by Henry Wadsworth Longfellow. This edition is printed on premium acid-free paper, follows the verse translation of Henry Wadsworth Longfellow, and includes an introduction by William Warren Vernon.

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

The second installment in Mary Jo Bang’s exhilarating, innovative translation of Dante’s The Divine Comedy Award-winning poet Mary Jo Bang’s new translation of Purgatorio is the extraordinary continuation of her journey with Dante, which began with her transformative version of Inferno. In Purgatorio, still guided by the Roman poet Virgil, Dante emerges from the horrors of Hell to begin the climb up Mount Purgatory, a seven-terrace mountain with each level devoted to those atoning for one of the seven deadly sins. At the summit, we find the Terrestrial Heaven and Beatrice—who will take over for Virgil, who, as a pagan, can only take Dante so far. During the climb, we are introduced to the myriad ways in which humans destroy the social fabric through pride, envy, and vindictive anger. In her signature lyric style, accompanied by her wise and exuberant notes, Bang has produced a stunning translation of this fourteenth-century text, rich with references that span time, languages, and cultures. The contemporary allusions echo the audacious character of the original, and slyly insist that whatever was true in Dante’s era is still true. Usain Bolt, Tootsie Fruit Chews, the MGM logo, Leo the Lion, Amy Winehouse, Marvin Gaye, Bob Dylan, and Gertrude Stein are among those who make cameo appearances as Bang, with eloquence and daring, shepherds The Divine Comedy into the twenty-first century.

Presents the first part of Dante's "Divine Comedy", where Virgil leads Dante through the nine circles of Hell.

Third and final book of Dante's 14th-century allegory traces the poet's ultimate stage of his journey, as he crosses into Paradise under the guidance of the saintly Beatrice. Henry Wadsworth Longfellow translation.

The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide.Purgatory in the poem is depicted as a mountain in the Southern Hemisphere, consisting of a bottom section (Ante-Purgatory), seven levels of suffering and spiritual growth associated with the seven deadly sins, and finally the Earthly Paradise at the top. Allegorically, the Purgatorio represents the penitent Christian life.

Purgatorio is the second part of Italian poet Dante Alighieri's epic poem Divine Comedy and describes Dante's climb up the Mount of Purgatory. Dante visits the seven terraces of Purgatory, where sinners are cleansing themselves in preparation for entering Paradise.