Dark City

This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.

The author of Dark City: The Lost World of Film Noir introduces readers to the genre's sizzling femme fatales, from Jane Greer and Claire Trevor to Ann Savage and Evelyn Keyes. Reprint.

The blackout went into effect three days before the declaration of war and transformed nocturnal London into a criminal's paradise. As the city pulled together in the face of terrible adversity, the bomb-ravaged streets became the stalking grounds for killers, rapists, looters and gangs. The number of bodies retrieved during the Blitz made it impossible for the authorities to autopsy them all, providing cover to those who worked with blades, guns and more sinister tools. Scotland Yard – its resources stretched to the limit – did its best to tackle a rogues' gallery born of bombs and blackout, and crimes that continue to fascinate from history's darkest corners. In Dark City, award-winning crime writer Simon Read paints a vivid picture of the other side of wartime London, from the Blackout Ripper and the Acid Bath Murders, to the notorious Rillington Place killer and his house of corpses.

In "The Dark City Murders: A Detective's Race Against Time," Detective James Monroe takes readers on a gripping journey through the investigation of one of the most heinous crimes in the city's history. When a string of murders rocks the city, Detective Monroe is tasked with leading the investigation. As the body count rises, Monroe and his team race against time to identify the killer and bring him to justice. But as the investigation unfolds, they quickly realize that the killer is cunning, elusive, and determined to evade capture. The team is forced to navigate a complex web of lies, corruption, and danger, as they race to uncover the killer's identity and prevent further bloodshed. As the case reaches its dramatic conclusion, Detective Monroe is forced to confront the toll that the investigation has taken on him, and to grapple with the emotional aftermath of the murders. This true crime story offers a fascinating glimpse into the world of law enforcement, as well as the psychological toll of violent crime on its victims and the communities affected. With its compelling narrative and richly-drawn characters, "The Dark City Murders" is a must-read for fans of true crime and mystery alike.

Too Dark City, a neo-noir novel, set in Kalamazoo, Michigan in 1948, features a black detective, Moses Webb, and his side kick, Harry Martensen, a radioman and photographer. As a detective with the Kalamazoo Police, Moses Webb was shot in the left arm and shoulder during a drugstore robbery, forcing him to resign from the force. Now divorced, Moses works as a second-shift auto mechanic. As a favor, he investigates Marvin Simmons, a teenage basketball phenom. The police and prosecuting attorney have written the boy off as a Northside delinquent. The Shakespeare Company manufactures fishing tackle and grew to employ over 600 workers after World War II. Most of the employees wanted to be represented by a union. Eventually, the workers walked out on strike, and four months later, a riot ensued. Moses and his friend, Harry Martensen, an Air Force reservist radioman and amateur photographer, work through a list of suspects connected to the Shakespeare riot, the Red Scare, drug dealers, and red-line establishment politicians. One by one, the suspects Moses and Harry investigate, turn up missing or dead. Further complicating the case, Moses falls for Marvin's mother who is a nurse and has the best-looking legs on the north side of Kalamazoo.

At night, a once flat world illuminated by dull, grey daylight is transformed under the cloak of darkness. Garish spotlighting casts deep shadows and silhouettes, with hues of pink, cyan and orange. The stage is devoid of its human players and seems to showcase the scenery's forgotten beauty, revealing a stark and otherworldly aesthetic in a city missing its occupants. The built environment, deliberately contrived to service the needs and desires of humanity, makes sense in the context of teeming human life - without this however, its inherent functionality no longer visible, our urban spaces appeared to stand forlorn, waiting to be judged on their genius or folly, beauty or ugliness. This book presents a series of photographs depicting London at night.

A world on the edge of devastation, where nothing is as it seems--Front cover.

“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.