Dark Enlightenment

Neoreaction is not your grandfather's conservatism, but the web 2.0 era marriage between modern engineering principles and classical anti-democratic thought. Its central tenet is that the Enlightenment was a mistake, and in The Dark Enlightenment, Nick Land burns progressivism to the ground, salts the earth around its ashes, and raises an altar to anti-humanism in its place. Land explicates the main ideas of neoreaction-the Cathedral, neocameralism, formalism, etc.-always viewing democracy, liberalism, and politics in general through the lens of Darwinism. The result is something like Thomas Hobbes as ghostwritten by H. P. Lovecraft. Included in this volume is an unreleased essay by Land on the writing and impact of The Dark Enlightenment. Absolutely none of this incendiary work has been proven wrong in the ten years since it was written. No doubt it will remain relevant for many years to come.

In Dark Enlightenment Kennet Granholm provides a detailed look at the Left-Hand Path magic order Dragon Rouge in particular and explores the contexts of contemporary esoteric magic in general.

Lunar light, the serpent, bodily possession, the circular or thwarted journey, the double, the forest, the syzygy, the quatemity, and the mountain - all of which signify, tragically or not, the western psyche coming to consciousness of its alterity by confronting and/or assimilating its repressed, projected other."--Jacket.

Enlightenment thinkers such as Rousseau and Montesquieu are best known for their humanist theories and liberating influence on Western civilization. But as renowned French intellectual Louis Sala-Molins shows, Enlightenment discourses and scholars were also complicit in the Atlantic slave trade, becoming instruments of oppression and inequality. Translated into English for the first time, Dark Side of the Light scrutinizes Condorcet’s Reflections on Negro Slavery and the works of Montesquieu, Rousseau, and Diderot side by side with the Code Noir (the royal document that codified the rules of French Caribbean slavery) in order to uncover attempts to uphold the humanist project of the Enlightenment while simultaneously justifying slavery. Wielding the pen of both the ironist and the moralist, Sala-Molins demonstrates the flawed nature of these attempts and the reasons given for this denial of rights, from the imperatives of public order to the incomplete humanity of the slave (and thus the need for his progressive humanization through slavery), to the economic prosperity that depended on his labor. At the same time, Sala-Molins uses the techniques of literature to give equal weight to the perspective of the “barefooted, the starving, and the slaves” through expository prose and scenes between slave and philosopher, giving moral agency and flesh-and-blood dimensions to issues most often treated as abstractions. Both an urgent critique and a measured analysis, Dark Side of the Light reveals the moral paradoxes of Enlightenment philosophies and their world-changing consequences. Louis Sala-Molins is a moral and political philosopher and emeritus professor at the University of Toulouse. He is the author of many books, including Le Code Noir, ou Le calvaire de Canaan and L’Afrique aux Amériques. John Conteh-Morgan is associate professor of French and Francophone, African-American, and African studies at Ohio State University. He is the author of Theatre and Drama in Francophone Africa: A Critical Introduction.

The end is near. Hundreds of planets have been laid waste by the Drek and the virus. The Restoration begins in earnest its campaign to destroy The Church of the Blessed Prophets. Lord Comte Mishi's rebellion against what's left of the Imperium gains solid ground as the Lord Cardinal Nerodia presents the Lord Marshall Bhagavan in chains. Ailanthus' band of friends grows smaller and smaller with death, betrayal and self-sacrifice, while his responsibilities grow larger and larger and he learns fully the distorted history of humans and Dwad-Mehstiv and what he must do to save the last remnant of humanity. Thus continues the saga of Ailanthus and Tethys, two friends caught up in a universe that wants more from them than they are willing to give.

Why spiritual and supernatural yearnings, even investigations into the occult, flourished in the era of rationalist philosophy. In The Dark Side of the Enlightenment, John V. Fleming shows how the impulses of the European Enlightenment—generally associated with great strides in the liberation of human thought from superstition and traditional religion—were challenged by tenacious religious ideas or channeled into the “darker” pursuits of the esoteric and the occult. His engaging topics include the stubborn survival of the miraculous, the Enlightenment roles of Rosicrucianism and Freemasonry, and the widespread pursuit of magic and alchemy. Though we tend not to associate what was once called alchemy with what we now call chemistry, Fleming shows that the difference is merely one of linguistic modernization. Alchemy was once the chemistry, of Arabic derivation, and its practitioners were among the principal scientists and physicians of their ages. No point is more important for understanding the strange and fascinating figures in this book than the prestige of alchemy among the learned men of the age. Fleming follows some of these complexities and contradictions of the “Age of Lights” into the biographies of two of its extraordinary offspring. The first is the controversial wizard known as Count Cagliostro, the “Egyptian” freemason, unconventional healer, and alchemist known most infamously for his ambiguous association with the Affair of the Diamond Necklace, which history has viewed as among the possible harbingers of the French Revolution and a major contributing factor in the growing unpopularity of Marie Antoinette. Fleming also reviews the career of Julie de Krüdener, the sentimental novelist, Pietist preacher, and political mystic who would later become notorious as a prophet. Impressively researched and wonderfully erudite, this rich narrative history sheds light on some lesser-known mental extravagances and beliefs of the Enlightenment era and brings to life some of the most extraordinary characters ever encountered either in history or fiction.

An investigative reporter explores an infamous case where an obsessive and unorthodox search for enlightenment went terribly wrong. When thirty-eight-year-old Ian Thorson died from dehydration and dysentery on a remote Arizona mountaintop in 2012, The New York Times reported the story under the headline: "Mysterious Buddhist Retreat in the Desert Ends in a Grisly Death." Scott Carney, a journalist and anthropologist who lived in India for six years, was struck by how Thorson’s death echoed other incidents that reflected the little-talked-about connection between intensive meditation and mental instability. Using these tragedies as a springboard, Carney explores how those who go to extremes to achieve divine revelations—and undertake it in illusory ways—can tangle with madness. He also delves into the unorthodox interpretation of Tibetan Buddhism that attracted Thorson and the bizarre teachings of its chief evangelists: Thorson’s wife, Lama Christie McNally, and her previous husband, Geshe Michael Roach, the supreme spiritual leader of Diamond Mountain University, where Thorson died. Carney unravels how the cultlike practices of McNally and Roach and the questionable circumstances surrounding Thorson’s death illuminate a uniquely American tendency to mix and match eastern religious traditions like LEGO pieces in a quest to reach an enlightened, perfected state, no matter the cost. Aided by Thorson’s private papers, along with cutting-edge neurological research that reveals the profound impact of intensive meditation on the brain and stories of miracles and black magic, sexualized rituals, and tantric rites from former Diamond Mountain acolytes, A Death on Diamond Mountain is a gripping work of investigative journalism that reveals how the path to enlightenment can be riddled with danger.

The Middle Ages continue to provide an important touchstone for the way the modern West presents itself and its relationship with the rest of the globe. This volume brings together leading scholars of literature and history, together with musicians, novelists, librarians, and museum curators in order to present exciting, up-to-date perspectives on how and why the Middle Ages continue to matter in the 20th and 21st centuries. Presented here, their essays represent a unique dialogue between scholars and practitioners of 'medievalism'. Framed by an introductory essay on the broad history of the continuing evolution of the idea of 'The Middle Ages' from the 14th century to the present day, chapters deal with subjects as diverse as: the use of Old Norse sagas by Republican deniers of climate change; the way figures like the Irish hero Cu Chulainn and St Patrick were used to give legitimacy to political affiliations during the Ulster 'Troubles'; the use of the Middle Ages in films by Pasolini and Tarantino; the adoption of the 'Green Man' motif in popular culture; Lady Gaga's manipulation of medieval iconography in her music videos; the translation of medieval poetry from manuscript to digital media; and the problem of writing national history free from the 'toxic medievalism' of the 19th and 20th centuries. This book will appeal to anyone interested in the Middle Ages and its impact on recent political and cultural history. It is dedicated to the memory of Seamus Heaney, who gave his last overseas lecture in St. Andrews in 2013, the year this book was conceived, and whose late poetry this book also discusses.