Dark Is The Night

Ned the hedgehog is looking for a home in the cold, dark forest. He needs somewhere warm and cosy to sleep, but all he keeps finding are other creatures' homes: rabbits', foxes', owls', bats'. Will he ever find a snug safe bed of his own? This beautiful book is written and illustrated by award-winning author and illustrator Tim Hopgood. • Yellow/Band 3 books offer varied sentence structure and natural language • Text type: A story with predictable structure and patterned language. • A map of the forest on pages 14-15 shows Ned's journey and all the animals he encounters along the way. • Curriculum links: Knowledge and understanding of the World

A man set on revenge against a vampire becomes an unwitting piece in a sinister plot.

James Spencer is hardly the typical troubled youth who ends up at Whisperwood School for Boys. Instead of hating the strict schedules and tight oversight by staff, James blossoms, quickly making friends, indulging in his love of writing, and contemplating the merits of sneaking love poems to the elusive and aloof William Esher.The rumours about William’s sexuality and opium reliance are prime gossip material amongst the third years…rumours that only further pique James' curiosity to uncover what William is really like beneath all that emotional armor. And, when the normally collected William stumbles in one night, shaken and ranting of ghosts, James is the only one who believes him.James himself has heard the nails dragging down his bedroom door and the sobs echoing in the halls at night. He knows others have, too, even if no one will admit it. The staff refuses to entertain such ridiculous tales, and punishment awaits anyone who brings it up.Their fervent denial and the disappearance of students only furthers James’ determination to find out what secrets Whisperwood is hiding...especially if it prevents William and himself from becoming the next victims.

Reading St. John of the Cross’s Dark Night can be daunting; living the dark experience of purification it describes can be much more so. The description of the dark nights (yes, there is more than one!) which St. John presents seems so stark and painful that one might be tempted to just close the book and stop reading. On top of that, both the process St. John describes and the language he uses can be confusing and intimidating. The language of 16th-century scholasticism is not easily understood by 21st-century readers living in a completely different culture and context. Perhaps even more challenging is that fact that our modern lives, filled with the non-stop clutter of social media and technology, as well as comfort and ease, do not prepare most of us well to honestly look into our own depths to see who we are and who we are intended to become as fully alive human beings. Fortunately we now have this helpful book to guide us to that full life which St. John invites us to in The Dark Night. Father Marc Foley here combines his own theological and psychological background, as well as his experience as a spiritual guide, to help modern readers understand the experiences, challenges, and graced events of the purifying nights of sense and spirit. In addition to exploring certain key terms that John uses in Spanish and their meaning in the saint’s time and today, Father Marc includes pertinent selections from a wide range of writers, ancient to modern, that illustrate the themes he covers. Each chapter concludes with insightful questions for personal reflection or group discussion. The book has a comprehensive index.

Achille Mbembe is one of the world’s most profound critics of colonialism and its consequences, a major figure in the emergence of a new wave of French critical theory. His writings examine the complexities of decolonization for African subjectivities and the possibilities emerging in its wake. In Out of the Dark Night, he offers a rich analysis of the paradoxes of the postcolonial moment that points toward new liberatory models of community, humanity, and planetarity. In a nuanced consideration of the African experience, Mbembe makes sweeping interventions into debates about citizenship, identity, democracy, and modernity. He eruditely ranges across European and African thought to provide a powerful assessment of common ways of writing and thinking about the world. Mbembe criticizes the blinders of European intellectuals, analyzing France’s failure to heed postcolonial critiques of ongoing exclusions masked by pretenses of universalism. He develops a new reading of African modernity that further develops the notion of Afropolitanism, a novel way of being in the world that has arisen in decolonized Africa in the midst of both destruction and the birth of new societies. Out of the Dark Night reconstructs critical theory’s historical and philosophical framework for understanding colonial and postcolonial events and expands our sense of the futures made possible by decolonization.

Since graduating from Whisperwood School for Boys, William has found a sense of normalcy in his life with James. He has a steady (albeit secret) relationship, a home, and a job--even if it doesn't pay the greatest. Nevermind that he lacks James' reckless bravery when it comes to dealing with spirits; he does his best and it hasn't killed him thus far.When a new client calls on their expertise in solving a grisly multiple homicide, William resists. They're spirit hunters, not detectives. But the money is too much to pass up when they don't know when their next meal will be, and soon they're arriving at Evenbury Manor, nestled in a close-knit rural community, ready to investigate.They're in over their heads, but in very different ways than William could have anticipated. The hills are filled with creatures far more dangerous than any they've ever encountered, and their usual tactics aren't working. On top of his renewed struggles with his addiction, William is left to fend for himself against the dead to protect not only the community, but the person in the world that's most important to him.

Dark Night marks the third book in the gripping, atmospheric Alaska Wild series from Paige Shelton, in which Benedict, Alaska is met with some unexpected visitors...and then disappearances. Winter is falling in the remote town of Benedict, Alaska, and with the cold comes a mysterious guest. The dreaded "census man," seemingly innocuous, is an unwelcome presence to those members of this secretive community who would prefer to keep their business to themselves. Meanwhile, thriller writer Beth Rivers has received her own unexpected company: her mother. The last Beth heard, Mill Rivers had gone underground in search of Beth’s kidnapper, and Beth can't help but be a little alarmed at her appearance: If Mill was able to track down her daughter, who knows who else might be able to? Beth doesn't have time to ponder this for long, after a battered woman stumbles into the town bar one night, and her husband is found dead the next morning. Suspicions immediately turn to the census man, but when he, too, goes missing, everyone in Benedict—including the police chief—is suspected, and Beth and Mill must work to uncover the truth.

For a brief time following the end of the U.S. Civil War, American political leaders had an opportunity—slim, to be sure, but not beyond the realm of possibility—to remake society so that black Americans and other persons of color could enjoy equal opportunity in civil and political life. It was not to be. With each passing year after the war—and especially after Reconstruction ended during the 1870s—American society witnessed the evolution of a new white republic as national leaders abandoned the promise of Reconstruction and justified their racial biases based on political, economic, social, and religious values that supplanted the old North-South/slavery-abolitionist schism of the antebellum era. A Long Dark Night provides a sweeping history of this too often overlooked period of African American history that followed the collapse of Reconstruction—from the beginnings of legal segregation through the end of World War II. Michael J. Martinez argues that the 1880s ushered in the dark night of the American Negro—a night so dark and so long that the better part of a century would elapse before sunlight broke through. Combining both a “top down” perspective on crucial political issues and public policy decisions as well as a “bottom up” discussion of the lives of black and white Americans between the 1880s and the 1940s, A Long Dark Night will be of interest to all readers seeking to better understand this crucial era that continues to resonate throughout American life today.