Dark Mother

An amnesiac writer's life of lies and false memories reaches a breaking point in this stunning English-language debut from an award-winning Croatian author. As a novelist, Matija makes things up for a living. Not yet thirty, he's written two well-received books. It's his third that is as big a failure as his private life. Unable to confine his fabrications to fiction, he's been abandoned by his girlfriend over his lies. But all Matija has is invention. Especially when it comes to his childhood and the death of his father. Whatever happened to Matija as a young boy, he can't remember. He feels frightened, angry, and responsible... Now, after years of burying and reinventing his past, Matija must confront it. Longing for connection, he might even win back the love of his life. But discovering the profound fears he has suppressed has its risks. Finally seeing the real world he emerged from could upend it all over again.

Bringing a feminist perspective to contemporary findings of geneticists and archeologists, Lucia Chiavola Birnbaum, cultural historian, points out that the oldest veneration we know is of a dark mother of central and south Africa, whose signs-ochre red and the pubic V-were taken by african migrants after 50,000 BCE to caves and cliffs of all continents. The oldest sanctuary in the world was created in 40,000 BCE by african migrants in Har Karkom, later called Mt. Sinai, foundation place of judaism, christianity, and islam.Lucia documents the continuing memory of the dark mother and her values in prehistoric images of the dark mother, in historic black madonnas and in other dark women divinities whose sanctuaries are on african paths. She tracks the memory in rituals and stories of her sicilian grandmothers, in persecution of dark others in patriarchal Europe and the United States, in the rise of nonviolent dark others since the 1960s,in the banners of the 1995 world conference of women at Beijing, and in art. She finds the dark mother's values-justice with compassion, equality, and transformation-in everyday and celebratory rituals of the world's subaltern cultures-and suggests that the image and values are in the submerged memories of everyone.

"Tender and unsparing, this is a novel to hold onto." —Crystal Hana Kim, author of If You Leave Me “A masterfully written novel, alive and lyrical, a hypnotic rendering of the mess and the tenderness of family life.” —Claire Lombardo, author of The Most Fun We Ever Had A novel about family secrets and a volatile relationship between a mother and her daughters. When Anna’s sister calls with an urgent message, Anna doesn’t return the call. She knows it’s about their mother. Growing up in working class Boston in an Italian American family, Anna’s childhood was sparse but comfortable—filled with homemade pasta sauce and a close-knit neighborhood. Anna and her sisters are devoted to their mother, orbiting her like the sun, trying to keep up with her loving but mercurial nature as she bounces between tenderness and bitterness. When their father gets a new job outside the city, the family is tossed unceremoniously into a middle-class suburban existence. Anna’s mother is suddenly adrift, and the darkness lurking inside her expands until it threatens to explode. Her daughters, trapped with her in the new house, isolated, must do everything they can to keep her from unraveling. Alternating between childhood and Anna’s twenties, when she receives a shattering call about her mother that threatens to blow up her own precariously constructed life in New York, Mother in the Dark asks whether we can ever really go back home when the idea of home is so unstable. Whether we can escape that instability or accept that our personalities are built around the defenses we put up. Maiuri is a master at revealing the fragile horrors of domestic family life and how the traumas of the past shape the present and generations of women. A story about sisterhood, the complications of class, and the chains of inheritance between mothers and daughters, Mother in the Dark delivers an unvarnished portrayal of a young woman consumed by her past and a family teetering on the edge of a knife.

In the late nineteenth and early twentieth centuries, indigenous communities in the United States and Australia suffered a common experience at the hands of state authorities: the removal of their children to institutions in the name of assimilating American Indians and protecting Aboriginal people. Although officially characterized as benevolent, these government policies often inflicted great trauma on indigenous families and ultimately served the settler nations? larger goals of consolidating control over indigenous peoples and their lands. White Mother to a Dark Racetakes the study of indigenous education and acculturation in new directions in its examination of the key roles white women played in these policies of indigenous child-removal. Government officials, missionaries, and reformers justified the removal of indigenous children in particularly gendered ways by focusing on the supposed deficiencies of indigenous mothers, the alleged barbarity of indigenous men, and the lack of a patriarchal nuclear family. Often they deemed white women the most appropriate agents to carry out these child-removal policies. Inspired by the maternalist movement of the era, many white women were eager to serve as surrogate mothers to indigenous children and maneuvered to influence public policy affecting indigenous people. Although some white women developed caring relationships with indigenous children and others became critical of government policies, many became hopelessly ensnared in this insidious colonial policy.

What are we? The Damned childer of caine? The grotesque lords of humanity? The pitiful wretches of eternal hell? We are vampires, and that is enough. I am a vampire, and that is far more than enough. I am that which must be feared, worshipped and adored. The world is mine -- now and forever. No one holds command over me. No man. No god. No prince. What is a claim of age for ones who are immortal? What is a claim of power for ones who defy death? Call your damnable hunt. We shall see whom I drag screaming to hell with me. New insight into vampire origins and the undead curse itself, in the Book of Nod tradition.

She Is Everywhere! An Anthology of Writing in Womanist/Feminist Spirituality Perhaps the first womanist/feminist anthology which includes women's voices from many cultural and spiritual traditions across the globe from past to present. This book will be enormously useful and stimulating to women's studies classes and the emerging vibrant study of women's spirituality. "By venerating Her I am able to salute the divinity in all women and myself."--Luisah Teish "We are at the brink of new age which will be defined by new concepts in science, religion, and the reclamation of the values of the Dark Mother."--Necia Harkless "In my micro-geography, she is everywhere: in a sweat lodge in Indian Canyon, or in the Guadalupe chapel in San Juan Bautista, in a field of blue corn in Aromas protected with corn dollies, or in the Rodriquez Street Laundry in Watsonville..."--Jennifer Colby "In bringing memories of Her to the surface, I feel reborn, reconnected to the Earth, reunited with my Great Mother."--Sandy Miranda "Traveling to lands and sacred sites where evidence of the Goddess is irrefutable gives me a new spark and added hope...Sardinia herself is the Great Mother."--Leslene della Madre "The more women's voices I heard; the more I came to see the Sacred Feminine as immanent; the more I saw women who seemed to be filled with joy even in the midst of adverse circumstances..."--Deborah Grenn

“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist.”—Time Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all. “A great artist.”—Cincinnati Enquirer “A shaking up in the kaleidoscope of laughter . . . Reading Vonnegut is addictive!”—Commonweal

“In darkness, we become devoted to clarity, courage, peace, and harmony. We discover the basic goodness of all humanity when we experience darkness together,” Zenju Earthlyn Manuel writes. “Life itself is a dark experience—a magical experience.” When you hear the word “darkness,” what does it make you feel—horror, danger, or maybe despair? We’ve been conditioned to fear and avoid darkness and blackness, yet Zenju Earthlyn Manuel challenges us to consider: “What if we chose to go deeper into darkness instead of running from it? What might we find there beyond our longing for light?” Drawing on the ancient wisdom found in Zen Buddhism and African and Native American indigenous traditions, Osho Zenju reveals how a change in perspective and increased wisdom can help us awaken to the sacredness of dark experiences in our lives—so we may experience a reality beyond avoidance and fear. Opening to Darkness will take you on a courageous journey into the mandala of darkness, a symbolic expression of your inner world, where you will travel through eight gateways that are inspired by Buddha’s Eightfold Path. Along your way, you will meet dark mothers from India, Nigeria, Japan, Haiti, and Dahomey, who both protect and destroy. Osho Zenju provides reflective inquiry, blessings, and meditations as you navigate your way through the vast depths of the unseen. It is through this spiritual pilgrimage that we learn how to: • Experience the wonders of life that can flourish only in the dark • Discover a collective doorway to healing and deep transformation • Awaken to the illusory nature of light versus dark • Illuminate false perceptions and beliefs of darkness • Heal the fear and anxiety around darkness and blackness Wrapped in gorgeous lyrical prose, Osho Zenju’s offerings provide deep soul relief and collective strength to embrace the dark—so we may reunite with the sacred process of darkness that flows through the canvas of our lives.