Dark Tears

A beautifully packaged and profound exploration of human desire and queer sexuality in Latin America by the acclaimed Argentinian photographer Claudia Jares In Dark Tears, award-winning Argentinian photographer and performance artist Claudia Jares takes her lens to the reality of queer experience in Argentina, Venezuela, and across Latin America, exploring questions of sexuality, religion, and identity with the raw eroticism that is the hallmark of her style. Here she tells the stories of a number of people struggling to come to terms with their identity in a region that, despite much progress in LGBTQ rights in recent years, still moves to a strongly conservative Christian heartbeat that condemns same-sex relations and reveres the institution of the heteronormative family. Drawing on the queer traditions of burlesque and drag, Dark Tears is a journey into an interior erotic landscape as it profiles a number of different couples—gay, lesbian, gender nonconforming—to delve into the hidden corners and diverse configurations of human desire as it conflicts with more staid, traditional values. A balance of celebrating acceptance and recalling the clandestine, furtive history of queer sexuality, these explicit black-and-white and color images are a challenge to the viewer as voyeur, but also an invitation to enter with empathy into the intimate world of Jares's subjects. Dark Tears was designed by Emerson, Wajdowicz Studios (EWS).

Thomas Edward "Black Jack" Ketchum was executed for an attempt to hold up the C. & S. train between Des Moines and Folsom in the northeastern corner of New Mexico. Ketchum was to be made an example in an effort to prevent further robberies, however his misplaced bravery outshone the more widely known Billy the Kid.

Black college football began during the nadir of African American life after the Civil War. The first game occurred in 1892, a little less than four years before the Supreme Court ruled segregation legal in Plessy v. Ferguson. In spite of Jim Crow segregation, Black colleges produced some of the best football programs in the country. They mentored young men who became teachers, preachers, lawyers, and doctors--not to mention many other professions--and transformed Black communities. But when higher education was integrated, the programs faced existential challenges as predominately white institutions steadily set about recruiting their student athletes and hiring their coaches. Blood, Sweat, and Tears explores the legacy of Black college football, with Florida A&M's Jake Gaither as its central character, one of the most successful coaches in its history. A paradoxical figure, Gaither led one of the most respected Black college football programs, yet many questioned his loyalties during the height of the civil rights movement. Among the first broad-based histories of Black college athletics, Derrick E. White's sweeping story complicates the heroic narrative of integration and grapples with the complexities and contradictions of one of the most important sources of Black pride in the twentieth century.

Daniel and Vanessa Parker are an American success story. He is a Washington, D.C. power broker, and she is a doctor with a thriving practice. But behind the façade, their marriage is a shambles, and their teenage son, Quentin, is self-destructing. In desperation, Daniel dusts off a long-delayed dream - a sailing trip around the world. Little does he know that the voyage he hopes will save them may destroy them instead. Half a world away, on the lawless coast of Somalia, Ismail Ibrahim is plotting the rescue of his sister, Yasmin, from the man who murdered their father. Driven to crime by love and loyalty, he hijacks ships for ransom money. There is nothing he will not do to save her, even if it means taking innocent life. Paul Derrick is the FBI's top hostage negotiator. His twin sister Megan, is a celebrated defense attorney. When Paul is called to respond to a hostage crisis at sea, he has no idea how far it will take them both into their traumatic past - or the chance it will give them to redeem the future. Across continents and oceans, through storms and civil wars, their paths converge in a single, explosive moment. It is a moment that will test them, and break them, but that will also leave behind a glimmer of hope - that out of the ashes of tragedy the seeds of justice and reconciliation can grow, not only for themselves but also for Somalia itself.

Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, this explosive book of history and cultural criticism reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront. Along the way, there are revelatory responses to questions like: Why are white men not troubled by sexual assault on women? (See Christine Blasey Ford.) With rigor and precision, Hamad builds a powerful argument about the legacy of white superiority that we are socialized within, a reality that we must apprehend in order to fight. "A stunning and thorough look at White womanhood that should be required reading for anyone who claims to be an intersectional feminist. Hamad’s controlled urgency makes the book an illuminating and poignant read. Hamad is a purveyor of such bold thinking, the only question is, are we ready to listen?" —Rosa Boshier, The Washington Post

Tears in the Darkness is an altogether new look at World War II that exposes the myths of war and shows the extent of suffering and loss on both sides. For the first four months of 1942, U.S., Filipino, and Japanese soldiers fought what was America's first major land battle of World War II, the battle for the tiny Philippine peninsula of Bataan. It ended with the surrender of 76,000 Filipinos and Americans, the single largest defeat in American military history. The defeat, though, was only the beginning, as Michael and Elizabeth M. Norman make dramatically clear in this powerfully original book. From then until the Japanese surrendered in August 1945, the prisoners of war suffered an ordeal of unparalleled cruelty and savagery: forty-one months of captivity, starvation rations, dehydration, hard labor, deadly disease, and torture—far from the machinations of General Douglas MacArthur. The Normans bring to the story remarkable feats of reportage and literary empathy. Their protagonist, Ben Steele, is a figure out of Hemingway: a young cowboy turned sketch artist from Montana who joined the army to see the world. Juxtaposed against Steele's story and the sobering tale of the Death March and its aftermath is the story of a number of Japanese soldiers.

"You see, there is safety in simplicity... in a life of simple peace, where the electricity doesn't dance across the backs of my eyelids, and the sparks don't slither over my consciousness. Only asinine peace, where my paintings don't seem to paint themselves, leaving me with terrible feelings of premonition and a chill beneath my fingernails." Seraph Black used to think that she was prepared for anything. She could last days without eating and she always walked away from the violent altercations with her father relatively unharmed. She survived working at the club and the drive to school every day in her mother's rust-bucket of a car... but it all changed when Noah and Cabe came bulldozing into her life, careless of the precious secrets they picked apart in their quest to take over her world. She was even less prepared for the mysterious Miro and Silas, and nothing could have prepared her for the bond. The connection. The reason for it all. Someone wanted her to stay away from her new friends, but she wasn't willing to do that. Everyone had secrets. She wanted to know theirs. They wanted to own hers. And the stalker? He seemed to know everything already. This is a full, 100,000 word novel. Book 1 of the Seraph Black series.

A popular look at the separation of church and state: what it is, what it isn't, and why it matters for the future of religion in America. An alarm-ringing but intelligent and fair-minded revelation of the backlash against traditional moral values, presented in an accessible and practical way using the sports analogy of fair play. Explains why religiously-informed moral values are under threat in a one-sided interpretation of church and state. Empowers readers by helping them to clarify confusing viewpoints and motivating them to act on what they believe.