Dating Undated Medieval Charters

Many of the millions of medieval charters surviving in European archives and repositories were written without any reference to a date of issue. The proliferation of undated charters in England and Normandy indicates that the custom was especially peculiar to lands under Norman rule, but charters issued by major religious houses are often also undated. The DEEDS Project at the University of Toronto has developed a computerised methodology for dating charters, relying on analysis of vocabulary, syntax and formulae. In this volume an international group of scholars concerned with the problem of charter chronology consider the potential of the computerised methodology compared to other more traditional methods of dating, such as identification of names, changing in wording and address, and handwriting. Discussion also touches on regional differences in the production, use and distribution of charters, and on ways both manual and mechanical to date and analyse the content of large numbers of them. MICHAEL GERVERS is Director of the DEEDS Project at the University of Toronto, Canada. Contributors: MICHAEL GERVERS, RODOLFO FIALLOS, MARJORIE CHIBNALL, V�RONIQUE GAZEAU, BENOIT-MICHEL TOCK, NICHOLAS VINCENT, GEORGES DECLERCQ, ZSOLT HUNYADIR, ATTILA ZSOLDOS, MARIA HILLEBRANDT, TREVOR CHALMERS, LAZSLO VESZPR�MI, P.D.A. HARVEY, ANDRAS GRYNAEUS, JOZSEF PALFY

Lists articles, notes, and similar literature on medieval subjects in journals, Festschriften, conference proceedings, and collected essays. Covers all aspects of medieval studies within the date range of 450 to 1500 for the entire continent of Europe, the Middle East and North Africa for the period before the Muslim conquest and parts of those areas subsequently controlled by Christian powers.

"This is a critical edition of six twelfth-century surveys of the vast estates of Glastonbury Abbey, five of which are printed for the first time." "They deal with both the monastic household and the Abbot's lordship as tenant-in-chief. They throw much light on the changing methods by which he exploited the resources of his demesne manors, and provide evidence of how the services and holdings of the peasantry were affected by a rising population." "The introduction explains the contemporary context of surveys - documents which are of fundamental importance for the economic, social, and monastic history of twelfth-century England."--BOOK JACKET.

This book draws together a collection of essays looking at the ways in which charters and charter scholarship in different areas of Britain and Ireland, highlighting comparisons and contrasts in charter production and use. The book shows the crucial importance of charters as sources for understanding the history of royal administration and, more broadly, the perceptions and portrayals of kingly power, as well as developments in written culture.

Now republished with minor corrections, this volume provides the first comprehensive collection of charters, letters and other documents issued by native rulers of Wales from the early twelfth century to the Edwardian conquest of 1282 - 3 that extinguished independent rule.

In the early twelfth century a Burgundian monk set out to tell the 500-year history of his monastery, embedded within a broader history of early medieval France. The Cartulary-Chronicle of St-Pierre of Bèze is both a history of the monastery and a collection of its 331 charters, from its seventh-century foundation until the middle of the twelfth century. Bèze was a Benedictine house whose history included at least six incidents of sacking and destruction – and according to its twelfth-century chronicler it always recovered and emerged stronger than ever. Combining the history of Burgundy and Francia with the history of his house, John, the chronicler, created a past for Bèze as he wanted it to be remembered. Based on John’s autograph manuscript, The Cartulary-Chronicle of St-Pierre of Bèze is published here in full for the first time. While the monks of Bèze have often been overshadowed by their more famous neighbours, the monks of Dijon, this edition recounts the history of one of the oldest houses in Burgundy and gives it its proper due.

Henry II is the most imposing figure among the medieval kings of England. His fiefs & domains extended from the Atlantic to the Mediterranean, & his court was frequented by the greatest thinkers of his time. Best known for his dramatic conflicts, it was also a crucial period in the evolution of legal & governmental institutions.

A close analysis of forgeries and historical writings at Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury, offering valuable access to why medieval people often rewrote their pasts.What modern scholars call "forgeries" (be they texts, seals, coins, or relics) flourished in the central Middle Ages. Although lying was considered wrong throughout the period, such condemnation apparently did not extend to forgeries. Rewriting documents was especially common among monks, who exploited their mastery of writing to reshape their records. Monastic scribes frequently rewrote their archives, using charters, letters, and narratives, to create new usable pasts for claiming lands and privileges in their present or future. Such imagined histories could also be deployed to "reform" their community or reshape its relationship with lay and ecclesiastical authorities. Although these creative rewritings were forgeries, they still can be valuable evidence of medieval mentalities. While forgeries cannot easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.lose analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.