Daughter Of Nomads

Master storyteller Rosanne Hawke effortlessly interweaves ancient Mughal history and settings, fables and traditional story threads to bring to life a magical fantasy. Told over two books – the second book, The Leopard Princess out in October 2016. Daughter of Nomads contains a sample chapter from The Leopard Princess.First Moon of Summer, 1662: Fourteen-year-old Jahani lives peacefully in the village of Sherwan. But havoc is brewing in the Mughal Empire with tyrants and war lords burning villages in their quest to rule the northern kingdoms.After an assassin strikes in a bazaar, Jahani discovers her life is not as it seems. Before long, she is fleeing with her mysterious protector Azhar.Will their journey to the Qurraqoram Mountains lead Jahani to danger or to her destiny?

There is an urgent need for new thinking - a clear mind shift - in terms of leadership and people management as the focus of world recovery switches from US/Western best practices to recovery and growth centred on developing and emerging markets. A cadre of global professional is appearing who will drive both the recovery and future growth of international organizations - The Global Nomad. The Rise of the Global Nomad explains how this new workforce is the engine room of the modern organization. Promoting recovery and driving growth by operating in the new markets. The global nomad, predominantly Generation Y, is characterised by a new set of principles and attitudes; embracing change, up for the challenge, they are not loyal to any one organization. Recognising that they are the key to unlocking the potential in these new markets, the author describes how organizations need to restructure and change their ideas to embrace the global nomad and maximise their power in the new economy.

Nomadism as a way of life was a logical, valid and productive mode of existence. Pastoral nomads proved to be resistant to external forces. Their land, culture, lifestyle could not overrun by modern civilization. As the world economy is changing drastically, and pastoral nomads everywhere are facing the impact. The book contains interesting portraits of the life and livelihood of the various nomadic groups of the world. From marriage to religion, from animal husbandry to popular justice, all aspects of the culture and daily life of nomads are elaborately described. It also provides authentic information about the existing patterns of nomadic settlements and the challenges confronted by nomads from modern reforms.

Out There addresses the theme of cultural marginalization - the process whereby various groups are excluded from access to and participation in the dominant culture. It engages fundamental issues raised by attempts to define such concepts as mainstream, minority, and "other," and opens up new ways of thinking about culture and representation. All of the texts deal with questions of representation in the broadest sense, encompassing not just the visual but also the social and psychological aspects of cultural identity. Included are important theoretical writings by Homi Bhabha, Helene Cixous, Gilles Deleuze and Felix Guattari, and Monique Wittig. Their work is juxtaposed with essays on more overtly personal themes, often autobiographical, by Gloria Anzaldua, Bell Hooks, and Richard Rodriguez, among others. This rich anthology brings together voices from many different marginalized groups - groups that are often isolated from each other as well as from the dominant culture. It joins issues of gender, race, sexual preference, and class in one forum but without imposing a false unity on the diverse cultures represented. Each piece in the book subtly changes the way every other piece is read. While several essays focus on specific issues in art, such as John Yau's piece on Wilfredo Lam in the Museum of Modern Art, or James Clifford's on collecting art, others draw from debates in literature, film, and critical theory to provide a much broader context than is usually found in work aimed at an art audience. Topics range from the functions of language to the role of public art in the city, from gay pornography to the meanings of black hair styles. Out There also includes essays by Rosalyn Deutsche, Richard Dyer, Kobena Mercer, Edward Said, Gayatri Spivak, Gerald Vizenor and Simon Watney, as well as by the editors. Copublished with the New Museum of Contemporary Art, New York Distributed by The MIT Press.

Examining the rapid transition in Iran from a modernizing, westernizing, secularizing monarchy (1941-79) to a hard-line, conservative, clergy-run Islamic republic (1979-), this book focuses on the ways this process has impacted the Qashqa’i—a rural, nomadic, tribally organized, Turkish-speaking, ethnic minority of a million and a half people who are dispersed across the southern Zagros Mountains. Analysing the relationship between the tribal polity and each of the two regimes, the book goes on to explain the resilience of the people’s tribal organizations, kinship networks, and politicized ethnolinguistic identities to demonstrate how these structures and ideologies offered the Qashqa’i a way to confront the pressures emanating from the two central governments. Existing scholarly works on politics in Iran rarely consider Iranian society outside the capital of Tehran and beyond the reach of the details of national politics. Local-level studies on Iran—accounts of the ways people actually lived—are now rare, especially after the revolution. Based on long-term anthropological research, Nomads in Postrevolutionary Iran provides a unique insight into how national-level issues relate to the local level and will be of interest to scholars and researchers in Anthropolgy, Iranian Studies and Middle Eastern Studies.

A remarkable and inspiring true story that "stuns with raw beauty" about one woman's resilience, her courageous journey to America, and her family's lost way of life. Winner of the 2022 Gold Nautilus Award, Multicultural & Indigenous Category Born in Somalia, a spare daughter in a large family, Shugri Said Salh was sent at age six to live with her nomadic grandmother in the desert. The last of her family to learn this once-common way of life, Salh found herself chasing warthogs, climbing termite hills, herding goats, and moving constantly in search of water and grazing lands with her nomadic family. For Salh, though the desert was a harsh place threatened by drought, predators, and enemy clans, it also held beauty, innovation, centuries of tradition, and a way for a young Sufi girl to learn courage and independence from a fearless group of relatives. Salh grew to love the freedom of roaming with her animals and the powerful feeling of community found in nomadic rituals and the oral storytelling of her ancestors. As she came of age, though, both she and her beloved Somalia were forced to confront change, violence, and instability. Salh writes with engaging frankness and a fierce feminism of trying to break free of the patriarchal beliefs of her culture, of her forced female genital mutilation, of the loss of her mother, and of her growing need for independence. Taken from the desert by her strict father and then displaced along with millions of others by the Somali Civil War, Salh fled first to a refugee camp on the Kenyan border and ultimately to North America to learn yet another way of life. Readers will fall in love with Salh on the page as she tells her inspiring story about leaving Africa, learning English, finding love, and embracing a new horizon for herself and her family. Honest and tender, The Last Nomad is a riveting coming-of-age story of resilience, survival, and the shifting definitions of home.